acabarien – English Translation – Keybot Dictionary

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  www.lletra.net  
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. En vam publicar set números, amb força col·laboracions, i hi van aparèixer els primers poemes en català que donava a conèixer, alguns dels quals acabarien integrant-se a
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It is difficult to pinpoint the moment when I became interested in poetry but I have been a great enthusiast since 1971, the year in which Pablo Neruda was named Nobel laureate for Literature and of the publication of his book
  www.intecol-10iwc.com  
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Les màquines Josep Trepat foren tot un èxit comercial i una revolució en el treball del camp perquè eren màquines adaptades a les necessitats dels pagesos, lleugeres, manejables i amb un preu accessible fet que ajudaria a la seva popularitat i acabarien transformant la feina i la vida al camp.
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The Josep Trepat machines were a commercial success and a revolution for farm work as they were adapted to the needs of the farmers. They were light and easy to handle and their reasonable price helped to make them popular and so they ended up transforming work and life in the country. The J. Trepat factory was named the national producer in 1931.
  www.ca.globaltalentnews.com  
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El pare de Javier Tejada (1948, Castejón [Navarra]) tenia una fàbrica de lleixiu. Va ser allà on Tejada va començar a veure els primers experiments que, tard o d’hora, acabarien per despertar-li la passió per la ciència i, més en concret, per la física.
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The father of Javier Tejada (1948, Castejón [Navarra]) had a bleach factory. It was there where Tejada started seeing the first experiments which, sooner or later, would wake the passion for science in him, and more specifically, for physics. He ended up graduating in physical sciences at the University of Zaragoza in 1970 and got his Ph.D. in 1975.
  www.santpaubarcelona.org  
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El rei Martí l’Humà va presenciar la col·locació de la primera pedra de l’edifici, el 13 de febrer de 1401. Les obres acabarien el 1450. Posteriorment, al segle XVIII, l’edifici va ampliar-se, i durant el segle XIX i començaments del XX van fer-s’hi intervencions menors.
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The new centre, one of the oldest in Europe (and anywhere in the world), was conceived as a large building with four rectangular two-storey wings set around a central courtyard, following the model of an ecclesiastical cloister. King Martin the Humane presided over the laying of the first stone, on 13 February 1401. The work was finally completed in 1450. In due course the building was extended, in the eighteenth century, and minor modifications were made in the nineteenth and early twentieth centuries.
  santpaubarcelona.org  
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El rei Martí l’Humà va presenciar la col·locació de la primera pedra de l’edifici, el 13 de febrer de 1401. Les obres acabarien el 1450. Posteriorment, al segle XVIII, l’edifici va ampliar-se, i durant el segle XIX i començaments del XX van fer-s’hi intervencions menors.
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The new centre, one of the oldest in Europe (and anywhere in the world), was conceived as a large building with four rectangular two-storey wings set around a central courtyard, following the model of an ecclesiastical cloister. King Martin the Humane presided over the laying of the first stone, on 13 February 1401. The work was finally completed in 1450. In due course the building was extended, in the eighteenth century, and minor modifications were made in the nineteenth and early twentieth centuries.
  ccb.belgium.be  
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Dan Graham va partir de la noció semiòtica del clixé, influït per l’ús dels estereotips del llenguatge imprès en l’artista Marcel Broodthaers, i va començar a capturar imatges amb una Kodak Instamatic amateur per tal de generar aquesta dimensió banal, que les faria interessants per a la seva publicació a Esquire, mitjà que denunciava l’alienació de l’arquitectura vernacular. Acompanyades d’un anàlisi textual, acabarien publicades com Homes from America, a l’Arts Magazine l’any 1966.
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Influenced by the artist Marcel Broodthaers’s use of stereotypes of printed language, Graham went on to explore the semiotic notion of cliché, and started taking pictures with a Kodak Instamatic, using the inexpensive camera to generate images that are interesting for their sheer banality and publishing these in Esquire, denouncing the alienation of vernacular architecture. Together with an analytical text, these pictures were subsequently published as Homes for America in Arts Magazine in 1966. Dan Graham insisted that his references were pop songs such as ‘Mr Pleasant’ by The Kinks or ‘Nowhere Man’ by The Beatles. The fact is that he effectively brought out the environmental nature of the serial and topological aesthetic of Donald Judd’s minimalist art, transcribing industrial forms deriving from a social reality capable of being documented into a new cultural key.
  www.biocat.cat  
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Són ferides que de manera natural trigarien moltíssim a tancar-se o potser no ho acabarien de fer, "en canvi si cobrim la ferida amb aquesta pell de laboratori hi ha una forta activació dels marges i tot el procés va més ràpid".
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This tissue-regeneration system can be applied to all sorts of wounds in which a significant amount of tissue (skin) has been lost: surgeries to remove tumors, bites and other wounds that would be difficult to treat on their own. So far, tests have been carried out with dogs, horses and cats. Only in the latter has the tissue-regeneration system not worked, while in dogs and horses the results have been highly satisfactory. This was the case in one of the tests carried out by the Univet team: a dog had practically no skin on its abdomen due to cancer and a small sample was taken from its back and used to regenerate enough skin to cover the whole abdomen. Puigdemont explains that “this system can work in many cases with problems for regenerating skin, but so far we’ve shown it to work perfectly for tumors and burns.” These are wounds that would normally take a long time to close naturally, or may never do so. “However if we cover the wound with this laboratory-made skin, there is strong activation of the edges and the whole process is much quicker.”
  www.caixabankresearch.com  
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Tornant al nostre somni infantil de tenir una màquina d'imprimir diners, seria raonable que els primers bitllets ens fessin més rics: inicialment, els preus de les joguines i de les llaminadures serien els mateixos. No obstant això, amb el pas de les setmanes, els botiguers acabarien apujant-los: la inflació és un fenomen monetari a llarg termini perquè els preus són rígids a curt termini.
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In fact it is natural that changes in the money supply should take some time to appear in inflation. Returning to our childhood dream of having a machine that prints money, it would be reasonable to assume that the first few notes would make us richer: initially the prices of toys and sweets would remain the same. However, as the weeks passed shopkeepers would end up increasing their prices: inflation is a long-term monetary phenomenon because prices are rigid in the short term. Or at least this was the consensus reached between monetarists and Keynesians. However, eight years have now passed since central banks such as the Fed and ECB began strong monetary expansion to boost their economies after the Great Recession but this expansion has yet to be passed on to inflation, suggesting there must be other relevant mechanisms in play. As discussed in the article «The quest for missing inflation» in this Dossier, over the last few years changes have occurred in how advanced economies work that could explain why prices are taking longer to lose their rigidity. On the one hand the anchoring of inflation expectations means that, in the short term, participants renegotiate prices based on expectations that coincide with the central bank's target. However, in the long term these expectations will only remain rationally anchored if the trend in the money supply is in line with the inflation target. On the other hand globalisation means that part of the money created by a country ends up outside its economic borders, thereby effectively reducing the amount of currency in circulation in the economy in question.