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www.rastar.com
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Hand in
Hand by
Patrice Ferrier
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ridegreener.com
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Deep in the woods by Christoph Breiner
www.espacenomad.ca
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Hand in
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Patrice Ferrier
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ridegreener.com
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Deep in the woods by Christoph Breiner
www.coldjet.com
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All of these examples are multinational regions that are connected by many long-term political, economic and cultural ties. In this day and age, which is on the one hand characterized by globalization and on the other
hand by
the fragmentation of social views, regionalism can be an important and even successful topic.
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divus.cc
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First, I’d like to make something clear. My focus is a little narrower than the question implies. The term “post-communist art” is very broad, and it’s not possible for an individual to process it in a deeper way. I am interested in contemporary art that is being made in the Central European, post-communist environment, meaning mostly Bosnia and Herzegovina, Croatia, Hungary, Poland, Slovakia, and Slovenia. I can name several reasons why. The two years of work I put in on the board of the Soros Center for Contemporary Art in Prague was a strong impetus. That’s where I made several contacts and familiarized myself with the cultural situation in these countries, as well as the situation on individual art scenes. Another impetus is the basic inter-relatedness of the artistic testimonies being formed in the Central European region. Clearly the countries of this region share a lot, both in history and in the recent past. They are connected by their experiences with the Austro-Hungarian monarchy, different totalitarian regimes and, more recently, by the process of political and social transformation. And through the confrontation of artistic standpoints I am interested in pointing out what we have in common or how we differ. I should also mention my fascination with the situation on the fringes, for the Central European area has a distinct, peripheral character on a political, economic and cultural level. Moreover, while researching this environment I try to go deeper below the surface to find strong individual positions or movements outside of the main cultural centers.