goldring – English Translation – Keybot Dictionary

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  2 Hits www.ingothotel.com.au  
Einer unserer Kunden hat diesen kleinen Goldring mit blauem Edelstein gefunden.
One of our customers found this small golden ring with a blue gemstone.
  22 Hits wiki.guildwars2.com  
Sonnenstein-Goldring
Embellished Gilded Amethyst Jewel
  nbc-pal.ps  
Entscheiden Sie, welches Feld Sie näher zu Cleopatras Schatz führt. Wenn Sie es schaffen den Goldring oft genug richtig zu platzieren, gelangen Sie in höhere Level welche Ihnen steigende multiple Gewinne garantieren.
Decide which field will get you closer to Cleopatra’s treasure. If you succeed in positioning the gold ring in the right place often enough you get to higher levels that guarantee rising multiple winnings.
  4 Hits www.blueeon.net  
Isabelle Schad praktiziert täglich Zen-Shiatsu und Aikido-Zen. Seit rund zehn Jahren verbindet sie eine kontinuierliche Zusammenarbeit mit dem Bildenden Künstler Laurent Goldring. 2003 und 2009 war Isabelle Schad bereits bei Tanz im August eingeladen.
The dancer and choreographer Isabelle Schad studied classical dance in Stuttgart, and worked with numerous choreographers before beginning to develop her own works in 1999. Her research concentrates on the relationships between bodies, choreography, (re)presentation, form and experience, and sees physical praxis as a place for learning processes, community and political participation. Her innovative projects are shown around the world in various contexts at festivals, museums or theatre spaces. She teaches internationally and is co-organiser of the work space Wiesenburg-Halle in Berlin. Isabelle Schad is a daily practitioner of Zen shiatsu and aikido zen. She has collaborated continuously with the visual artist Laurent Goldring for around ten years. Isabelle showed work at Tanz im August in 2003 and 2009.
  realmaestranza.com  
Über ein ganzes Jahr, von Juli 2006 bis Juli 2007, wog er den Ehering jeden Donnerstag und dokumentierte seine Messungen. Im Durchschnitt verlor der Goldring jede Woche einfach durch das Tragen – und damit dem permanenten Aneinanderreiben von Edelmetall und Finger – 0,12 Milligramm an Gewicht.
One week after Georg Steinhauser got married, he determined the exact weight of his wedding ring. For an entire year, from July 2006 until July 2007, he weighed his wedding ring every Thursday and documented his findings. On average, the gold ring lost 0.12 milligrams in weight every week simply due to wear – the permanent rubbing of the precious metal against the ring finger. Steinhauser then calculated that in Vienna alone, about 2.2 kilograms of gold "disappear" this way on a yearly basis, given that some 300,000 married couples live in this city. His scientific work on the subject was published in 2008 under the title "Quantification of the Abrasive Wear of a Gold Wedding Ring" in the "Gold Bulletin" issue 41, published by the World Gold Council.
  db-artmag.de  
Schon äußerlich wirkt er wie ein wandelnder Widerspruch. Ausgestattet mit Goldzahn, Rolex und immensem Goldring scheint er den Machismo der deutschen Malerfürsten der Achtziger zu kultivieren. Doch in Clogs und Sweatshirt wirkt er wie jemand, der ganz bewusst auf jede Attitüde verzichtet.
But this contemplative vision fades immediately. With Martin, you are confronted with a boyish, agile type who exudes nervous energy. A driven guy who seems to think, talk, and work incessantly, who can talk about virtue and cardinal sins as well as about fast cars or bouncers. Even externally, he looks like a walking contradiction. Sporting a gold tooth, a Rolex, and an immense golden ring, he appears to cultivate the machismo of the German painter princes of the 1980s. Yet at the same time he scuffles through his studio in clogs and a sweatshirt - like someone who very consciously refrains from putting on any airs. This understatement is counteracted, however, when you discover a similar pair of Swedish clogs in a conglomeration on one of his worktables, where they are worked into sculptures along with shells and shiny metal parts. You suspect that in Martin's cosmos there are no arbitrary arrangements. Everything here, be it his drawings, his sculptures, or his appearance, every gesture has something to do with a development of tastes, is combination, sampling.
  www.db-artmag.com  
Schon äußerlich wirkt er wie ein wandelnder Widerspruch. Ausgestattet mit Goldzahn, Rolex und immensem Goldring scheint er den Machismo der deutschen Malerfürsten der Achtziger zu kultivieren. Doch in Clogs und Sweatshirt wirkt er wie jemand, der ganz bewusst auf jede Attitüde verzichtet.
But this contemplative vision fades immediately. With Martin, you are confronted with a boyish, agile type who exudes nervous energy. A driven guy who seems to think, talk, and work incessantly, who can talk about virtue and cardinal sins as well as about fast cars or bouncers. Even externally, he looks like a walking contradiction. Sporting a gold tooth, a Rolex, and an immense golden ring, he appears to cultivate the machismo of the German painter princes of the 1980s. Yet at the same time he scuffles through his studio in clogs and a sweatshirt - like someone who very consciously refrains from putting on any airs. This understatement is counteracted, however, when you discover a similar pair of Swedish clogs in a conglomeration on one of his worktables, where they are worked into sculptures along with shells and shiny metal parts. You suspect that in Martin's cosmos there are no arbitrary arrangements. Everything here, be it his drawings, his sculptures, or his appearance, every gesture has something to do with a development of tastes, is combination, sampling.
  db-artmag.com  
Schon äußerlich wirkt er wie ein wandelnder Widerspruch. Ausgestattet mit Goldzahn, Rolex und immensem Goldring scheint er den Machismo der deutschen Malerfürsten der Achtziger zu kultivieren. Doch in Clogs und Sweatshirt wirkt er wie jemand, der ganz bewusst auf jede Attitüde verzichtet.
But this contemplative vision fades immediately. With Martin, you are confronted with a boyish, agile type who exudes nervous energy. A driven guy who seems to think, talk, and work incessantly, who can talk about virtue and cardinal sins as well as about fast cars or bouncers. Even externally, he looks like a walking contradiction. Sporting a gold tooth, a Rolex, and an immense golden ring, he appears to cultivate the machismo of the German painter princes of the 1980s. Yet at the same time he scuffles through his studio in clogs and a sweatshirt - like someone who very consciously refrains from putting on any airs. This understatement is counteracted, however, when you discover a similar pair of Swedish clogs in a conglomeration on one of his worktables, where they are worked into sculptures along with shells and shiny metal parts. You suspect that in Martin's cosmos there are no arbitrary arrangements. Everything here, be it his drawings, his sculptures, or his appearance, every gesture has something to do with a development of tastes, is combination, sampling.
  2 Hits www.qcplannedgiving.ca  
Schon äußerlich wirkt er wie ein wandelnder Widerspruch. Ausgestattet mit Goldzahn, Rolex und immensem Goldring scheint er den Machismo der deutschen Malerfürsten der Achtziger zu kultivieren. Doch in Clogs und Sweatshirt wirkt er wie jemand, der ganz bewusst auf jede Attitüde verzichtet.
But this contemplative vision fades immediately. With Martin, you are confronted with a boyish, agile type who exudes nervous energy. A driven guy who seems to think, talk, and work incessantly, who can talk about virtue and cardinal sins as well as about fast cars or bouncers. Even externally, he looks like a walking contradiction. Sporting a gold tooth, a Rolex, and an immense golden ring, he appears to cultivate the machismo of the German painter princes of the 1980s. Yet at the same time he scuffles through his studio in clogs and a sweatshirt - like someone who very consciously refrains from putting on any airs. This understatement is counteracted, however, when you discover a similar pair of Swedish clogs in a conglomeration on one of his worktables, where they are worked into sculptures along with shells and shiny metal parts. You suspect that in Martin's cosmos there are no arbitrary arrangements. Everything here, be it his drawings, his sculptures, or his appearance, every gesture has something to do with a development of tastes, is combination, sampling.
  www.db-artmag.de  
Schon äußerlich wirkt er wie ein wandelnder Widerspruch. Ausgestattet mit Goldzahn, Rolex und immensem Goldring scheint er den Machismo der deutschen Malerfürsten der Achtziger zu kultivieren. Doch in Clogs und Sweatshirt wirkt er wie jemand, der ganz bewusst auf jede Attitüde verzichtet.
But this contemplative vision fades immediately. With Martin, you are confronted with a boyish, agile type who exudes nervous energy. A driven guy who seems to think, talk, and work incessantly, who can talk about virtue and cardinal sins as well as about fast cars or bouncers. Even externally, he looks like a walking contradiction. Sporting a gold tooth, a Rolex, and an immense golden ring, he appears to cultivate the machismo of the German painter princes of the 1980s. Yet at the same time he scuffles through his studio in clogs and a sweatshirt - like someone who very consciously refrains from putting on any airs. This understatement is counteracted, however, when you discover a similar pair of Swedish clogs in a conglomeration on one of his worktables, where they are worked into sculptures along with shells and shiny metal parts. You suspect that in Martin's cosmos there are no arbitrary arrangements. Everything here, be it his drawings, his sculptures, or his appearance, every gesture has something to do with a development of tastes, is combination, sampling.
  dbartmag.com  
Schon äußerlich wirkt er wie ein wandelnder Widerspruch. Ausgestattet mit Goldzahn, Rolex und immensem Goldring scheint er den Machismo der deutschen Malerfürsten der Achtziger zu kultivieren. Doch in Clogs und Sweatshirt wirkt er wie jemand, der ganz bewusst auf jede Attitüde verzichtet.
But this contemplative vision fades immediately. With Martin, you are confronted with a boyish, agile type who exudes nervous energy. A driven guy who seems to think, talk, and work incessantly, who can talk about virtue and cardinal sins as well as about fast cars or bouncers. Even externally, he looks like a walking contradiction. Sporting a gold tooth, a Rolex, and an immense golden ring, he appears to cultivate the machismo of the German painter princes of the 1980s. Yet at the same time he scuffles through his studio in clogs and a sweatshirt - like someone who very consciously refrains from putting on any airs. This understatement is counteracted, however, when you discover a similar pair of Swedish clogs in a conglomeration on one of his worktables, where they are worked into sculptures along with shells and shiny metal parts. You suspect that in Martin's cosmos there are no arbitrary arrangements. Everything here, be it his drawings, his sculptures, or his appearance, every gesture has something to do with a development of tastes, is combination, sampling.