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Another problem of Cuban cinema is displaying. How are the movie theaters? Where is the money to equip and repair them? You can make an independent film but … then what? Where did you exhibit it? Particular 3d cinemas were removed and what is the alternative? Some positive changes have been seen but all transformations must be linked to people participation. Sometimes measures are taken deliberately because of taken decisions are not foreseen. We are like trapped, the entanglement is not only material but of ideological type and modification that we need is not only tactical and partially economical but political. Paraphrasing Raul, the only commitment that Cuban cinema has is maintaining an artistic, serious and reflexive dialogue with its national reality.
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