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Plans, cadrages, perspectives, frontalité, temporalité, récit, personnages, semblent être un fonds de commerce rhétorique partagé par l'ensemble des mises en oeuvre imaginaires, volontaires ou fortuites qui constituent les différentes “mises en scène” que nous nous proposons chaque fois que nous explorons des effets de conscience et de sens, ou chaque fois que nous débridons notre part d'anima. Le Pavillon Bosio, une école de cénographie, est né du constat de la fortune conquérante du mot “scénographie” et de sa nouvelle qualité de concept.
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Noting that the cinema as we live we live cinema, we wanted to bring together theorists of the image and art historians, asking them to track, stalk, follow, grasp, describe, appraise the presence of "L'Imaginaire scene "in cinematographic works. Image supposed to record the effects of the real, the cinematic image, from its inception, is emancipated from any functionality. Between restitution and projection, this image has the quality of a simulacrum, an agreement that gives the imagination to better explore its merits. The process often narrative images of succession sometimes feeds of archaism of the theatrical scene, sometimes the complexity of mental scene. Plans, framing, perspective, frontal, temporal, narrative, characters, seem to be a rhetorical goodwill shared by all put in imaginary work, voluntary or fortuitous that constitute the different "tableaux" that we propose every time we explore the effects of consciousness and meaning, or whenever we débridons us anima. Le Pavillon Bosio, a school of cénographie, was born from the observation of the conquering fortune of the word "scenography" and its new concept of quality. By opening a scenography / scenology debate as part of the review Pavilion, the school wants to give an analytical foundation for this intuition and thus participate in the dynamic mobility of contemporary culture. - Michel Enrici Program Sherlock Jr., Buster Keaton (1924) by Mireille Berton Priscilla, Queen of the Desert Stephan Elliott (1994) by Michel Enrici Dogville, Lars von Trier (2003) by Stephanie Jamet-Chavigny A dirty story, Jean Eustache (1977) by Guillaume Le Gall The ladies who defeated Jerry Lewis (1961) by Vincent Vatrican Obsession, Brian de Palma (1976) by Tanguy Viel
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