fit entendre – English Translation – Keybot Dictionary

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L’accusé fit entendre sept témoins.
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The accused called seven witnesses.
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L’accusé fit entendre sept témoins.
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The accused called seven witnesses.
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Puis, à la surprise générale, un rire se fit entendre.''
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''And then, to everyone's surprise, they heard a distant laugh.''
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11 Et une voix fit entendre des cieux ces paroles: Tu es mon Fils bien-aimé, en toi j'ai mis toute mon affection.
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11 And there came a voice from heaven, saying, Thou art my beloved Son, in whom I am well pleased.
  www.omecmotors.com  
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Ce soir-là, nous jouions avec Calvin dans la chambre quand le cri sacré se fit entendre :
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That evening, we were playing with Calvin in the bedroom when the holy cry went up.
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31. Moïse, voyant cela, fut étonné de cette apparition; et, comme il s'approchait pour examiner, la voix du Seigneur se fit entendre:
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33. Then said the Lord to him, Put off thy shoes from thy feet: for the place where thou standest is holy ground.
  ec.jeita.or.jp  
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fit entendre sa voix pour confier à une
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At the ecumenical meeting, in the
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Piazzolla a créé un style révolutionnaire de tango qui va au delà des frontières de la musique populaire et qui fait maintenant partie du répertoire universel. Il fit entendre sa musique sur les scènes les plus importantes du monde.
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Piazzolla has created a revolutionary style of tango which resonnates far beyond the borders of the folk music and belongs now to the universal repertoire. His music has been played on the most famous stages of the world. There is no doubt that he is one of the most eminent figures of the Argentinian music.
  www.sitesakamoto.com  
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L'anesthésie est une forme de la santé mentale, la reddition de comptes. Mais, nous avions besoin pour obtenir un silence séquence pur et le silence se fit entendre le vent, l'air qui était sur le point de se rendre.
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At the top of the bridge, monitors get loud music, something like bakalao, thereby causing the clients who come there to stop thinking. Anesthesia is a form of mental, accountability. But, we needed to get a sequence silence pure and the silence was heard the wind, the air that was about to surrender.
  www.pc.gc.ca  
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Il s’avança jusqu’à la porte et cria en haïda : « Naa hl gwaa nangis? » (« Y a-t-il quelqu’un à l’intérieur? »). La voix d’une femme se fit entendre : « Aangaa. Kaajiihlaa » (« Oui. Entrez. »). Lorsqu’il pénétra dans la maison, il vit que la jeune femme était sa nièce.
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At the place where the two had parted ways he saw a house. He went up to the door and called out in Haida: “Naa hl gwaa nangis?” (“Is anybody inside?”). A woman’s voice from inside the house called back: “Aangaa. Kaajiihlaa”(“Yes. Come in.”). When he entered the house he found that the girl was his brother’s daughter. His brother had passed on some years before but had passed his ways on to his daughter.
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Parlant du tremblement de terre de 1732, elle écrit : « Ce fut le 16 septembre à onze heure et card que la première secousse se fit entendre et sentir : elle abaty dabor 567 cheminée fendy presque tout les mures des maisons [...] rien de plus terrible que de voir les cloche et les maisons fléchir comme des rausau et branler aussy fort que sy its avaient étez de charte [...] Les prières publique ne fléchirent la miséricorde du Seigneur qui c’est contanté de tenir tout son peuple en alarmes pendant plus de neuf mois. Les brouissements s’estant toujours fait entandre pandans ce long espace de temps les dames firent vœux de laisser les panier et les vanité mais il y en eu quelqu’un qui suivant la légerreté naturelle au sexe nentendans plus que de petits tremblement se crurent en suretez et reprirent leurs ajustement Dieu san vangea et en fit entandre un semblable au premier la nuit du 25 doctobre au 26. »
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In speaking of the earthquake in 1732 she wrote: “It was on 16 September at a quarter past eleven that the first tremor was heard and felt: it knocked down 567 chimneys and cracked the walls of nearly all the houses . . . nothing can be more terrible than to see church towers and houses bending like reeds and swaying as badly as if they had been made of cards. . . . Public prayers did not move the Lord to pity, who was content to keep His whole people in a constant state of alarm for more than nine months. As rumblings had been heard constantly throughout this long period of time, the ladies made vows to give up hoop petticoats and frivolities, but there were some who, in accordance with the flightiness natural to the sex, when they no longer heard anything but a few small tremors, thought they were secure and resumed their adornments. God revenged Himself on the night of 25–26 October and caused a tremor like the first one to be heard.”
  gitstap.nl  
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Un mois plus tard, le 27 mai, Haendel fit entendre la Music for the Royal Fireworks au bénéfice du Foundling Hospital (Hôpital des enfants trouvés) de Londres, et on sait qu’à cette occasion, il revint à sa conception originale avec cordes.
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George II wanted only “martial music” without “fiddles”, whereas Handel had in mind a work for strings and wind instruments. The composer did not give in until the last moment. On 21st April, he gave a public rehearsal in Vauxhall Gardens, with an orchestra composed of wind instruments, kettledrums (and perhaps strings); according to the newspapers, there were a hundred musicians. Twelve thousand people attended, bringing traffic on London Bridge to a standstill for three hours. The crowds had flocked there for Handel, for there were no fireworks, no wooden structures and no statues, allegorical or otherwise, on the day of the rehearsal. The autograph manuscript indicates 24 oboes, 12 bassoons, 9 trumpets, 9 horns, 3 pairs of kettledrums, a double bassoon and a serpent, but it is possible that on 27th April 1749 Handel conducted an even larger ensemble. The ceremony was fraught with incidents, the fireworks went awry, and only Handel’s music saved the occasion from complete disaster. During the resulting fire, Servandoni drew his sword on a royal official; he was disarmed and spent the night in prison. A month later, on 27th May, Handel conducted a special concert for the benefit of the Foundling Hospital in London; the programme included the Music for the Royal Fireworks and we know that on that occasion he returned to his original idea, with string parts.