moyen de publicité – English Translation – Keybot Dictionary

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  www.gamersyde.com  

Show textShow cached sourceOpen source URL	Élargissez votre portée au-delà des sites de nos détaillants au moyen de publicité extérieure et en point de vente, de ciblage mobile hyperlocal et de reciblage.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine mediative.com as primary domain	Extend your reach beyond our retailers’ websites with out-of-home and in-store advertising, hyper-local mobile targeting, and offsite data retargeting.

  corp.canadiantire.ca  

Show textShow cached sourceOpen source URL	Le soutien de Canadian Tire au moyen de publicité, de promotions et de programmes de fidélisation.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine corp.canadiantire.ca as primary domain	One of Canada's most popular loyalty programs - 'Canadian Tire Money'

  www.rhdcc-hrsdc.gc.ca  

Show textShow cached sourceOpen source URL	Toujours sous réserve de la signature d'une entente, le gouvernement du Québec prendra les moyens appropriés pour informer la clientèle de langue anglaise des modalités relatives à la langue de service, par exemple au moyen de publicité dans les journaux, de dépliants et de communiqués
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine rhdcc-hrsdc.gc.ca as primary domain	Likewise, subject to the signature of an agreement, the Government of Québec will use appropriate means to inform English-speaking clients of the arrangements regarding language of service, for example, through newspaper advertisements, pamphlets and press releases.

  3 Hits scc.lexum.org  

Show textShow cached sourceOpen source URL	Cette présence physique est indispensable pour la protection des tiers. Elle remplace l’enregistrement du droit réel du constructeur et sert de moyen de publicité. Elle révèle aux tiers l’existence du privilège ou leur fait soupçonner la possibilité de cette existence.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine scc.lexum.org as primary domain	[TRANSLATION]This material presence is indispensable for the protection of third parties. It replaces registration of the builder’s real right and serves as a means of public notification. It discloses the existence of the privilege to third parties or causes them to suspect that it exsits.

  3 Hits csc.lexum.org  

Show textShow cached sourceOpen source URL	Cette présence physique est indispensable pour la protection des tiers. Elle remplace l’enregistrement du droit réel du constructeur et sert de moyen de publicité. Elle révèle aux tiers l’existence du privilège ou leur fait soupçonner la possibilité de cette existence.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine csc.lexum.org as primary domain	[TRANSLATION]This material presence is indispensable for the protection of third parties. It replaces registration of the builder’s real right and serves as a means of public notification. It discloses the existence of the privilege to third parties or causes them to suspect that it exsits.

  www.hc-sc.gc.ca  

Show textShow cached sourceOpen source URL	Troisièmement, nous avons proposé de n'accepter comme événements ayant des droits acquis que ceux qui se sont tenus au Canada durant les 15 mois précédant le 25 avril 1997. Une fois encore, nous n'avions jamais eu l'intention d'autoriser la résurrection d'événements en raison de leur valeur comme moyen de publicité pour les compagnies de tabac.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine hc-sc.gc.ca as primary domain	Second, we proposed that the only events that could be grandfathered would be those that were already promoted in Canada. Although we never intended that it would be otherwise, this change makes it clear that an event cannot be moved from the United States or Australia or wherever into Canada and be treated as if it had already been here.

  amiz.net  

Show textShow cached sourceOpen source URL	Le Réseau d'Affiliation Google est vu par plus de 80 % des utilisateurs Internet et affiche plus de 6 milliards de publicités et de liens sponsorisés par jour. Il constitue le moyen de publicité sur Internet qui atteint le plus de monde.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine indigoextra.com as primary domain	Our designs will be attractive and impactful and will fulfill all of Google’s requirements in terms of the size and design. After providing the initial design, should you require any modifications, we will complete one round of modifications to ensure you are happy with the final version.

  www.rhdcc.gc.ca  

Show textShow cached sourceOpen source URL	Toujours sous réserve de la signature d'une entente, le gouvernement du Québec prendra les moyens appropriés pour informer la clientèle de langue anglaise des modalités relatives à la langue de service, par exemple au moyen de publicité dans les journaux, de dépliants et de communiqués
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine rhdcc.gc.ca as primary domain	Likewise, subject to the signature of an agreement, the Government of Québec will use appropriate means to inform English-speaking clients of the arrangements regarding language of service, for example, through newspaper advertisements, pamphlets and press releases.

  hc-sc.gc.ca  

Show textShow cached sourceOpen source URL	Troisièmement, nous avons proposé de n'accepter comme événements ayant des droits acquis que ceux qui se sont tenus au Canada durant les 15 mois précédant le 25 avril 1997. Une fois encore, nous n'avions jamais eu l'intention d'autoriser la résurrection d'événements en raison de leur valeur comme moyen de publicité pour les compagnies de tabac.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine hc-sc.gc.ca as primary domain	Second, we proposed that the only events that could be grandfathered would be those that were already promoted in Canada. Although we never intended that it would be otherwise, this change makes it clear that an event cannot be moved from the United States or Australia or wherever into Canada and be treated as if it had already been here.

  www.nb.admin.ch  

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Notons que la publicité se distingue de la propagande par sa finalité commerciale. Ainsi, l’affiche lithographiée en couleur associant texte et image était dès le départ un moyen de publicité. Cependant, la publicité moderne va bien au-delà de la simple information.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nb.admin.ch as primary domain

The industrial era brought about the simultaneous development of production, distribution and mass consumerism. With these came the need to publicise new products in order to sell these products and set them apart from their competitors. Publicity, in the modern sense of the word, dates back to the end of the 19th century when the first publicity agencies were created in the United States. It is noteworthy that publicity differs from propaganda due to its commercial objective. From the start, the colour-lithographed poster, associating text and image, was a means of advertising. However, modern publicity went beyond the simple transmission of information. It set in place a genuine strategy to incite consumerism by attracting and capturing the consumer’s attention. The consumer had to be made aware of the product and its promotional message so that he would be inclined to think of this particular product when came the time to buy. Manipulation techniques were not far behind as psychology played an important role in this strategy. To reach its objectives, publicity had to touch the imagination and to achieve this, both graphic art and the information distribution medium played a vital role.

  eipcp.net  

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Etant donné qu'Oda Projesi entretient un rapport plutôt distant avec le système artistique et ne produit pas d'objets ou d'images destinés à des expositions dans des institutions artistiques, elles ont une relation indéfinie par rapport aux expositions en tant que moyen de publicité et en partie aussi par rapport aux institutions en tant que lieux codés.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine eipcp.net as primary domain

Oda Projesi's approach offers more than one stumbling block. For institutionally-based curating it brings out the dilemma of how to work with the kind of contemporary art which originates in and functions outside institutions, as part of public, or semi-public space, and with intense connections to everyday life. Since Oda Projesi's involvement with the art system is distant, and since they don't produce objects or images aimed at being exhibited in institutions they have a vague relationship to the exhibition as a medium and partly also to the institution as a coded place. This came to the fore when as a continuation and discussion of the project in Messestadt Riem, the documentation of the project was shown under the title The Room Revisited at Kunstverein München.[17] The situation was thereby radically altered and Oda Projesi were for instance confronted with outside spectators without any direct contact with the project. The presentation was adjusted to this situation; beside various forms of documentation they designed the space to resemble the project space in Messestadt Riem - a usage of space which does not correspond to the 'white cube'.

  republicart.net  

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Etant donné qu'Oda Projesi entretient un rapport plutôt distant avec le système artistique et ne produit pas d'objets ou d'images destinés à des expositions dans des institutions artistiques, elles ont une relation indéfinie par rapport aux expositions en tant que moyen de publicité et en partie aussi par rapport aux institutions en tant que lieux codés.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine republicart.net as primary domain

Oda Projesi's approach offers more than one stumbling block. For institutionally-based curating it brings out the dilemma of how to work with the kind of contemporary art which originates in and functions outside institutions, as part of public, or semi-public space, and with intense connections to everyday life. Since Oda Projesi's involvement with the art system is distant, and since they don't produce objects or images aimed at being exhibited in institutions they have a vague relationship to the exhibition as a medium and partly also to the institution as a coded place. This came to the fore when as a continuation and discussion of the project in Messestadt Riem, the documentation of the project was shown under the title The Room Revisited at Kunstverein München.[17] The situation was thereby radically altered and Oda Projesi were for instance confronted with outside spectators without any direct contact with the project. The presentation was adjusted to this situation; beside various forms of documentation they designed the space to resemble the project space in Messestadt Riem - a usage of space which does not correspond to the 'white cube'.

  transversal.at  

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Etant donné qu'Oda Projesi entretient un rapport plutôt distant avec le système artistique et ne produit pas d'objets ou d'images destinés à des expositions dans des institutions artistiques, elles ont une relation indéfinie par rapport aux expositions en tant que moyen de publicité et en partie aussi par rapport aux institutions en tant que lieux codés.

Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine transversal.at as primary domain

Oda Projesi's approach offers more than one stumbling block. For institutionally-based curating it brings out the dilemma of how to work with the kind of contemporary art which originates in and functions outside institutions, as part of public, or semi-public space, and with intense connections to everyday life. Since Oda Projesi's involvement with the art system is distant, and since they don't produce objects or images aimed at being exhibited in institutions they have a vague relationship to the exhibition as a medium and partly also to the institution as a coded place. This came to the fore when as a continuation and discussion of the project in Messestadt Riem, the documentation of the project was shown under the title The Room Revisited at Kunstverein München.[17] The situation was thereby radically altered and Oda Projesi were for instance confronted with outside spectators without any direct contact with the project. The presentation was adjusted to this situation; beside various forms of documentation they designed the space to resemble the project space in Messestadt Riem - a usage of space which does not correspond to the 'white cube'.