lasting influence – Spanish Translation – Keybot Dictionary

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  fr.euronews.com  
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“Marley” paints a picture of the life, music and legacy of the Jamaican singer-songwriter. He died in 1981 at the age of 36, but had a lasting influence on… 19/04/2012
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El retrato de un país con tres culturas, tres religiones y tres formas de ver la vida después de la Guerra. Es el hilo conductor del último trabajo documental… 14/05/2012
  arabic.euronews.com  
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“Marley” paints a picture of the life, music and legacy of the Jamaican singer-songwriter. He died in 1981 at the age of 36, but had a lasting influence on… 19/04/2012
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El retrato de un país con tres culturas, tres religiones y tres formas de ver la vida después de la Guerra. Es el hilo conductor del último trabajo documental… 14/05/2012
  aquatherm.helexpo.gr  
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What we have learned is that the capacity of people to form large cooperative groups is conditioned by deep history—events taking place hundreds, and sometimes thousands of years in the past. One particularly important factor that historical analyses have identified is the long-lasting influence of past, and now long-gone, empires.
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Lo que hemos aprendido es que la capacidad de la gente para formar grandes grupos cooperativos está condicionado por la historia profunda, por eventos que tuvieron lugar hace cientos y a veces miles de años en el pasado. Un factor particularmente importante que han identificado los análisis históricos es la prolongada influencia de pasados imperios desaparecidos hace mucho tiempo. ¿Por qué?
  www.ecb.europa.eu  
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Thus, maintaining stable prices is the only feasible objective for the single monetary policy over the medium term. By contrast, apart from the positive impact of price stability, monetary policy has no scope for exerting any lasting influence on real variables.
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En segundo lugar, tanto los fundamentos teóricos de la política monetaria como la experiencia adquirida demuestran que, en última instancia, la política monetaria sólo puede influir en el nivel de precios de la economía. Por tanto, el único objetivo posible de la política monetaria única es el mantenimiento de la estabilidad de precios a medio plazo. Por el contrario, aparte del efecto positivo sobre la estabilidad de precios, la política monetaria no puede influir de forma duradera sobre las variables reales.
  www.puertorico-herald.org  
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The presence of Hispanics on this continent predates the founding of our Nation, and, as among the first to settle in the New World, Hispanics and their descendants have had a profound and lasting influence on American history, values, and culture.
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La presencia de los hispanos en este continente precede la fundación de nuestra Nación. Entre los primeros a establecerse en el Nuevo Mundo, los hispanos y sus descendientes han influido profunda y permanentemente en la historia, cultura y los valores americanos. Desde la llegada de los primeros pobladores españoles hace más de 400 años, millones de hombres y mujeres hispanos han venido a los Estados Unidos desde Méjico, Puerto Rico, Cuba y otras regiones caribeñas, Centroamérica, Sudamérica y España, en búsqueda de la paz, libertad y un futuro más próspero. Trajeron con ellos un compromiso fuerte a sus familias y comunidades, una profunda ética de trabajo, y una fe inagotable en el Sueño Americano.
  www.rob.cs.tu-bs.de  
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Enrique Lafuente Ferrari (1898–1985) belonged to the second generation of Spanish art historians and always considered himself a disciple of Elías Tormo and Manuel Gómez-Moreno, although it was probably the philosopher José Ortega y Gasset who had the most lasting influence on his work.
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Enrique Lafuente Ferrari (1898-1985) perteneció a la segunda generación de historiadores del arte españoles y siempre se consideró discípulo de Elías Tormo y Manuel Gómez-Moreno, aunque probablemente fue el filósofo José Ortega y Gasset quien más duradera influencia ejerció sobre su trabajo. Entre los múltiples intereses a los que consagró su atención durante su prolífica carrera sobresalen dos con especial intensidad: Diego Velázquez y Francisco de Goya. Al pintor sevillano dedicó algunas de las páginas más brillantes que se han escrito sobre su vida y su quehacer en cinco monografías y numerosos artículos publicados en revistas especializadas y en prensa periódica, junto con otros textos incluidos en reflexiones globales sobre la pintura española del siglo XVII.
  www.ovpm.org  
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"The 'imperial city' of Potosi [...] exerted lasting influence on the development of architecture and monumental arts in the central region of the Andes by spreading the forms of a Baroque style incorporating Indian influences."
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La "ciudad imperial de Potosí, [...] ha influido de forma duradera en el desarrollo de la arquitectura y las artes monumentales en la región central de los Andes, difundiendo las formas de un estilo barroco mestizado con influencias indias" (II). Potosí es "el ejemplo por excelencia de una gran mina de plata de los tiempos modernos [...]. Se conserva toda la cadena de producción, desde la mina hasta el Hotel de las Monedas [...]. También se observa la presencia importante del contexto social [...]" (IV). "Potosí está [...] asociada a un acontecimiento de excepcional alcance universal: el cambio económico que se operó en el siglo XVI" (VI).
  www.kunzwallentin.at  
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The moral principles children pick up this way will have a lasting influence on their moral identity, because they rest on the foundation of children’s love for their parents as well as their need for approval and their concern for the feelings of others.
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La investigación de Gopnik confirma esto. La empatía, señala esta, se encuentra arraigada en el apego y el contacto interpersonal que tenemos con nuestros primeros guardianes. Al interactuar los padres cara a cara con sus infantes, tranquilizándolos y respondiendo a sus necesidades, están modelando la primera «moralidad» que sus hijos ven en el mundo. Los padres sonríen a sus bebés, y los bebés reciprocan la sonrisa; la investigación muestra que aun el hecho de sonreír puede llegar muy lejos hasta hacernos sentir felices. Al imitar nuestras expresiones, los bebés aprenden las emociones y eventualmente también acerca de los deseos, intenciones y metas. La imitación no es solo una señal de que la capacidad de la empatía es probablemente innata, sino también una herramienta para extender y construir en ella. «Este cuidado intimo es un modelo de preocupación moral de lo más profundo», destaca Gopnik. «No es coincidencia que tantos grandes maestros sobre la moral hablen a cerca del amor».
  3 Hits www.taschen.com  
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"Eadweard Muybridge (1830-1904) was a photographic pioneer; famed for his stop-motion studies of human and animal locomotion…As well as lecturing extensively Muybridge published his photographic studies in books such as The Horse in Motion (1878) Animal Locomotion (1887) and The Human Figure in Motion (1901). Although the scientific value of his work has been disputed, there is no doubt of his lasting influence on artists from Degas to Francs Bacon. Choreographers too have found him a source of inspiration, drawn to his sequences of pure, frozen movement…Muybridge’s images have a wonderful way of revealing the physicality of movement –suddenly, you see the trust of motion. Some sequences capture the body at an acute angle, or with the weight so far ahead of itself is has to go forward – there’s no possibility of return.. Muybridge’s photographs reveal the extremity in the most unexceptional of actions: simply walking or running. There are certain moments when you see them laid out in front of you – it is quite wonderful. You can only observe this if you slow them down or stop the movement…To my surprise when u look at the series about human movement, the dancers are actually the least interesting. With the ‘fancy’ dancer – and also with Muybridge’s nudes – you sense a self consciousness in the model – that seems to inhibit the movement. When the model sees himself from the outside movement doesn’t quite move the same way – the second you think about it, you become self-conscious and freeze. You have to invest you attention in something else for the movement to be spontaneous and full-blooded, to reveal itself; it can be the simplest of tasks like walking, running, jumping, throwing. Would motion studies of ballet dancing be more compelling than the ‘fancy dancing’? Perhaps, if Muybridge had captured a full bodied leap…Ballet is only truly interesting when the dancers move – otherwise it’s only a series of 19th-century poses. Lovely as an image, perhaps, but it’s not what gives us a kick. We wouldn’t go unless they moved…the most interesting Muybridge studies remind us that movement is a force, not just an action performed by a body…the body suddenly looks strangely unfamiliar and imbued with a tremendous force and a power. You see a flash of an unimagined potential you wouldn’t see when encountering the action or the body in flesh."— Kim Brandstrup, Royal Ballet choreographer, Dance Gazette, Royal Academy of Dance, London, United Kingdom
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"Eadweard Muybridge (1830-1904) was a photographic pioneer; famed for his stop-motion studies of human and animal locomotion…As well as lecturing extensively Muybridge published his photographic studies in books such as The Horse in Motion (1878) Animal Locomotion (1887) and The Human Figure in Motion (1901). Although the scientific value of his work has been disputed, there is no doubt of his lasting influence on artists from Degas to Francs Bacon. Choreographers too have found him a source of inspiration, drawn to his sequences of pure, frozen movement…Muybridge’s images have a wonderful way of revealing the physicality of movement –suddenly, you see the trust of motion. Some sequences capture the body at an acute angle, or with the weight so far ahead of itself is has to go forward – there’s no possibility of return.. Muybridge’s photographs reveal the extremity in the most unexceptional of actions: simply walking or running. There are certain moments when you see them laid out in front of you – it is quite wonderful. You can only observe this if you slow them down or stop the movement…To my surprise when u look at the series about human movement, the dancers are actually the least interesting. With the ‘fancy’ dancer – and also with Muybridge’s nudes – you sense a self consciousness in the model – that seems to inhibit the movement. When the model sees himself from the outside movement doesn’t quite move the same way – the second you think about it, you become self-conscious and freeze. You have to invest you attention in something else for the movement to be spontaneous and full-blooded, to reveal itself; it can be the simplest of tasks like walking, running, jumping, throwing. Would motion studies of ballet dancing be more compelling than the ‘fancy dancing’? Perhaps, if Muybridge had captured a full bodied leap…Ballet is only truly interesting when the dancers move – otherwise it’s only a series of 19th-century poses. Lovely as an image, perhaps, but it’s not what gives us a kick. We wouldn’t go unless they moved…the most interesting Muybridge studies remind us that movement is a force, not just an action performed by a body…the body suddenly looks strangely unfamiliar and imbued with a tremendous force and a power. You see a flash of an unimagined potential you wouldn’t see when encountering the action or the body in flesh."— Kim Brandstrup, Royal Ballet choreographer, Dance Gazette, Royal Academy of Dance, London, Reino Unido