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symbolise la perception trouble d’un soldat durant la guerre. L’image est inspirée d’une expérience vécue par Michon, laquelle avait, durant un vol, vu un arc-en-ciel et l’ombre de l’avion dans le ciel.
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(Target) symbolizes the blurring of a soldier’s perception during war. The image was inspired by Michon’s experience during a flight in which she noticed a rainbow and the shadow of the aircraft in the sky. While at first these two forms seemed to move through the sky in different directions, the shadow and the circle eventually came together, and appeared as if to form the image of a target in the sky. At the same time, the clouds obstructed her view from the sky to the ground. The movement and overlapping of these aerial units affected Michon hypnotically to observe that during war time the shape that appeared could have been the target of an enemy aircraft. Michon analyzed her experience psychologically, comparing her imaginative perceptions to the blurred images that soldiers during the war may have experienced. This artwork symbolizes the obscuring and alterations of perceptions caused by war.
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Comme Yoon, Minick critique le besoin du touriste de dire "J'étais ici," marquant soit le lieu avec leur présence ou leur présence avec le lieu. Minick montre qu'après avoir vu un lieu emblématique, il est plus facile de lui tourner le dos et de poser pour une photo que de vraiment y participer.
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American photographer Roger Minick also strives to expose the banality of "official" representations of tourist sites, but in his images of such sites in the United States he also depicts the casual connection with place that becomes possible when spectacle becomes wallpaper. His images depict interactions of locals with sites that are clearly geared to tourists, and reveal the subtle ironies contained within. Minick's photographs depict the oddity that is the spectacular and strange becoming commonplace. Like Yoon, Minick critiques the tourist's need to say I Was Here, marking either the place with their presence or their presence with the place. Minick shows that having borne witness to an iconic place, it is easier to turn one's back on it and pose for a snapshot than to truly participate in the place. Skimming surfaces of surfaces, some tourists will only become actors insofar as their roles have been predetermined by a guidebook. Thus, Minick shows how one-sided, overly simplistic, and misleading an institutional or "official" version can be.
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Mme Tremblay, la plus proche voisine de la victime, a rapporté avoir vu un homme mystérieux faisant les cent pas devant la demeure de la victime aux environs de 22 h 15 le soir du meurtre.
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Mrs. Smith the next door neighbor reported seeing a strange man walking back and forth in front of the victim's house at around 10:15 P.M. on the night of the murder.