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  2 Hits animafest.hr  
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Mario von Rickenbach is an artist and designer based in Zurich, Switzerland. Aside from mentoring, he is holding daily lectures on different aspects of videogames and presenting the works made at the workshop to the public.
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Prošlogodišnjim voditeljima radionice, Aleksandri Čereković (FER) i Darku Masnecu (ALU), ove godine pridružuje se Mario von Rickenbach (Umjetničko sveučilište u Zürichu). Mario von Rickenbach umjetnik je i dizajner videoigara nastanjen u Zürichu (Švicarska) koji će osim mentoriranja ovom prigodom polaznicima održati svakodnevna predavanja o različitim aspektima dizajna videoigara te prezentirati javnosti radove s radionice. Završio je preddiplomski studij dizajna videoigara na Umjetničkom sveučilištu u Zürichu 2010. godine, gdje sada radi kao asistent. Njegovi noviji radovi uključuju
  www.cms.hr  
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“We refuse justifications of armed rattles as protective measures from the current humanitarian crisis and presenting refugees as national security threats. In this situation, we find the plan of amending the Law on State Border Control to be politically irresponsible, as it is not in accordance with our constitutional responsibilities and we do not want it to be misused for the sake of winning political points”, warn the organisations.
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Istovremeno, niti Hrvatska niti ostale zemlje na tzv. Balkanskoj ruti nisu uložile značajnije napore za okončanje rata u Siriji, niti su pokazale interes za radom na integraciji ljudi u Europu. Organizacije podsjećaju da RH još uvijek nije ispunila preuzetu obavezu relokacije izbjeglica te da je uplatila samo simboličan novčani iznos u međunarodni fond za Siriju. Dok Hrvatska za humanitarnu pomoć Siriji i njezinim susjednim zemljama uplaćuje svega 200.000 eura godišnje od 2016. do 2020., troškovi slanja vojske na granici bili bi višestruki - taj odnos govori o tome kako ne radimo na zaustavljanju ratova, nego na zaustavljanju ljudi.
  2 Hits www.animafest.hr  
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Mario von Rickenbach is an artist and designer based in Zurich, Switzerland. Aside from mentoring, he is holding daily lectures on different aspects of videogames and presenting the works made at the workshop to the public.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine animafest.hr as primary domain
Prošlogodišnjim voditeljima radionice, Aleksandri Čereković (FER) i Darku Masnecu (ALU), ove godine pridružuje se Mario von Rickenbach (Umjetničko sveučilište u Zürichu). Mario von Rickenbach umjetnik je i dizajner videoigara nastanjen u Zürichu (Švicarska) koji će osim mentoriranja ovom prigodom polaznicima održati svakodnevna predavanja o različitim aspektima dizajna videoigara te prezentirati javnosti radove s radionice. Završio je preddiplomski studij dizajna videoigara na Umjetničkom sveučilištu u Zürichu 2010. godine, gdje sada radi kao asistent. Njegovi noviji radovi uključuju
  www.museum-kaprun.at  
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It is a contemporary, innovative and interactive visual view of cities and the surrounding area using the latest webVR technology. In this way we offer you a new and different experience of visiting the county and presenting the […]
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U dva vikenda (21.,22. i 23. rujna, te 28., 29. i 30. rujna) Bundek se pretvara u grad dobre zabave i hrane. Osim u večernjim koncertima popularnih izvođača, posjetitelji će moći uživati u više od sto izvođača na 20 pozornica, nastupima KUD-ova, radionicama, vinskoj cesti Hrvatske te bogatoj i raznovrsnoj gastronomskoj ponudi iz raznih krajeva […]
  eipcp.net  
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Hito Steyerl, The Articulation of Protest (http://www.eipcp.net/transversal/0303/steyerl/en) and in contrast to this: Gilles Deleuze, Negotiations, New York 1995, S.44/45: "Neither a component nor a collection, what is this AND? I think Godard's force lies in living and thinking and presenting this AND in a very novel way, and in making it work actively. AND is neither one thing nor the other, it's always in-between, between two things; it's the borderline, there's always a border, a line of flight or flow, only we don't see it, because it's the least perceptible of things. And yet it's along this line of flight that things come to pass, becomings evolve, revolutions take shape..."
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[15] Usp., u kontrastu Hito Steyerl, Die Artikulation des Protestes (http://www.eipcp.net/transversal/0303/steyerl/hr) i ponovo u kontrastu Gilles Deleuze  Unterhandlungen, Frankfurt/Main 1993, S.68: „Niti element, niti cjelina, sto je onda to ‚i’? Vjerujem da je snaga Godarda  u tome  da to ‚i’ zivi, misli i pokazuje na jedan sasvim novi nacin i da ga pusta da samo djeluje. To ‚i’ nije ni jedno ni drugo, ono je uvijek izmedju obaju elemenata, on je granica, a uvijek postoji neka granica, neka linija bijega, strujanja, samo ju covjek ne vidi, jer je ona ono  neprividno. Pa ipak na toj liniji bijega odigravaju se stvari i postajanja, ovdje se ocrtavaju revolucije.“
  republicart.net  
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Hito Steyerl, The Articulation of Protest (http://www.republicart.net/disc/mundial/steyerl02_en.htm) and in contrast to this: Gilles Deleuze, Negotiations, New York 1995, S.44/45: "Neither a component nor a collection, what is this AND? I think Godard's force lies in living and thinking and presenting this AND in a very novel way, and in making it work actively. AND is neither one thing nor the other, it's always in-between, between two things; it's the borderline, there's always a border, a line of flight or flow, only we don't see it, because it's the least perceptible of things. And yet it's along this line of flight that things come to pass, becomings evolve, revolutions take shape..."
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[15] Usp., u kontrastu Hito Steyerl, Die Artikulation des Protestes (http://www.republicart.net/disc/mundial/steyerl02_hr.htm) i ponovo u kontrastu Gilles Deleuze Unterhandlungen, Frankfurt/Main 1993, S.68: "Niti element, niti cjelina, sto je onda to ,i'? Vjerujem da je snaga Godarda u tome da to ,i' zivi, misli i pokazuje na jedan sasvim novi nacin i da ga pusta da samo djeluje. To ,i' nije ni jedno ni drugo, ono je uvijek izmedju obaju elemenata, on je granica, a uvijek postoji neka granica, neka linija bijega, strujanja, samo ju covjek ne vidi, jer je ona ono neprividno. Pa ipak na toj liniji bijega odigravaju se stvari i postajanja, ovdje se ocrtavaju revolucije."
  www.republicart.net  
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Hito Steyerl, The Articulation of Protest (http://www.republicart.net/disc/mundial/steyerl02_en.htm) and in contrast to this: Gilles Deleuze, Negotiations, New York 1995, S.44/45: "Neither a component nor a collection, what is this AND? I think Godard's force lies in living and thinking and presenting this AND in a very novel way, and in making it work actively. AND is neither one thing nor the other, it's always in-between, between two things; it's the borderline, there's always a border, a line of flight or flow, only we don't see it, because it's the least perceptible of things. And yet it's along this line of flight that things come to pass, becomings evolve, revolutions take shape..."
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[15] Usp., u kontrastu Hito Steyerl, Die Artikulation des Protestes (http://www.republicart.net/disc/mundial/steyerl02_hr.htm) i ponovo u kontrastu Gilles Deleuze Unterhandlungen, Frankfurt/Main 1993, S.68: "Niti element, niti cjelina, sto je onda to ,i'? Vjerujem da je snaga Godarda u tome da to ,i' zivi, misli i pokazuje na jedan sasvim novi nacin i da ga pusta da samo djeluje. To ,i' nije ni jedno ni drugo, ono je uvijek izmedju obaju elemenata, on je granica, a uvijek postoji neka granica, neka linija bijega, strujanja, samo ju covjek ne vidi, jer je ona ono neprividno. Pa ipak na toj liniji bijega odigravaju se stvari i postajanja, ovdje se ocrtavaju revolucije."
  transversal.at  
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Hito Steyerl, The Articulation of Protest (http://www.eipcp.net/transversal/0303/steyerl/en) and in contrast to this: Gilles Deleuze, Negotiations, New York 1995, S.44/45: "Neither a component nor a collection, what is this AND? I think Godard's force lies in living and thinking and presenting this AND in a very novel way, and in making it work actively. AND is neither one thing nor the other, it's always in-between, between two things; it's the borderline, there's always a border, a line of flight or flow, only we don't see it, because it's the least perceptible of things. And yet it's along this line of flight that things come to pass, becomings evolve, revolutions take shape..."
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[15] Usp., u kontrastu Hito Steyerl, Die Artikulation des Protestes (http://www.eipcp.net/transversal/0303/steyerl/hr) i ponovo u kontrastu Gilles Deleuze  Unterhandlungen, Frankfurt/Main 1993, S.68: „Niti element, niti cjelina, sto je onda to ‚i’? Vjerujem da je snaga Godarda  u tome  da to ‚i’ zivi, misli i pokazuje na jedan sasvim novi nacin i da ga pusta da samo djeluje. To ‚i’ nije ni jedno ni drugo, ono je uvijek izmedju obaju elemenata, on je granica, a uvijek postoji neka granica, neka linija bijega, strujanja, samo ju covjek ne vidi, jer je ona ono  neprividno. Pa ipak na toj liniji bijega odigravaju se stvari i postajanja, ovdje se ocrtavaju revolucije.“
  cms.hr  
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“We refuse justifications of armed rattles as protective measures from the current humanitarian crisis and presenting refugees as national security threats. In this situation, we find the plan of amending the Law on State Border Control to be politically irresponsible, as it is not in accordance with our constitutional responsibilities and we do not want it to be misused for the sake of winning political points”, warn the organisations.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine cms.hr as primary domain
Istovremeno, niti Hrvatska niti ostale zemlje na tzv. Balkanskoj ruti nisu uložile značajnije napore za okončanje rata u Siriji, niti su pokazale interes za radom na integraciji ljudi u Europu. Organizacije podsjećaju da RH još uvijek nije ispunila preuzetu obavezu relokacije izbjeglica te da je uplatila samo simboličan novčani iznos u međunarodni fond za Siriju. Dok Hrvatska za humanitarnu pomoć Siriji i njezinim susjednim zemljama uplaćuje svega 200.000 eura godišnje od 2016. do 2020., troškovi slanja vojske na granici bili bi višestruki - taj odnos govori o tome kako ne radimo na zaustavljanju ratova, nego na zaustavljanju ljudi.