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Mise en scène et jeux d'acteur « Vous voyez, cela commence toujours comme ça : avec un silence. Mais il y a deux silences, peut-être y en a-t-il beaucoup plus, mais fondamentalement il n’y en a que deux. Le silence de plomb, ce silence sans vie, qui ne nous aide pas, et l’autre, le vrai silence, celui qui réunit mystérieusement et indéniablement des personnes ordinairement divisées. C’est un vrai moment, un vrai moment de partage. Entre ces deux silences, entre ce silence sans vie (…) et ce silence où l’on se sent ajustés, ensemble, ce silence plein de vie, d’une vie extraordinaire, entre ces deux silences, mille questions se lèvent. Pas au sommet, pas à la base, non juste entre les deux pôles. », Entre deux silences, Peter Brook.
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"You see, it always starts like this: with silence. But there are two silences, perhaps there he has a lot more, but basically there are only two. The stony silence, the silence without life, which does not help us, and the other, true silence, that which mysteriously and undeniably meets people usually divided. This is a real moment, a moment of true sharing. Between these two silences, lifeless silence between (...) and silence where one feels fit together this silence full of life, of an extraordinary life between these two silences, a thousand questions are raised. Not at the top, not at the base, not just between the two poles. "Between two silences, Peter Brook. Beyond the question of the imaginary, the artistic gesture that is theatrical or visual artist, is the composition of a world, the organization of a society from which emerges a singular and contemporary word. A flourish. Pier Lamandé (director, actor, writer), second year students conducted a series of tray exercises. They were able to develop experiments related to work in space and time dimensions addressing, human, personal and collective responsibility in holding a speech and choices made and their reception by the assembly. By combining the practical, students have apprehended the other discipline and started to build a reflection on the scenography.
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