waith – -Translation – Keybot Dictionary

Yn ei waith diweddar, Cosmic Orphans (2006), gosodiad penodol ar gyfer safle teml Sri Krishnan a grewyd ar gyfer Biennale Singapore, gorchuddiodd Harsha y nenfwd cyfan uwchben y sanctwm mewnol a’r llawr o amgylch twr y teml gyda muriau o ffigyrau’n cysgu.

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(2006) a site-specific painting installation at the Sri Krishnan Temple created for the Singapore Biennale, Harsha covered the entire surface of the rooftop above the inner sanctum and the floor surrounding the temple’s tower with paintings of sleeping figures. Painted directly onto the floor using flat colours, the figures occupy a space not normally associated with traditional painting – their displacement provoking the audience to consider what is permitted and forbidden in relation to where they tread in the temple.

Artes Mundi - Tim Davies

Symudodd i Lundain ym 1978, ac ar ôl gweithio ac astudio yno ac yn Norwich, dychwelodd i Gymru ym 1994. Artist gosodwaith ydyw yn bennaf, ac mae ei waith yn aml yn tarddu o bryderon amgylcheddol neu wleidyddol.

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He moved to London in 1978, and after working and studying both there and in Norwich, returned to Wales in 1994. He is primarily an installation artist whose work often derives from environmental or political concerns. Winner of the Mostyn Open Prize in 1997 and the National Eisteddfod Fine Art Gold Medal in 2003, he has exhibited extensively including the UK, Ireland, Eastern Europe, Hong Kong, Australia and central America. He now lives and works in Swansea.

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Show text Show cached source Open source URL	I mewn i’r orielau cyfoes, ac fe’m cyfarchwyd gan gasgliad o waith gan Theaster Gates sydd wedi’i ysbrydoli gan systemau credoau, gan gynnwys rhan o do eglwys, Boli Affricanaidd, gafr ddefodol saer rhydd a ffilm yn cynnwys cerddoriaeth Gospel.
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	Into the contemporary galleries and I was greeted by Theaster Gates belief-system inspired collection of works, including a section of a church roof, an African Boli, a freemasons ritual goat and a film featuring Gospel music. As a Christian I was moved by the mood of the film but wished the noise from the mechanised goat on a rail track, hadn’t drowned it out.

Artes Mundi - Zoom Cymru

Show text Show cached source Open source URL	Bu’r Tywysydd Byw, Mair Jones, a’r artist cymunedol, Dave Evans, yn cydweithio â grŵp o bymtheg o bobl ifainc a’u teuluoedd, pob un â chysylltiad â Chymdeithas Tai Sir Benfro i gynhyrchu ffilm mewn ymateb i waith un o’r artistiaid ar restr fer Artes Mundi 5, Phil Collins’, ‘Free Fotolab’ 2009.
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	Live Guide Mair Jones and community artist Dave Evans worked with a group of fifteen young people and their families all linked to Pembrokeshire Housing Association to produce a film in response to Artes Mundi 5 shortlisted artist Phil Collins’ work ‘Free Fotolab’ 2009.

Show text Show cached source Open source URL	Bydd Artes Mundi 7 yn cyflwyno arddangosfa bwysig o waith arloesol a newydd gan yr artistiaid sydd ar y rhestr fer o 21 Hydref 2016 hyd at 26 Chwefror 2017 yn Amgueddfa Genedlaethol Caerdydd a Chapter Caerdydd.
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	Artes Mundi 7 will present a major exhibition of seminal and new works by the shortlisted artists from 21st October 2016 to 26th February 2017 at National Museum Cardiff and Chapter, Cardiff. There will also be an extended programme across the city, in partnership with other organisations.

Artes Mundi - theatr DI...

Show text Show cached source Open source URL	Bydd perfformiadau o uchafbwyntiau prosiect comisiwn diweddaraf y grŵp, wedi ei ysbrydoli gan waith celf yn Artes Mundi 5. Bydd yr holl gomisiynau newydd, un ar gyfer pob artist rhestr fer Artes Mundi 5, yn cael eu perfformio yn eu cyfanrwydd yn hwyrach y noson hwnnw am 7pm a 9pm yn Porters Bar, Caerydd (tocynnau £5).
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	There will be performances of the highlights of the group’s newly commissioned project, inspired by the artworks in the Artes Mundi 5 Exhibition. All of the new commissions, one for each Artes Mundi 5 Shortlisted Artist, will then be performed in their entirety later that evening at 7pm and 9pm at a special event in Porters Bar, Cardiff (tickets £5).

Dyma gyfle i roi ystyriaeth ddwysach i waith pob artist megis hanesion ymfudo – rhai personol ac ar y cyd – a phobl ar wasgar, globaleiddio, strwythurau grym gwleidyddol, ein hofnau a phryderon personol a beth yw ystyr bod yn ddynol gyda’i holl ddiffygion, mympwyon a photensial.

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Presentations by each of our shortlisted artists will take different forms including talks, performances and film screenings. This is an opportunity to consider more deeply each artists practice and some of the themes such as personal and collective histories of migration and diaspora, globalisation, political power structures, and our personal fears and anxieties and what it means to be human with all its flaws, idiosyncrasies and potential.

Show text Show cached source Open source URL	Mae fideos swrrealaidd Hito Steyerl sydd wedi’u lleoli yn yr ‘oes ôl-ryngrwyd’ wedi ennill sawl gwobr. Bedwyr Williams yw un o artistiaid mwyaf poblogaidd y DU, sy’n enwog am ei waith yn cynrychioli Cymru yn 55ain Biennale Fenis.
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	following his first UK solo exhibition at Birmingham’s Ikon Gallery. Hito Steyerl’s surreal videos set in the ‘post-internet age’ have won her multiple awards. Bedwyr Williams is one of the UK’s most sought after artists and is celebrated for his work representing Wales at the 55th Venice Biennale.

Artes Mundi - Sŵn Festi...

Show text Show cached source Open source URL	Peidiwch a phoeni, gallech brofi tamaid arall yn arddangosfa Artes Mundi 5. Mae Sŵn yn cyflwyno gig arbennig fel rhan o ddigwyddiadau amser cinio Artes Mundi. Mae Tom Raybould yn creu gosodiad sain mewn ymateb i waith arswydus Teresa Margolles.
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	Getting withdrawal symptoms following the Sŵn Festival? Never fear you can get a fix at the Artes Mundi 5 exhibition. Sŵn presents an exclusive gig as part of the Artes Mundi lunchtime event series. Tom Raybould creates a sound installation in response to Teresa Margolles haunting works.

“Mae’r artistiaid rhyfeddol hyn yn bwrw eu persbectifau unigryw eu hunain ar waith sy’n ymchwilio i beth yw ystyr bod yn ddynol yn y gymdeithas gyfoes. Boed yn fewnblyg ac yn hynod bersonol neu’n ymgysylltiedig â materion cymdeithasol a diwylliannol eraill, mae pob artist yn dangos pwysigrwydd celf a diwylliant yn ein bywydau beunyddiol, gan herio ein rhagdybiaethau ac yn agor ffyrdd newydd o ymgysylltu â’r byd o’n cwmpas

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These amazing artists bring their own unique perspectives to work that explores what it means to be human in contemporary society. Whether introspective and deeply personal or engaged with broader social and cultural issues, each artist demonstrates the importance of art and culture in our everyday lives, challenging our preconceptions and opening up new ways of engaging with the world around us.

Show text Show cached source Open source URL	Bwriad y diwrnod yw rhoi mynediad ehangach i’r syniadau a’r themâu sy’n rhedeg drwy waith pob artist ond hefyd ystyried y cyflwyniadau hyn fel catalydd ar gyfer trafodaeth am gymdeithas, diwylliant a defnyddioldeb celf.
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	The day aims to give a broader access to the ideas and themes that run through each artists’ practice but also to consider these presentations as a catalyst for conversation on society, culture and the usefulness of art. Bringing together disparate voices from different cultures from all over the world we invite you to listen and join this conversation.

Artes Mundi - Hito Stey...

Show text Show cached source Open source URL	Mae chwe artist anhygoel gynnon ni yn yr arddangosfa sy’n cyflwyno cymysgedd o waith newydd ac sydd eisoes ar gael, gan gynnwys llawer sy’n cael ei ddangos yn y DU am y tro cyntaf. Yn dilyn llwyddiant Artes Mundi 6, teimlwn y bydd Artes Mundi 7 yn Amgueddfa Genedlaethol Caerdydd a Chapter yr un mor rymus a difyr â’r tro diwethaf.
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	We have six amazing artists in the exhibition presenting a mixture of new and existing work and many UK premiers. Following the success of Artes Mundi 6 we feel that Artes Mundi 7 at the National Museum Cardiff and Chapter will be as powerful and engaging as last time”.

Artes Mundi - The Treba...

Show text Show cached source Open source URL	Dyma gyhoeddi’r prosiect Cyfalaf Creadigol sy’n ymwneud ag ailddatblygu’r gofod gwyrdd o gwmpas canolfan gymunedol yn Nhrebanog. Mae’r cyhoeddiad yn dilyn 2 flynedd o waith a sgyrsiau creadigol â’r gymuned; prosiect gwirioneddol gydweithredol lle mae adfywio ffisegol a chymdeithasol yn cwrdd.
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	The Capital Creative project involving the redevelopment of the green space around a community centre in Trebanog was announced on Monday, July 3rd. The announcement follows 2 years of work and creative conversations with the community; a truly collaborative project where physical and social regeneration meet.

Show text Show cached source Open source URL	Mae John Akomfrah a aned yn Ghana yn ffigwr arloesol yn y Sinema Du Prydeinig ac yn rhagflaenydd ym maes sinematograffi digidol. Mae ganddo gorff o waith a ystyrir fel un o’r rhai mwyaf arbennig ac arloesol yn y Brydain gyfoes.
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	Ghanian born John Akomfrah is a seminal figure in Black British Cinema and forerunner in digital cinematography. He has a body of work that is considered one of the most distinctive and innovative in contemporary Britain.

Artes Mundi - NATURAL P...

Show text Show cached source Open source URL	Ysbrydolwyd y cyfuniad o ddeunyddiau naturiol a barddoniaeth gan waith un o artistiaid Artes Mundi, Tim Davies, ynghyd â gweithiau tir cerfluniol Richard Long, Tony Cragg, David Nash ac Ian Hamilton Finlay, roedd gwaith llawer ohonynt i’w weld yn arddangosfa’r Amgueddfa.
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	The combination of natural materials and poetry was inspired by the work of Artes Mundi artist Tim Davies, together with the sculptural landworks of Richard Long, Tony Cragg, David Nash and Ian Hamilton Finlay, many of which could be seen on display in the Museum’s exhibition.

Artes Mundi - Sinfonia ...

Show text Show cached source Open source URL	Dewch draw i’r Amgueddfa Genedlaethol i’n trydydd digwyddiad amser cinio am 1:05yp ar Dydd Iau. Mae ganddon ni bedwar darn o gerddoriaeth newydd sbon wedi eu cyfansoddi a’u perfformio gan ein ffrindiau draw yn CBCDC mewn ymateb i waith pedwar artist o rhestr fer Artes Mundi.
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	Come along to our third lunchtime event at the National Museum at 1:05pm on Thursday. We have four brand new pieces of music composed and performed by our friends at RWCMD as responses to four of Artes Mundi’s shortlisted artists’ work.

Artes Mundi - N.S.Harsha

Show text Show cached source Open source URL	Artist o’r India yw N. S. Harsha, ac mae ei waith yn datgelu sylwadaeth wleidyddol o fewn fframwaith paentiadau mân-ddarluniol Indiaidd, y traddodiad naratif Indiaidd modern a chelf boblogaidd.
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	N.S.Harsha is an Indian artist whose work reveals a political commentary within a framework of Indian miniature painting, the modern Indian narrative tradition and popular art.

Artes Mundi - Learning ...

Show text Show cached source Open source URL	Consesiynau sydd yn gymwys: myfyrwyr llawn amser gyda ad dilys a’r ddi-waith*
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Artes Mundi - Learning ...

Show text Show cached source Open source URL	Clywch am waith a themau artistiaid Artes Mundi 7 cyn i’r arddangosfa agor
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Artes Mundi - Support Us

Show text Show cached source Open source URL	Gallwch gyfrannu i’n hapêl gyffredinol drwy glicio yma. Pe bai’n well gennych gefnogi agwedd benodol ar waith Artes Mundi, croeso i chi ddod i gysylltiad drwy ddefnyddio’r ffurflen gyswllt isod.
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	You can donate to our general appeal by clicking here. If you would prefer to support a specific aspect of Artes Mundi’s work please get in touch using the contact form below.

Artes Mundi - Fernando ...

Show text Show cached source Open source URL	Mae arddangosfa García-Dory ei hun yn MOSTYN yn adlewyrchu’r cyflwr hwn gan gysylltu ei arfer ei hun gyda un Kraguly trwy benderfyniad i ail-greu ac adfer rhai agweddau ar waith Kraguly.
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	García-Dory’s own exhibition at MOSTYN reflects this transition and links his practice to that of Kraguly’s by choosing to re-enact and recover some aspects of Kraguly’s work.

Show text Show cached source Open source URL	(Consesiynau sydd yn gymwys: myfyrwyr llawn amser gyda ad dilys a’r ddi-waith*)
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Artes Mundi - Bedwyr Wi...

Show text Show cached source Open source URL	Mae ei waith diweddaraf,
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	His most recent work ,

Mae gwaith John Akomfrah yn aml yn edrych ar bobloedd alltud ar draws y byd, hanes, y cof, gwladychiaeth a’i chynhysgaeth drwy gyfryngau seiliedig ar y lens. Mae’r ystod o ffilmiau sgrin unigol a lluosog yn gadael i ni ailystyried y ffyrdd yr ydym yn meddwl am hanesion personol ac ar y cyd, naratifau mawr ein hoes, ar draws cenedl-wladwriaethau a chyfandiroedd.

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John Akomfrah’s work often explores the global diaspora, history, memory, colonialism and its legacy through lens-based media. The range of single and multiscreen films allows us to reconsider the ways in which we think about both personal and collective histories, the grand narratives of our times, across nation states and continents. His work has often given voice to underrepresented communities and their universal stories told through the creation of sublime imagery, and evocative and immersive soundtracks.

Artes Mundi - The Treba...

Mae’r prosiect wedi sefydlu ei bencadlys mewn hen ysgol fabanod yn y gymuned a ailagorwyd i’r cyhoedd gan y prosiect y llynedd. Wedi’i hysgogi gan waith cymdeithasol ymgysylltiedig yr artist Owen Griffiths, mae’r ysgol bellach yn cynnal sesiynau wythnosol gydag artistiaid, cydweithwyr ac athrawon.

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The project has set up base in a disused infants’ school in the community, which was re-opened to the public by the project last year. Driven by the socially engaged practice of the artist Owen Griffiths, the school now runs weekly sessions with artists, collaborators and teachers. Described as a space for social learning, the school’s curriculum and activities explore making, skill sharing, art production, food and meals. It promotes engagement around land, play, ownership and collaboration, whilst establishing a long-term relationship with the community. This is creating a genuine collaboration (between community, artists and partners) and authoring sustainable opportunities for change.

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Symudais i oriel Renzo Martens â’i hoglau siocled a oedd, fel ei waith yn Chapter, yn trafod Cyfalafiaeth, tlodi, adnoddau a chelf yn Affrica. Yn fwriadol amwys a chyfwynebiadol, doeddwn i ddim yn siŵr a oedd Renzo wrthi’n ddiddig yn cydweithio â Chyfalafiaeth, neu a oedd yn ffafrio ei diddymu a pham roedd o mor fodlon stumio’r cyfryngau ac yntau’n tynnu sylw at gamddefnydd o’r un peth.

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I moved into the Renzo Martens chocolate scented gallery, which as his work at Chapter, discussed Capitalism, poverty, resources and art in Africa. Deliberately ambiguous and confrontational I wasn’t sure whether Renzo was happily working with Capitalism, or favoured its destruction and why he was gladly using media manipulation whilst he drew attention to this misuse of the same thing. His use of Congo materials, artists and faces (on sale and well priced at £39.99) transformed the smell and sight of this Welsh gallery.

Ochr yn ochr â Trais Dwyfol arddangosir hefyd dau waith pwysig arall gan Broomberg a Chanarin, sef Bywyd Tragwyddol sy’n edrych o’r newydd ar y ffotograff dadleuol a enillodd Wobr Pulitzer 1979 ond na wyddid pwy oedd yr awdur am y 30 mlynedd canlynol; ac Y Diwrnod Na Fu Farw Unrhyw Un, sef cyfres 2008 o ffotograffau llawn symud, nad ydynt yn drosiadol, a gynhyrchwyd pan oedd Broomberg a Chanarin wedi’u gosod ar y rheng flaen gydag unedau’r Fyddin Brydeinig yn Nhalaith Helmand yn Affganistan.

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Exhibited alongside Divine Violence there will be two other significant works by Broomberg & Chanarin: Afterlife, a re-reading of a controversial, Pulitzer Prize-winning 1979 photograph, whose author was anonymous for the next 30 years; and The Day Nobody Died, a 2008 series of radically non-figurative, action-photographs produced when Broomberg & Chanarin were embedded with British Army units on the front line in Helmand Province in Afghanistan.

Artes Mundi - Jun Nguye...

Show text Show cached source Open source URL	Mae ei waith fideo’n archwilio hunaniaeth genedlaethol, yn aml gan gyfeirio at y dadleoli a brofwyd gan “bobl cychod” Fietnam. Mae wedi arddangos yn
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	His video work examines national identity, often specifically with reference to the displacement experienced by the Vietnamese “boat people”. He exhibited at

Artes Mundi - Wu Chi-Ts...

Mae’n arbrofi gyda’r prosesau hyn ac yn chwarae gyda nhw, gan fanteisio ar yr alcemi sy’n gynhenid i ffotograffiaeth gemegol neu newid yr elfennau amseru sy’n peri mai cyfrwng y symudol yw ffilm. Ceir synnwyr o eironi y tu ôl i’w waith – bod artist o Daiwan yn dwli ar ddulliau mor draddodiadol o greu delweddau.

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He experiments with and manipulates these processes, exploiting the alchemy inherent in chemical photography or changing the elements of timing which makes film the medium of movement. There is a sense of irony behind his work – that a Taiwanese artist should be preoccupied by such traditional methods of creating images. Living in a highly sophisticated technological world, Wu Chi-Tsung takes delight in almost accidentally finding ways to capture or re-imagine the world around him. All his works, whether presented as still or moving images, use time as an integral part of their make-up, not simply through the convention of a shutter opening and closing but through the subversion of time in how the images were made.

Artes Mundi - Wu Chi-Ts...

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Yn ôl Karen Mackinnon, Cyfarwyddwr Artes Mundi, “Pleser o’r mwyaf i ni yw cyhoeddi John Akomfrah fel enillydd seithfed wobr eilflwydd Artes Mundi. Mae Artes Mundi’n hyrwyddo artistiaid cyfoes blaenllaw o bob cwr o’r byd y mae eu gwaith yn gysylltiedig â phob agwedd ar ein bywydau personol mewn cymdeithas fyd-eang. Mae ffocws Artes Mundi ar y cyflwr dynol yn canu cloch unigryw yn yr amserau ansicr hyn. Rydym am ddiolch i’n panel beirniaid am eu sensitifrwydd a’u trylwyredd deallusol wrth ddethol yr enillydd. Teimlai’r beirniaid fod yr holl artistiaid ar y rhestr fer wedi arddangos gwaith eithriadol. Fodd bynnag, nid yn unig am y gwaith yn yr arddangosfa y rhoddir y wobr ond am ragoriaeth barhaus eu gwaith dros yr 8 mlynedd diwethaf. Rhoddwyd Gwobr Artes Mundi 7 am gyflwyniad Akomfrah o Auto da Fé ac am gorff sylweddol o waith eithriadol yn ymdrin â materion ymfudo, hiliaeth ac erledigaeth grefyddol. Mae sôn am y pethau hyn ar yr ennyd arbennig hon yn teimlo’n bwysicach nag erioed.”

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Karen Mackinnon, Artes Mundi Director has said, “We are delighted to announce John Akomfrah as the winner of the seventh biennial Artes Mundi Prize. Artes Mundi champions leading contemporary artists, from across the world, whose work relates to every aspect of our personal lives in a global society. Artes Mundi’s focus on the human condition finds a unique resonance in these uncertain times. We want to thank our panel of judges for their sensitivity, thoroughness and intellectual rigour in selecting the winner. The judges felt that all the shortlisted artists showed outstanding work. However the prize is awarded not just for the work in the exhibition but for the continued excellence of their practice over the past 8 years. The Artes Mundi 7 Prize was awarded for Akomfrah’s presentation of Auto Da Fé and for a substantial body of outstanding work dealing with issues of migration, racism and religious persecution. To speak of these things in this particular moment feels more important than ever.”

Artes Mundi - Amy Franc...

Grŵp o ymarferwyr celf a ffermio yw Futurefarmers a sefydlwyd ym 1995 gan yr artist Amy Franceschini sydd â’i chartref yng Nghaliffornia. Llinell gyson drwy waith Franceschini yw cwestiynu estynedig am sut mae ‘natur’ a ‘diwylliant’ yn cael eu gweld.

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Futurefarmers is a group of art and farming practitioners founded in 1995 by California-based artist Amy Franceschini. A consistent line through Franceschini’s work reveals sustained questioning about how “nature” and “culture” are perceived. She uses various modes to uncover histories and currents related to this divide by challenging systems of exchange and tools used to “hunt” and “gather.” Her work manifests as temporary public art, museum exhibitions, publications, bus tours, public programs and most recently permanent public art. Her work has been exhibited at the Guggenheim Museum in New York, the Whitney Biennial in New York, New York Museum of Modern Art, San Francisco Museum of Modern Art, Venice Architectural Biennale and she is the recipient of a 2010 Guggenheim Fellowship and a 2006 Eureka Fellowship.

Artes Mundi - Fernando ...

Yng ngeiriau García-Dory: “Mae’r weithred o atgynhyrchu gwaith blaenorol sy’n bod yn barod yn ddatganaid ynddo’i hun, yn rhoi’r gorau i feirniadaeth a chanolbwyntio sylw ar waith artist arall. Mae gweledigaeth dwfn a byd dychmygol Kraguly yn troi’n gyfrwng i mi feithrin myfyrdod, astudrwydd ac empathi. Trwy gael gwared o’m holl syniadau a chefnu ar y galw i greu ffurf newydd, gall yr artist sy’n ail-greu ganolbwyntio ar y weithred awtomatig ei hun. I mi mae’n gyfle gwych i archwilio’r syniad o’r math o artist yw Kraguly – yn ymroddedig i arbrofi gyda deunyddiau a ffurfiau ail-adroddus – ac hefyd i bonito gyda syniadaeth arall, fod celf yn fodd i gysyniadau neu gymell syniad, gan adlewyrchu ar ieithwedd celf ei hun. Mae’r darnau wedi’u hail-greu, neu, y defnydd o gelfyddyd a strategaethau diwylliannol megis yr amgueddfa laeth a’i raglen gyhoeddus, i fod yn fodd i ysgogi grŵp cymdeithasol penodol a hyrwyddo newid. Gall yr ymwelydd i’r stafelloedd hyn ddilyn llinell di- doredig, lle mae awdur y gwaith yn aneglur; gan adolygu’r ffyrdd mae celf gyfoes yn cael ei wneud a’i brofi.”

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In García-Dory’s words: “The action of reproducing previous existing work is a statement in itself, abandoning all judgment and just concentrating the attention on another artist’s work. The deep vision and imaginary work of Kraguly then becomes a vehicle for me to enter into a state of contemplation, attentiveness and empathy. Emptying oneself and abandoning the demand of giving birth to new form, the re-enacting artist can therefore concentrate on the automatic action itself. For me it’s a great chance to explore that inherited notion of an artist that Kraguly follows – dedicated to experiment with materials and recurrent forms – and also, to bridge the other notions, art as a way to conceptualise or induce an idea, reflecting on the language of art itself. The re-enacted pieces, or, the use of art and cultural strategies such as the dairy museum and its public programme, can be a way to activate a certain social group and promote change. The visitor going through these rooms can follow a discontinuous line, in which authorship is blurred; revising ways contemporary art is made and experienced.”

Yn ôl Oliver Basciano, Cadeirydd Beirniaid Artes Mundi 7, “Rydym yn gyffro i gyd wrth ddyfarnu gwobr Artes Mundi 7 i John Akomfrah mewn cydnabyddiaeth o’i gyfraniad anhygoel i gelfyddyd dros yr wyth mlynedd diwethaf. Rydym yn gwneud hynny mewn cydnabyddiaeth o’i waith sydd wedi’i gyflwyno’n ddiweddar Auto Da Fé (2016) yn ogystal ag mewn gwerthfawrogiad o allu’r artist i adrodd straeon gyda dyfnder hanesyddol, gan edrych ar faterion cymdeithasol a gwleidyddol drwy iaith sinematig gywrain mewn ffilmiau megis Peripteia (2012), Unfinished Conversation (2013), Vertigo Sea (2015). Dros ei yrfa hir, mae gwaith Akomfrah yn tanlinellu sut mae gan gelfyddyd y gallu unigryw i siapio a myfyrio ar y cyflwr dynol, gan gyd-fynd ag egwyddorion sylfaenol Artes Mundi.”

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Oliver Basciano, Artes Mundi 7 Judging Chair has said, “We are excited to award John Akomfrah the Artes Mundi7 prize in recognition of his extraordinary contribution to art over the past eight years. We do so in recognition of both his newly-presented work Auto Da Fé (2016) and in appreciation of the artist’s ability to tell stories with historical depth, exploring social and political concerns through exquisite cinematic language in films such as Peripteia (2012), Unfinished Conversation (2013), Vertigo Sea (2015). Over his long career, Akomfrah’s practice underlines how art has the unique ability to reflect on and shape the human condition, in alignment with fundamental principles of Artes Mundi.”

Dialogues Series – Conf...

Ymhlith prosiectau eraill o’i heiddo, mae lansio rhaglen gyfoes yr Amgueddfa Ryfel Ymerodrol gyda ffilm Omer Fast ‘5000 Feet is the Best’, 2013, arddangosfa o waith gan Ori Gersht yn yr Amgueddfa Ryfel Ymerodrol yn Llundain yn 2012, a ‘Loss’ yn Oriel y Golden Thread ym Melffast, 2012.

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Sara Bevan: Curator (Contemporary), Art section, Department of Collections, IWM (Imperial War Museums). Curated exhibitions include Catalyst: Contemporary Art and War at IWM North in Manchester, an exhibition of the museum’s contemporary art collection from the Gulf War onwards. Other projects include the launch of the IWM Contemporary programme with Omer Fast’s film ‘5000 Feet is the Best’, 2013, an exhibition of works by Ori Gersht at IWM London in 2012, and ‘Loss’ at the Golden Thread Gallery in Belfast, 2012. Her main research interest is the subject of contemporary art and conflict, with a particular focus on photography and time-based media. She is currently working on a publication about IWM’s contemporary art collection to be published next year.

Yn 2005, curadodd yr arddangosfa Somewhere Else Cymru yn Biennale Fenis oedd yn cynnwys gwaith Peter Finnemore, Laura Ford, Paul Granjon a phreswyliad gyda Bedwyr Williams. Yn 2008, bu’n cydguradu â Maria Clara Bernal yr arddangosfa Displaced: celf gyfoes o Golombia a ddangosodd waith 15 artist gan gynnwys artistiaid megis Oscar Munoz, Jose Alejandro Restrepo a Maria Elvira Escalon.

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In 2005 she curated the exhibition Somewhere Else Wales at the Venice Biennale which included the work of Peter Finnemore, Laura Ford, Paul Granjon and a residency with Bedwyr Williams. In 2008 she co-curated with Maria Clara Bernal the exhibition Displaced: contemporary art from Colombia which showed the work of 15 artists including artists such as Oscar Munoz, Jose Alejandro Restrepo and Maria Elvira Escalon. She is currently working on Lets see what happens… an international exchange between seven artists Tim Davies, Yingmei Duan, Paul Emmanuel, Owen Griffiths, Zeng Huanguang, Maleonn Ma, Fern Thomas. MacKinnon will return to curate this exhibition for Glynn Vivian Art Gallery which takes place over 8 venues and public places in Swansea in October 2013.

Theaster Gates announce...

Mae gwaith amlochrog Gates yn cwmpasu actifiaeth gymdeithasol, adfywio trefol a datblygu cymunedol mewn ardaloedd sy’n amddifad yn economaidd yn Ochr Ddeheuol Chicago, St Louis ac Omaha. Yn cael ei adnabod ar led fel Bachgen y Posteri am Gelf sy’n Ymgysylltiedig yn Gymdeithasol, mae gwaith Gates wedi chwyldroi celf gyfoes drwy ‘ei economi gylchol’, chwedl y New York Times, lle mae Gates yn ariannu adfywio trefol drwy werthu ei waith celf.

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Gates’s multi-faceted practice encompasses social activism, urban regeneration and community development in economically-deprived areas of South Side Chicago, St Louis and Omaha. Known widely as The Poster Boy for Socially Engaged Art, Gates work has revolutionised contemporary art with what The New York Times has called his ‘circular economy’, in which Gates funds urban renewal through the sale of his artwork.

Show text Show cached source Open source URL	Bydd Darius Mikšys, artist o Lithwania, yn cyflwyno darn newydd o waith
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	Lithuanian artist Darius Mikšys will present a new work

Artes Mundi - NOW OPEN ...

Show text Show cached source Open source URL	Cysylltiadau â’r gwefannau (hyd at 4 safle) sy’n cynnwys gwybodaeth am yr artist ac enghreifftiau o’i (g)waith
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	Links to the websites (up to 4 sites) which contain information about the artist and examples of their work

Artes Mundi - Teresa Ma...

Show text Show cached source Open source URL	Yn y ddau ddarn o waith ganddi a ddewiswyd ar gyfer Artes Mundi, mae marwolaeth yn thema amlwg. Yn
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	In both works chosen for Artes Mundi, death is a major theme. In

Artes Mundi - Abdoulaye...

Yn y 1990au trodd ei sylw at un o’r materion mawr i Orllewin Affrica – llechfeddiannu’r Sahel. Ers y mileniwm, mae ei waith yn darlunio mater arall – effeithiau dinistriol AIDS ar y gymdeithas ac unigolion.

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In the 1990’s he took up one of the great issues for West Africa – the encroachment of the Sahel. Since the millennium, his work depicts another – the devastating effects of AIDS on society and on individuals. His questioning of the political, social and economic scenes in contemporary Mali is evident in how AIDS, wars, ecological issues, human rights, globalisation affects all aspects of life and individuals within society. Much of his large scale work is textile-based, a medium which is more readily available than paints.

Show text Show cached source Open source URL	Yn sail i waith yr arddangosfa mae traethawd byr gan yr athronydd o Israel, Adi Ophir. Yn ei waith llenyddol, mae Ophir yn gwneud y sylw fod Duw yn datgelu ei hun yn y Beibl yn bennaf trwy drychinebau, ac mae’n ystyried bod testun y Beibl yn ddameg am dwf llywodraethu modern.
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	A short essay by the Israeli philosopher Adi Ophir underpins the exhibition endeavour. In his writing, Ophir observes that God reveals himself in the bible predominantly through acts of catastrophe, and considers the biblical text as a parable for the growth of modern governance. With this exhibition, for the first time Broomberg & Chanarin make this parable powerfully explicit.

Show text Show cached source Open source URL	Yn sail i waith yr arddangosfa mae traethawd byr gan yr athronydd o Israel, Adi Ophir. Yn ei waith llenyddol, mae Ophir yn gwneud y sylw fod Duw yn datgelu ei hun yn y Beibl yn bennaf trwy drychinebau, ac mae’n ystyried bod testun y Beibl yn ddameg am dwf llywodraethu modern.
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	A short essay by the Israeli philosopher Adi Ophir underpins the exhibition endeavour. In his writing, Ophir observes that God reveals himself in the bible predominantly through acts of catastrophe, and considers the biblical text as a parable for the growth of modern governance. With this exhibition, for the first time Broomberg & Chanarin make this parable powerfully explicit.

Artes Mundi - Process

Yn ogystal ag ymweld â’r arddangosfa, maent yn ystyried gwaith pob artist ar y rhestr fer dros y 5-8 mlynedd blaenorol. Mae’r beirniaid yn dyfarnu’r wobr i artist unigol sydd yn gyson, yn eu barn nhw, yn creu gwaith ysgogol o ansawdd rhagorol sy’n cyrraedd meini prawf y wobr.

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The winner of the Artes Mundi Prize is decided by a group of independent judges. Made up of international curators, directors and critics, the judging panel comes together shortly before the prize awarding. As well as visiting the exhibition they consider each shortlisted artist’s practice over the previous 5-8 years. The judges award the prize to a single artist who, in their view, consistently makes thought provoking work of exceptional quality that fits within the criteria of the prize.

Artes Mundi - Chen Chie...

Mae’n creu gwaith fel modd o wrthwynebu ‘fel gweithred o gyfuno hanes y bobl sydd wedi eu cau allan o’r brif drafodaeth, sefyllfaoedd go iawn sy’n cael eu hanwybyddu a’r lleill sy’n cael eu hynysu. Felly rwy’n gwrthsefyll anghofrwydd mewn cymdeithas o ddefnyddwyr.’ Mae’n ymddiddori yn sefyllfa arbennig ei wlad a ystyrir fel gwlad annibynnol gan rai ond fel un o’i gwladwriaethau gan Dsieina.

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His solo shows have included Military Court and Prison (2008) at the Museo Nacional Centro de Artes Reina Sofía, Madrid, Spain, Condensation: Five Video Works at the Asia Society, New York, USA and Chen Chieh-jen (2001) at Galerie Nationale du Jeu de Paume, Paris, France. In 2009 his film Factory (2003) was shown by Iniva at Rivington Place, London alongside the work of Artes Mundi 3 winner, NS Harsha. Chen Chieh-jen Retrospective 1996-2010 will open in 2010 at the Taipei Fine Arts Museum, Taiwan.

Artes Mundi - Tania Bru...

Elfen sy’n greiddiol i waith Bruguera yw awydd i gydweithio er mwyn galluogi i eraill rannu’r posibiliadau oedd o fewn ei chyrraedd hi. Yn 2003 sefydlodd ysgol gelf amgen – Cátedra Arte de Conducta (Celf Ymddygiad) – yn Havana er mwyn darparu adnoddau technolegol a deallusol nad oedd ar gael i gyw-artistiaid o Giwba yng Nghiwba cyn hynny.

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At the core of Bruguera’s practice is a collaborative impulse that opens up the possibilities made available to her to be shared by others. In 2003 she founded the alternative art school Cátedra Arte de Conducta (Art of Behaviour) in Havana to channel technological and intellectual resources unavailable in Cuba to emerging Cuban artists. This has been crucial in the development of a generation of Cuban artists now starting to show internationally. From 2010-15 Bruguera is focusing on her long-term project Immigrant Movement International, based in Queens, NY, which seeks to redefine the immigrant as a global citizen and stimulate artists to create work that can be actively implemented into social, political, and scientific issues.

Show text Show cached source Open source URL	Yn wreiddiol, crëwyd Down Under o ryw fanion defnydd a gasglwyd gan wragedd tlawd yn Gujarat, India. O graffu’n agos ar waith celf Gowda, byddwn yn dechrau casglu tameidiau bach o ddefnydd a thecstilau i ddatblygu’ch cynlluniau’ch hun.
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	Down Under was originally constructed from bits and pieces of fabric collected by poor women in Gujarat, India. Looking closely at Gowda’s artwork we will start to collect fragments of fabric and textiles to develop your own designs. Bring in your own piece of fabric, or use our collection of donated textiles by local retailers.

Am Amgueddfa Gelf Cymru, Amgueddfa Genedlaethol Caerdydd – lansiwyd Amgueddfa Gelf Cymru yn 2011 i gadw casgliadau celf cenedlaethol Cymru, gan gynnwys y casgliad byd-enwog o waith yr Argraffiadwyr gyda gwaith gan Monet, Cézanne, Manet, Renoir, Van Gogh a Rodin.

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About National Museum of Art, National Museum Cardiff – The National Museum of Art was launched in 2011 to house Wales’s national art collections, including the world-renowned Impressionist Collection with works by Monet, Cézanne, Manet, Renoir, Van Gogh and Rodin. The creation of the National Museum of Art involved five years of development, as existing galleries were completely refurbished and others were transformed into stunning new spaces, offering over 40% more space to display modern and contemporary art. www.museumwales.ac.uk

Artes Mundi - Sheela Go...

yn waith gosod mawr. Casglwyd drymiau tar gan weithwyr ffordd o India a tharpolin melyn a glas er mwyn creu cerﬂun haniaethol. O edrych yn fanylach fodd bynnag, gwelwn fod Gowda yn ymgorffori cyfeiriadau cynnil at ddefnydd gwreiddiol y deunyddiau – yn yr achos hwn, mae’n dod â’r llochesau a adeiladir gan yr adeiladwyr ymfudol ar hydy ffordd i mewn i’r oriel.

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is a large installation. It comprises tar drums, sourced from Indian road workers, alongside yellow and blue plastic tarpaulins to create an abstract sculpture. Closer inspection, however, reveals Gowda’s ability to subtly reference the source materials original use, which in this case brings shelters like those built by the migrant construction workers along the roadside, into the gallery space.

Show text Show cached source Open source URL	Mae’n cyfrannu i Texte zur Kunst, Berlin, a les Cahiers du Musée d’art moderne, Paris. Hi yw golygydd Ffrangeg ysgrifennu Allan Sekula a gyhoeddir gan Ensba, Paris ac mae wrthi’n paratoi arddangosfa ôl-dremiol o’i waith.
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	Marie Muracciole is an art critic. After working as a programmer and independent curator, she has been appointed head of the Beirut Art Center. She contributes to Texte zur Kunst, Berlin, and les Cahiers du Musée d’art moderne, Paris. She is the French editor of Allan Sekula’s writing published by Ensba, Paris and is preparing a retrospective exhibition of his work.

Mae MOSTYN yn cyflwyno, mewn partneriaeth ag Artes Mundi, ddangosiad cyntaf corff newydd o waith gan Broomberg a Chanarin, sef Trais Dwyfol. Ysbrydolwyd yr arddangosfa hon gan y nodiadau a’r delweddau yr ychwanegodd y dramodydd Bertolt Brecht at ei Feibl personol ei hun, ac mae’r artistiaid hefyd wedi cloddio yn yr Archif Gwrthdaro Modern, sef y casgliad ffotograffig mwyaf o’i fath yn y byd.

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MOSTYN presents, in partnership with Artes Mundi, the UK premiere of Broomberg & Chanarin’s new body of work Divine Violence. Inspired by the annotations and images that playwright Bertolt Brecht added to his own personal bible, and mining The Archive of Modern Conflict, the world‘s largest photographic collection of its kind, the exhibition questions the unspoken criteria at play within the visual representation of conflict.

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Artes Mundi - Teresa Ma...

Show text Show cached source Open source URL	Cymeradwyodd y panel o feirniaid, dan gadeiryddiaeth y curadur a’r darlledwr Tim Marlow, waith y saith artist ar y rhestr fer, ond cawsant eu cyfareddu gan “y grym angerddol a thaer yn ei gwaith a’i modd soffistigedig o ymdrin â thrasiedi ddynol barhaus”.
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	The Panel of judges, chaired by curator and broadcaster Tim Marlow, commended the work of all seven nominated artists, but were particularly struck by “the visceral power and urgency as well as the sophistication of her work in confronting an on-going human tragedy”.

Artes Mundi announce Ka...

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Artes Mundi 6 Prize and...

Show text Show cached source Open source URL	Mae lluniau o waith yr artistiaid ar gael i’w llawrlwytho HERE
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	For all media enquiries please contact Tory Lyne-Pirkis or Fiona Livesey at Midas Public Relations

Dialogues Series – Femi...

Show text Show cached source Open source URL	Sue Williams: artist sydd â chorff cydnabyddedig o waith cignoeth a chryf sy’n wefreiddiol ac yn heriol yn ei gysylltiadau â bywydau cyfoes a rhywioli yn y byd gorllewinol. Mae arddangosfeydd diweddar yn cynnwys y gosodiad paentiadau ‘POKE ME’ yn Oriel Ffin y Parc, Llanrwst.
Compare text pages Compare HTM pages Open source URL Open target URL Define artesmundi.org as primary domain	Sue Williams: An artist with a recognised body of work which is both raw and strong and is charged and challenging in its links to contemporary lives and the sexualisation of western society.Recent exhibitions include POKE ME’ painting installation Oriel Ffin Y Parc Gallery, Llanrwst, North Wales.

Bydd yr artist Tania Bruguera o Giwba yn cyflwyno Ymgyrch Parch i Fewnfudwyr fel rhan o’i phrosiect celf hirdymor, Symudiad Mewnfudwyr Rhyngwladol (2010-2015). Mae’r gwaith yn symudiad gymdeithasol-wleidyddol a’i cychwynnwyd gan artistiaid sy’n archwilio beth sy’n diffinio ‘mewnfudwr’.

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Cuban artist Tania Bruguera will be presenting Immigrant Respect Campaign, as part of her long-term art project, Immigrant Movement International (2010-2015). The work is an artist-initiated socio-political movement exploring what defines an ‘immigrant’. The campaign will feature the symbol of the Immigrant Respect ribbon and include a projection of the artist’s work on the front of National Museum Cardiff on Thursday 4 October, alongside a poster campaign throughout central Cardiff. Visitors to the exhibition at the National Museum of Art will also be invited to sign a Moral Commitment Contract promoting immigrants’ rights.

Yn cychwyn o 6 Hydref 2012, bydd Artes Mundi 5 yn cynnwys gwaith saith artist cyfoes arloesol sy’n tyfu mewn pwysigrwydd rhyngwladol a’u harferion ymgysylltu â realiti cymdeithasol, profiadau bywyd a’r cyflwr dynol.

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Taking place from 6 October 2012, Artes Mundi 5 will feature the work of seven ground-breaking contemporary artists of growing international importance whose practices engage with social reality, lived experience and the human condition. The exhibition will take place at the National Museum of Art under the roof of National Museum Cardiff. For the first time Artes Mundi will also be in partnership with organisations such as Cardiff-based multidisciplinary arts centre Chapter, who will provide an additional venue for some of the works. The winner of the prize will be announced at a special award ceremony taking place on 29 November 2012 at National Museum Cardiff. With a first prize of £40,0000, Artes Mundi is the largest cash prize awarded for the arts in the UK and one of the most significant in the world. For Artes Mundi 5, each shortlisted artist will receive £4,000 and one of the artists will be selected for a solo exhibition, to be presented in 2014 in the lead up to Artes Mundi 6, at the recently refurbished Mostyn Gallery in Llandudno, Wales. This year will also welcome the inclusion of an audience choice poll for the prize, allowing the public to vote for their favourite artist and work in the exhibition. The results of the poll will be revealed at the close of the exhibition in January 2013.

Yn ei waith, sy’n cynnwys ffilm, ffotograffiaeth, gosodwaith a digwyddiadau byw, mae’r artist Phil Collins yn edrych ar arlliwiau cysylltiadau cymdeithasol mewn ystod o leoliadau a chymunedau byd-eang.

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“Amgueddfa Cymru is delighted to have been involved with Artes Mundi since its inception, working in partnership to bring this internationally important exhibition to Wales. The seven artists selected for Artes Mundi 5 and the themes explored in their work promises to deliver a very exciting exhibition for visitors to the Museum. Our partnership with Artes Mundi is instrumental in developing new audiences for contemporary art in Wales and helping to raise the international profile of National Museum Cardiff.”

Artes Mundi Guest Blogg...

Ydw i wir am fynd â fy nhri phlentyn – un bron yn bump, un yn dair a’r llall yn saith mis – i’r arddangosfa hon a gynhelir bob dwy flynedd o waith rhai o artistiaid cyfoes mwyaf blaenllaw’r byd, a gwobr gelfyddydau fwyaf y DU?

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I have to admit I was a bit unsure when the publicity team for Artes Mundi asked me if I’d like to bring my family along to review this year’s exhibition. My children are fairly cultured (I hope!), but I worried whether it would be too much for them. Contemporary art has a reputation for being controversial and even some top artists think children should be banned from art galleries. Is this biennial exhibition of work from some of the world’s leading contemporary artists, and the UK’s biggest arts prize, really somewhere I want to take my almost five-year-old, three-year-old and seven-month-old?

Artes Mundi Guest Blogg...