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Adrienne Edwards is Curator at Performa, Curator at Large, Visual Arts at the Walker Art Center, and also a PhD candidate in performance studies at New York University. Since 2010, she has spearheaded Performa’s year-round programming, contributed to the Performa biennial, and led its institutional collaborations with The Museum of Modern Art, New York and The Studio Museum in Harlem, New York. Her curatorial work focuses on artists of the African Diaspora and the Global South, including a recent Curatorial Fellowship awarded for Research supported by the Warhol Foundation to investigate approaches to experimentation in interdisciplinary art in Africa, and 1:54 PERFORMS for the 1:54 Contemporary African Art Fair. For Performa, Edwards has curated programs, projects, and productions with a wide range of artists, including Performa Commissions by Edgar Arceneaux, Juliana Huxtable, Rashid Johnson, and Laura Lima, in addition to projects and productions by Pope.L, Ralph Lemon, Senga Nengudi, Lorraine O’Grady, Adam Pendleton, Dave McKenzie, Wangechi Mutu, Will Rawls, and Carrie Mae Weems. Recent projects have included organizing and co-organizing Fluxus founding member Benjamin Patterson’s first retrospective concert Action as Composition (2013), Pope.L’s Cage Unrequited (2013) for Performa 13, Jonathas de Andrade’s A Study of Race and Class – Bahia >< New York (2015) and Chimurenga’s Library for Performa 15. Edwards works within the Walker’s visual arts department developing and implementing artist projects and exhibitions, and expanding interdisciplinary scholarship and research while making key contributions to the Walker's acquisitions planning. She is a contributor to numerous exhibition catalogues and art publications, including Aperture, Art in America, Artforum.com and Spike Art Quarterly, and has given talks and presentations at a range of symposia and discursive platforms, including at Bienal de São Paulo, Johann Jacobs Museum, Brooklyn Museum of Art, Museum of Modern Art New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University, among others.
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Adrienne Edwards is Curator at Performa, Curator at Large, Visual Arts at the Walker Arts Center, and also a PhD candidate in performance studies at New York University. Since 2010, she has spearheaded Performa’s year-round programming, contributed to the Performa biennial, and led its institutional collaborations with The Museum of Modern Art, New York and The Studio Museum in Harlem, New York. Her curatorial work focuses on artists of the African Diaspora and the Global South, including a recent Curatorial Fellowship awarded for Research supported by the Warhol Foundation to investigate approaches to experimentation in interdisciplinary art in Africa, and 1:54 PERFORMS for the 1:54 Contemporary African Art Fair. For Performa, Edwards has curated programs, projects, and productions with a wide range of artists, including Performa Commissions by Edgar Arceneaux, Juliana Huxtable, Rashid Johnson, and Laura Lima, in addition to projects and productions by Pope.L, Ralph Lemon, Senga Nengudi, Lorraine O’Grady, Adam Pendleton, Dave McKenzie, Wangechi Mutu, Will Rawls, and Carrie Mae Weems. Recent projects have included organizing and co-organizing Fluxus founding member Benjamin Patterson’s first retrospective concert Action as Composition (2013), Pope.L’s Cage Unrequited (2013) for Performa 13, Jonathas de Andrade’s A Study of Race and Class – Bahia >< New York (2015) and Chimurenga’s Library for Performa 15. Edwards works within the Walker’s visual arts department developing and implementing artist projects and exhibitions, and expanding interdisciplinary scholarship and research while making key contributions to the Walker's acquisitions planning. She is a contributor to numerous exhibition catalogues and art publications, including Aperture, Art in America, Artforum.com and Spike Art Quarterly, and has given talks and presentations at a range of symposia and discursive platforms, including at Bienal de São Paulo, Johann Jacobs Museum, Brooklyn Museum of Art, Museum of Modern Art New York, Para Site International Conference Hong Kong, The Studio Museum in Harlem, Whitechapel Gallery, Whitney Museum of American Art, New York University, Stanford and Northwestern University, among others.
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