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  Muzički Biennale Zagreb...  
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✺ U suradnji s Kulturom promjene Studentskog centra Sveučilišta u Zagrebu
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✺ In collaboration with the Culture of Change of the Student Centre Zagreb
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Da, mislim da ću doći na premijeru. Već sam proveo jednu noć u Zagrebu na proputovanju vlakom, a uzbuđen sam što ću vidjeti više.
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I think I will come to see the premiere, yes. I've spent one night on the Zagreb train station once while interrailing, but I'm excited to see more.
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U koprodukciji s Hrvatskim narodnim kazalištem u Zagrebu.
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A coproduction with the Croatian National Theatre Zagreb.
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Bio sam u Zagrebu 2014. godine kao sudionik skladateljske razmjene ISCM-a i naravno da ću doći nasvoju premijeru u travnju 2015.! Jako se veselim praizvedbama svih opera.
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Yes, I have been in Zagreb in 2014 as participant of the ISCM Composers Exchange, and yes, of course I will attend my premiere!
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Koncert Chrisa Jarretta u Zagrebu organizira se u suradnji Muzičkog biennala Zagreb te ciklusa Jazz.hr, u koncertnoj dvorani Blagoje Bersa Muzičke akademije, 24. travnja u 22 sata.
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Chris Jarrett's concert is organized by Music Biennale Zagreb and Jazz.hr concert cycle, and it will take place in Blagoje Bersa concert hall of the Zagreb Music Academy in April 24th at 10 p.m.
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MBZ I KULTURA PROMJENE STUDENTSKOG CENTRA SVEUČILIŠTA U ZAGREBU OBJAVLJUJU POBJEDNIKA NATJEČAJA ZA NOVU ZVUČNU INSTALACIJU
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MBZ AND THE CULTURE OF CHANGE OF THE STUDENT CENTRE ZAGREB ANNOUNCE THE WINNER OF THE OPEN CALL FOR A NEW SOUND INSTALLATION
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Otvorenje Dana mađarske kulture u Zagrebu
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Opening ceremony - Hungarian Culture Days in Zagreb
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Mađarski institut u Zagrebu
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Federal Foreign Office
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Program je vrlo specifičan i izuzetno važan za nas, jer ćemo po prvi put, premijerno u Zagrebu, izvesti cijeli koncert zajedno na klavirima i analognim sintesajzerima.
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Some of the works we have chosen for this opportunity, together with the Biennale's music director, were originally written for pianos or harpsichord (as is the case with Ligeti's work).
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„Ansambl je zaista fantastičan – jednostavno ne mogu opisati riječima tu razinu rada, energiju ljudi, muzikalnost te preciznost... Jedva čekam koncert u Zagrebu! Zaista poseban doživljaj i iskustvo koje nikada neću zaboraviti...
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"The Ensemble is really fantastic – I cannot describe in words the level of work, energy of people, musicality and precision ... I can hardly wait for the concert in Zagreb! It will be a special event and an experience I will never forget ... See you on Monday night!”
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Dok iščekuju prvi zajednički pokus u Zagrebu i nastup na MBZ-u, Moniku i Krešimira povezuje još jedna zajednička umjetnička strast i divljenje. Oboje pjevača trenutačno je uronjeno u glazbu Johanna Sebastiana Bacha, štoviše u isto monumentalno djelo.
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While they are waiting for their first rehearsal together in Zagreb and their performance at the MBZ, Monika and Krešimir are connected through another artistic passion and admiration. Currently, they are both immersed into Johann Sebastian Bach's music – what is more, in the same monumental work. Monika Cerovčec in Zagreb, as a soloist and member of
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Dok iščekuju prvi zajednički pokus u Zagrebu i nastup na MBZ-u, Moniku i Krešimira povezuje još jedna zajednička umjetnička strast i divljenje. Oboje pjevača trenutačno je uronjeno u glazbu Johanna Sebastiana Bacha, štoviše u isto monumentalno djelo.
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While they are waiting for their first rehearsal together in Zagreb and their performance at the MBZ, Monika and Krešimir are connected through another artistic passion and admiration. Currently, they are both immersed into Johann Sebastian Bach's music – what is more, in the same monumental work. Monika Cerovčec in Zagreb, as a soloist and member of
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travnja u Teatru &TD u 22 sata, u suradnji s Kulturom promjene Studentskog centra Sveučilišta u Zagrebu te uz potporu Veleposlanstva Kraljevine Norveške u Hrvatskoj, predstavit će zagrebačkoj publici audiovizualno djelo danskog skladatelja Simon Steena-Andersena
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Ensemble Oslo Sinfonietta is the oldest Norwegian ensemble for contemporary music. They will hold a concert at the Theatre &TD on April 26 at 10 p.m. The project is a collaboration with the Culture of Change of the Student Center in Zagreb, and is supported by the Embassy of Norway in Croatia. It features the audio-visual piece by the Danish composer Simon Steen-Andersen called
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"Osobno uživam u izvođenju suvremenih komada, osobito onih koji su pronašli svoj originalni izraz, kao na primjer Moritz Egger, čije sam pjesme nedavno pjevao u Zagrebu, ili Peter Eötvös i Christian Jost koje sam također imao priliku izvoditi. Volim djela u kojima mogu pronaći aspekte života i koja su inspirirana životom. Isto tako, uživam u komadima koji su bogati bojama i izazivaju emocionalnu reakciju publike. Nije li cilj glazbe da nas podsjeti na neke trenutke našeg života, ili da nam ispriča priču koju možda i nismo doživjeli, ali koja u nama izaziva suosjećanje?".
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„I enjoy performing contemporary pieces, especially works of composers who have found their original expression. A good example is Moritz Egger, whose songs I recently sang in Zagreb, or Peter Eötvösand Christian Jost, whose works I also had a chance to perform. I like compositions in which I can recognize aspects of life, which have been inspired by life. I also enjoy pieces which are rich in colors and provoke an emotional reaction with the audience. Isn't the aim of music to remind us of some moments of our lives, or to tell us a story we may not have experienced, but we feel compassion for?“
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Krešimir Seletković (Slavonski Brod, 1974.) diplomirao je kompoziciju na Muzičkoj akademiji u Zagrebu u razredu prof. Davorina Kempfa. Polazio je ljetne tečajeve u Semmeringu (Austrija), Radziejowicama (Poljska), Darmstadtu (Njemačka), Szombathelyju (Mađarska) i Grožnjanu (Hrvatska).
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Krešimir Seletković (Slavonski Brod, 1974) graduated from the Music Academy in Zagreb, in the composition class of Professor Davorin Kempf. He attended master classes in Semmering (Austria), Radziejowice (Poland), Darmstadt (Germany), Szombathely (Hungary) and Grožnjan (Croatia). His compositions are performed in Croatia, Italy, Slovenia, Russia, China, Austria, Canada and Netherlands. Seletković holds the position of Professor at the Zagreb Music Academy, he is a member of the Croatian Composers' Society and from 2003 until 2012 the editor of arc croatica editions of the same Society. He won the Rector's Award of the Zagreb University (1999), Boris Papandopulo Award of the Croatian Composers' Society (2000), award for the best music in a children's play at the 19th SLUK (Puppet Theatre and Puppeteer Meeting) Osijek 2003, Stjepan Šulek Award (2004), as well as Josip Štolcer Slavenski Award (2009). His ballet Air, choreographed by Martino Müller, was declared the best ballet production in 2011 (Award of the Croatian Actors' Guild).
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Krešimir Seletković (Slavonski Brod, 1974.) diplomirao je kompoziciju na Muzičkoj akademiji u Zagrebu u razredu prof. Davorina Kempfa. Polazio je ljetne tečajeve u Semmeringu (Austrija), Radziejowicama (Poljska), Darmstadtu (Njemačka), Szombathelyju (Mađarska) i Grožnjanu (Hrvatska).
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Krešimir Seletković (Slavonski Brod, 1974) graduated from the Music Academy in Zagreb, in the composition class of Professor Davorin Kempf. He attended master classes in Semmering (Austria), Radziejowice (Poland), Darmstadt (Germany), Szombathely (Hungary) and Grožnjan (Croatia). His compositions are performed in Croatia, Italy, Slovenia, Russia, China, Austria, Canada and Netherlands. Seletković holds the position of Professor at the Zagreb Music Academy, he is a member of the Croatian Composers' Society and from 2003 until 2012 the editor of arc croatica editions of the same Society. He won the Rector's Award of the Zagreb University (1999), Boris Papandopulo Award of the Croatian Composers' Society (2000), award for the best music in a children's play at the 19th SLUK (Puppet Theatre and Puppeteer Meeting) Osijek 2003, Stjepan Šulek Award (2004), as well as Josip Štolcer Slavenski Award (2009). His ballet Air, choreographed by Martino Müller, was declared the best ballet production in 2011 (Award of the Croatian Actors' Guild).
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Predstavit će se i studenti Muzičke akademije u Zagrebu. Koncertom u Muzeju za umjetnosti i obrt 24. travnja u 18 sati, pod vodstvom dirigentice i profesorice na Muzičkoj akademiji Jasenke Ostojić, Komorni zbor Muzičke akademije izvest će zahtjevan program sastavljen od repertoarne glazbe 20.
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At the Music Biennale Zagreb studenst from the Music Zagreb Academy will also represent themselves. On April 24th at the Museum of Arts and Crafts at 6 p.m. the Chamber Choir of the Music Academy under the baton of Jasenka Ostojić will perform a challenging programme of the 20th century repertoire music (György Ligeti), contemporary authors (Beat Furrer, Igor Štuhec), the most important Croatian vocal music composers (Igor Kuljerić, Frano Parać) and premiere of a new comissioned work from Croatian composer Sanja Drakulić. The day after, at the Blagoje Bersa concert hall of the Music Academy, the recently established Ensemble for contemporary music of the Music Academy Zagreb (ASMANGU) will perform works of the four most renowned Croatian composers of the older generation (Marko Ruždjak, Anđelko Klobučar, Ruben Radica and Stanko Horvat), under the baton of Ivan Josip Skender.
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U Galeriji Studentskog centra u Zagrebu, tijekom bijenalskih dana, zainteresirani posjetitelji moći će vidjeti i čuti uživo kako je ovaj zanimljivi i kreativni umjetnik u zvuku interpretirao logo ovogodišnjeg MBZ-a te na koji će način vizualno i auditivno okupirati prostor u kojem će biti postavljen.
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Artist Adam Basanta from Montréal, Canada as a composer mainly focuses on experimental music. He was drawn with this open call in which he could create with different audio, but also visual (spatial) elements. At the Student Centre Gallery during Biennale's week, visitors will be able to hear and see live how this creative and interesting artist reinterpreted in sound the logo of this years' MBZ and in which way it occupies (visually and audible) the space where it will be placed. Regarding the fact Adam Basanta's previous works are in the field of so called „sculptural sound installations“, the spatial dimension is very important and underlines in his works. The artist himself explains this work with following words: „In Five Lines, Crossing, sound will be produced exclusively using feedback: an amplification technique which "makes audible" the physical relationships between microphones, used speaker cones, the galleryʼs surrounding acoustic environment, and the Contemporary musical history of Zagreb and Croatia“.
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Predstavit će se i studenti Muzičke akademije u Zagrebu. Koncertom u Muzeju za umjetnosti i obrt 24. travnja u 18 sati, pod vodstvom dirigentice i profesorice na Muzičkoj akademiji Jasenke Ostojić, Komorni zbor Muzičke akademije izvest će zahtjevan program sastavljen od repertoarne glazbe 20.
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At the Music Biennale Zagreb studenst from the Music Zagreb Academy will also represent themselves. On April 24th at the Museum of Arts and Crafts at 6 p.m. the Chamber Choir of the Music Academy under the baton of Jasenka Ostojić will perform a challenging programme of the 20th century repertoire music (György Ligeti), contemporary authors (Beat Furrer, Igor Štuhec), the most important Croatian vocal music composers (Igor Kuljerić, Frano Parać) and premiere of a new comissioned work from Croatian composer Sanja Drakulić. The day after, at the Blagoje Bersa concert hall of the Music Academy, the recently established Ensemble for contemporary music of the Music Academy Zagreb (ASMANGU) will perform works of the four most renowned Croatian composers of the older generation (Marko Ruždjak, Anđelko Klobučar, Ruben Radica and Stanko Horvat), under the baton of Ivan Josip Skender.
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Odvijali su se festivali unutar festivala (popularni i dugovječni Urbofest ili Svjetski dani nove glazbe ISCM-a u Zagrebu održani čak 2005. i 2011.), brojne izložbe, simpoziji, gostujuća predavanja i dr. Ipak MBZ se uvijek trudio biti najprije fokusiran na instituciju samog skladatelja.
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Over the subsequent years, the festival framework assumed a more distinct and compact structure, the mature reflection enhanced the initial impetus. Different views on topics came as the natural course of events, having been established as a continuous feature depending on the festival's leadership. Different festival themes were in focus, from electronics to women composers; several countries were stressed in the festivals' programs like Sweden or Canada for example. There were festivals within the main festival (popular Urbofest or World New Music Days that was held in Zagreb in 2005 and 2011), numerous exhibitions, seminars, workshops, etc. Still MBZ was always focused on the institution of composer's persona. Messiaen, Stockhausen, Stravinsky, Cage, Berio, Penderecki, Lutoslawski, Maderna, Kagel, Globokar, Nono, Xenakis,Lucier, Schnebel, Reich, Murail, Maxwell Davis, Birtwistle, Schaffer, Nyman, Cerha, are only some that were MBZ's guests.
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Skladatelji Mladen Tarbuk, Mirela Ivičević, Zoran Juranić, Silvio Foretić i Gordan Tudor te autorica dramskog predloška Irena Škorić nagrađeni su ovacijama za svoj rad u projektu koji je nastao u koprodukciji Cantus Ansambla, Kulture promjene Studentskog centra Sveučilišta u Zagrebu i Muzičkog biennala.
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Last night at the &TD Theater there was literally no place for an extra chair, and after the first complete performance of all five episodes of the Soap Opera many were smiling broadly. When will the next performance be? When will the new season of this soap opera start? These were the questions one could hear after the performance. The composers Mladen Tarbuk, Mirela Ivièeviæ, Zoran Juraniæ, Silvio Foretiæ and Gordan Tudor and the author of the drama template Irena Škoriæ received standing ovations for their work on this project, which was created in co-production between the Cantus Ensemble, the University of Zagreb Student Center's Culture of Change and the Music Biennale. Their success would not have been possible without the excellent Cantus Ensemble conducted by Maestro Ivan Josip Skender, director Dora Ruždjak Podolski and fantastic, dedicated singers who were totally committed to this silly game. These were Gorana Biondiæ, Ivana Srbljan, Miljenko Ðuran and Ozren Bilušiæ.
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Krešimir Seletković (Slavonski Brod, 1974.) diplomirao je kompoziciju na Muzičkoj akademiji u Zagrebu u razredu prof. Davorina Kempfa. Polazio je ljetne tečajeve u Semmeringu (Austrija), Radziejowicama (Poljska), Darmstadtu (Njemačka), Szombathelyju (Mađarska) i Grožnjanu (Hrvatska).
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Krešimir Seletković (Slavonski Brod, 1974) graduated from the Music Academy in Zagreb, in the composition class of Professor Davorin Kempf. He attended master classes in Semmering (Austria), Radziejowice (Poland), Darmstadt (Germany), Szombathely (Hungary) and Grožnjan (Croatia). His compositions are performed in Croatia, Italy, Slovenia, Russia, China, Austria, Canada and Netherlands. Seletković holds the position of Professor at the Zagreb Music Academy, he is a member of the Croatian Composers' Society and from 2003 until 2012 the editor of arc croatica editions of the same Society. He won the Rector's Award of the Zagreb University (1999), Boris Papandopulo Award of the Croatian Composers' Society (2000), award for the best music in a children's play at the 19th SLUK (Puppet Theatre and Puppeteer Meeting) Osijek 2003, Stjepan Šulek Award (2004), as well as Josip Štolcer Slavenski Award (2009). His ballet Air, choreographed by Martino Müller, was declared the best ballet production in 2011 (Award of the Croatian Actors' Guild).
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Pascal Touzeau već nekoliko tjedana boravi u Zagrebu pripremajući predstavu Kraljevi bogova čijom će praizvedbom Balet Hrvatskog narodnog kazališta večeras zaključiti 28. MBZ. “Drago mi je što sam se mogao odazvati pozivu direktora Baleta HNK Leonarda Jakovine jer su mi se jako svidjeli i vaš grad, i baletni ansambl, i koncept predstave Kraljevi bogova”, rekao nam je glasoviti francuski koreograf.
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Pascal Touzeau has been staying in Zagreb for several weeks now,preparing the performance of Kings of Gods, whose premiere by the Croatian National Theater Ballet will conclude the 28th MBZ. “I am glad I could accept the invitation of the manager of the Croatian National Theater Ballet Leonard Jakovina as I like very much your city, the ballet ensemble and the concept of the Kings of Gods,” said the famous French choreographer. The ballet consists of two parts. The first is performed along with the composition Complex Poetry by Tomislav Oliver, and the composition by Ivana Kiš for the second part is called The Selfish Gene Machine. Both compositions will be performed by the CroatianNational Theater Orchestra conducted by Maestro Dian Tchobanov at tonight’s first performance and premiere. The words which the choreographer associates with the first part are virtuosity and neoclassicism, while the second part relies more on creating the atmosphere and emotions. All in accordance with music. In addition, as much as dancers find it more comfortable to always dance to the same recording, the choreographer is actually looking forward to the challenge of performing with orchestra and live music. “The stage and the orchestra are two different worlds, but all of it, including the entire team behind the scene as well as the people in the audience, represent the life of theater and bring even more energy into the performance.” With these words the choreographer welcomes you to the Croatian National Theater, to the end of the adventure to which we have embarked from this same spot eight days ago. And until 2017, do not forget: the Music Biennale Zagreb remains open. You stay as well. Deep bow to all of you, honorificabilitudinitas !