on the body – English Translation – Keybot Dictionary

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  www.giraffebracing.com  
An absolute must when the detection of extremely small metal masses is required on the body or even if hidden in body cavities.
SMD601 Plus detects even the smallest metal items anywhere on or in the body
  3 Hits www.ligna.de  
1. Multi mounting design with sensor slot on the body. Easy to install. 2. Piston rod is supported by lubricating free dry bushing. 3. Non-rotating type is available. 4. Various cylinder types are available.
1. Multi mounting design with sensor slot on the body. Easy to install. 2. Piston rod is supported by lubricating free dry bushing. 3. Non-rotating type is available. 4. Various cylinder types are available. 5. High temp version (up to 150°C) is available.read more
  www.bio-pro.de  
Die beiden Konzerne, Freudenberg und Philips, engagieren sich in der Entwicklung flexibler, dehnbarer Foliensubstrate und Textilien mit integrierten elektronischen und optischen Schaltkreisen und Sensoren nicht nur wegen ihres Anwendungspotenzials im Gesundheitsbereich „on the body“ (wie im Falle von „intelligenten Pflastern“ für Messungen von Organfunktionen oder dem Blutstrom), sondern auch wegen neuartiger Industrieprodukte wie lichtemittierender Vorhänge oder Lampen (zum Beispiel als Autoscheinwerfer), die in jeder beliebigen Form hergestellt werden können.
The development of this platform technology is part of the PLACE-it project funded under the 7th Framework Programme of the European Union. PLACE-it is the acronym for “Platform for Large Area Conformable Electronics by Integration”. At present, the PLACE-it consortium, which held its kick-off meeting in February 2010, consists of twelve groups of researchers, including groups from Germany (five), the Netherlands (three), Belgium, Spain and Denmark. In addition to Prof. Gretz’s group, the company Freudenberg Forschungsdienste KG from the Rhine-Neckar metropolitan region is also participating in the project. The consortium is led by Philips (Eindhoven, NL). The two companies, Freudenberg and Philips, are interested in the development of flexible, expandable foil substrates and textiles with integrated electronic and optical circuits. They anticipate that these materials will have huge application potential in the health sector (for use ‘on the body’, like the ’smart tapes’ for determining organ function or bloodstream). In addition, they also hope to develop novel industry products such as light-emitting curtains or lamps (e.g., car headlights) that can be produced in any form required.
  3 Hits hotel-berlin.su  
without changing its effect on the body
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  mail.fr  
- From bed sheets to the dots torture room. Developing questions on the body mask in film history, Beitrag auf der Jahrestagung der IAMHIST / Pantheon-Assas University, Paris (France)
, contribution to the conference "A Hundred Years of Film Theory. Münsterberg and beyond: Concepts, Applications, Perspectives" / Universität Leipzig
  www.coldjet.com  
In Writing on the Body: Female Embodiment and Feminist Theory (1997) erinnern uns Katie Conboy, Nadia Medina und Sarah Stanbury daran, dass es Simone de Beauvoir war, „die aufzeigt, dass die Trennung zwischen Selbst und Anderem, Mann und Frau und Geist und Körper den Ansatz für alle binären Gegensätze liefert, die dem Westen so vertraut sind.“
So our minds are not valued. But the world is excessively interested in our bodies. Somehow our bodies have been focused on, targeted, and most ‘othered’ of all, even from ourselves. Traditionally seen as primeval, irrational, vulgar and essentially fearful in the West, the body has been subjugated to the mind, in line with the way that women have been positioned in relation to patriarchy. In Writing on the Body: Female Embodiment and Feminist Theory (1997) Katie Conboy, Nadia Medina and Sarah Stanbury remind us that it was Simone de Beauvoir who “ultimately demonstrates that the self/other, man/woman, mind/body division provides the basis for all the binary oppositions so familiar to Western culture”. Capitalism too, exacerbates this, privileging the educated mind over the physical activity of the labourer and giving one the tools to control and exploit the other. And women have been understood as somehow more essentially dug into their embodiment than men. The facts of menstruation, pregnancy, childbirth and breastfeeding mean that a woman is unavoidably located in her body’s experience, and whether or not women actually have children; the reproductive function remains physically and emotionally a significant aspect of their lives. But somehow the Western world, and the workplace, has been set up to view this fact as essentially limiting women’s potential for being fully functional members of society. The Equal Pay Act and Sex Discrimination Act have done little to prevent maternity leave–or even the perceived possibility of it–seriously jeopardising women’s careers in the UK. Although employers are legally prevented from asking women outright at interview whether they have plans of becoming pregnant it is well known that this is the predominant reason for preferring to employ men on permanent contracts. “Women should not be penalised for having babies” said Anna Ford simply and very reasonably asked, “Whose babies do they have?” Yes, many women have babies. Yes, it is a massive experience for the body. Yes, it alters the mind-body relationship–acutely for a limited period, and permanently in subtler ways. But does it make us essentially less useful? Only in a society which is unable to acknowledge and support this experience within appropriate social and economic structures and a morality that essentially fails to value equality and difference.
  kunsthallezurich.ch  
My concerns really became much more about space and place and material, and—if I can even get a little ahead of myself—the idea of clothing coming back into it is really situating it once again on the body.
Even things like living with Kenny, who’s such a huge collector, and constantly asking, What the hell are you playing? What music is that? Or being surprised by my own reactions to things that maybe I didn’t choose, that were brought in and I suddenly have to deal with. I like to mix things that don’t go together at first, to think and find relationships. I’m thinking about, for example, the video Cheryl (2005), which features stills from the toy catalogue. That catalogue of cheap little plastic toys was sent because I bought a piñata online for my older son’s birthday. Suddenly, we’re getting all these horrible toy catalogues. I was like, Wow, these images are so amazing, look at all these things that are manufactured. Pages and pages and pages of these little plastic trinkets. The aesthetics of that catalogue, the way you think about who designed this catalogue. This is crazy, all these horrible colors and it’s not done with any idea of the aesthetics of it. Then mixing that with this soundtrack that I heard on WFMU. One of the DJs played it, and it seemed like an inspirational pep talk for people selling Amway products or something. Mashing the two together and realizing that this is a story about self-promotion and sales and the promotion of these seriously inconsequential things. Yet, there was this whole apparatus built around these items of no consequence. I found that really fascinating and maybe a metaphor for something to do with performing yourself. So all these choices just happened through accumulation.