rire comme – English Translation – Keybot Dictionary

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  www.eurotopics.net  
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Le rire comme échappatoire à la dictature
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Laughter as an escape from dictatorship
  fr.euronews.com  
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Certains Vénézuéliens pratiquent le “yoga du rire” comme thérapie à Caracas, pour lutter contre le stress de la vie quotidienne dans cette capitale chaotique… 19/02/2013
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About a dozen divers gathered in the Mexican resort city of Cancun to perform their underwater version of the popular dance ‘Harlem Shake’ that has gone viral… 06/03/2013
  2 Hits arabic.euronews.com  
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Certains Vénézuéliens pratiquent le “yoga du rire” comme thérapie à Caracas, pour lutter contre le stress de la vie quotidienne dans cette capitale chaotique… 19/02/2013
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Imagina is an annual technology show held in Monaco. This year it was entirely devoted to new dental technology like 3D and laser. These kinds of developments… 26/02/2013
  www.eurospapoolnews.com  
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Branson a accompagné son fils pendant une année sabbatique et les deux fumaient occasionnellement du cannabis ensemble pour "rire comme pas possible pendant huit heures". En parlant de ce voyage dans une interview, Branson a ouvertement avoué qu'il n'y avait rien de mal à "fumer un joint de temps à autres".
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Branson accompanied his son on a gap year and the two occasionally used cannabis together and “laughed [their] heads off for eight hours.” Speaking about the trip in an interview, Branson openly admitted that there was nothing wrong with “smoking the occasional spliff.”
  2 Hits v12.auto123.com  
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On ne peut pas blâmer les deux hommes assis dans cette Toyota Supra de rire comme de jeunes écolières surexcitées, car les manoeuvres effectuées par le pilote sont aussi impressionnantes que le son de la voiture!
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We can’t blame the two men sitting in this Toyota Supra to laugh like excited young school girls, because the drifting pulled off ​​by the pilot is as impressive as the sound of the car! We look forward to get our hands on Marius’s next videos (you can follow him on YouTube) to share them […]
  www.himejibungakukan.jp  
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, elle analysait l’expression du rire. Elle ne voit pas seulement le rire comme effet émotionnel, mais comme sujet d’une performance qui utilise le son, la forme, la musique, la chorégraphie, le drame, le rythme et les gestes du rire.
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In For Faces, a ‘choreographic quartet for the face', in a small amphitheater four performers sit in the middle of a circle of spectators. Their four faces are the playing fi eld in this subtle panorama of space and time, a landscape of features in mutation. The viewer's perception swings between seeing the face as an object for contemplation and, in the next moment, as the communicative part of a human being inciting empathy.
  www.tasnee.com  
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La personnalité flamboyante de Godwin et sa recherche de l’originalité ont été des éléments moteurs de sa vie. Il est toujours prêt à vivre pleinement la vie, à prendre des risques et à s’offrir une bonne partie de rire. Comme il l’admet lui-même, «Vous ne pouvez pas imaginer le parcours que j’ai eu.» (Godwin, 2007)
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Godwin’s flamboyant personality and tendency to seek the unconventional have been driving forces in his life. He is always eager to live life to the fullest, take a risk and enjoy a hearty laugh. As he admits himself, “I have had a journey you wouldn’t believe.” (Godwin, 2007)
  www.taschen.com  
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Nous avons sauté tous les deux, juste au moment où la voiture s’est embrasée complètement. Steve s’est assis au bord de la route, à une bonne distance de la voiture en feu, et il s’est mis à rire comme un fou." - William Claxton
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One time when I was with him, he drove a brand new Ford convertible, with only thirty miles on the speedometer, at top speed for such a long stretch of the Texas highway that the engine began to smoke and eventually caught on fire. He slowed down and shouted to me, “Clax, when I tell you to jump, jump!” We did jump out of the car just as it burst into flames. Steve sat on the side of the country road at a safe distance from the burning vehicle and laughed his head off.” —William Claxton
  mobile-dictionary.reverso.net  
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Pour Juste pour rire comme pour plusieurs entreprises, le déploiement d'une stratégie de marketing numérique gagnante nécessite la maîtrise d'une gamme d'expertises toujours plus variée d'une année à l'autre.
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As with many companies, deploying winning digital marketing strategies for Just for Laughs requires a proficiency in a range of skills that, increasingly, varies from one year to the next. From best practices in social media and digital marketing strategies to the use of several different technological environments to understanding usability and UX design principles, the challenges on the road to digital marketing success, rather than being theoretical, are very real.
  www.marathondessables.com  
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Chaque année elle envoie des clowns, des jongleurs, des acrobates et des musiciens se produire dans des prisons pour jeunes, des orphelinats, des régions sous l’emprise de conflits, des camps de réfugiés ou des zones où ont sévit des catastrophes naturelles. Ils s’y rendent avec la mission de manier le rire comme un outil, de rétablir de l’espoir et l’estime de soi, et de donner de la joie aux enfants qui en ont le plus besoin.
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Clowns without Borders is a volunteer organization, that have been active since 1996 in Sweden, they are a part of the international Federation of Clowns without Borders. Every year they send clowns, jugglers, acrobats, and musicians to some of the worlds youth prisons, orphanages, regions struck by conflicts, refugee camps or natural disasters -They go with the mission to work with laughter as a tool, with the performing clown arts to create hope, reestablish self esteem and find joy to the children that need it the most. During the past 20 years they have met and entertained over 1 million children all over the world.
  3 Hits www.champex.ch  
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Certaines d’entre elles sont disposées comme des tombes dans un cimetière. À partir d’un impénétrable monde souterrain, des danseurs surgissent de manière inopinée des espaces vides du dispositif pour gesticuler furieusement ou rire comme des hystériques.
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As the audience enters the performance space, they are met by a sea of tables that have almost become a fixture in William Forsythe’s recent pieces. Some of them are propped up like tombstones in a graveyard. From an impenetrable netherworld below the surface, dancers pop up unexpectedly through gaps in the arrangement to gesticulate wildly or to laugh maniacally. At one side, a dancer is constantly rearranging a series of letters into nonsensical words, while others simply walk across the tables, stop shortly to meet, and go on minding their own business. They seem to be completely absorbed in what they are doing, always finding new positions to operate from, and new possibilities to work the field that holds them like cogs in a machine. Somewhere a bowl with a microphone is lying around. A dancer picks it up and speaks into the microphone. The sound generated in this orchestra pit is transmitted to a second room, separated from the first one by a wall of thick curtains. Having lost their source, the sounds in the darker back room take on an eerie quality. There, the dancers listen, trying to pick up the noise and the static to perform strangely contorted duets. A piano is standing around, most of the time unused, as a warning sign of the ballet class that may have once taken place in there. The audience is free to wander about, sit down or change rooms whenever they see fit.