opernrepertoire – English Translation – Keybot Dictionary

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  4 Hits www.mercaato.net  
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Opernrepertoire
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Opera Repertoire
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Die 100 jungen Sänger*innen im Alter von 6 bis 16 Jahren singen alle Kinderchorparts im laufenden Opernrepertoire, gestalten pro Spielzeit ein Konzert für Kinder, treten mit eigenen Konzerten außerhalb des Opernhauses auf und singen regelmäßig beim Spielzeitfest.
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Constantly praised by the critics, and named »Best Opera Choir of the Season« in Opernwelt magazine's year book time and again – the choral soloists of the Komische Oper Berlin guarantee superlative singing as well as acting.
  iichaifa.esteri.it  
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Gestartet war es am Freitag 8.30 Uhr in Bad Schandau, wo es bis in die späten Abendstunden des Vortages ein geladenes Publikum mit zeitgenössischem Tanz, Ausschnitten aus einem Opernrepertoire sowie einem munteren Abschlusskonzert Jindrich-Staidel-Combo begeistern konnte.
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On May 29 2015 the culture ship Cargo Gallery reached the pier between Carola bridge and Albert bridge in spite of the low water level of the Elbe. It had started on Friday at 8:30 in Bad Schandau, where it had excited the guests until late in the evening with contemporary dance, excerpts of an opera, and a cheerful performance by the Jindrich-Staidel-Combo. On board were the crew of the initiators of the project Miloš Burkhardt, Květoslav Vršovský, Kurt Winkels, Dan Adam, Zuzana Fuksová and Mirka Adámková as well as the members of the German partner organisation Kultur Aktiv e.V.
  es.areas.com  
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Über 350 Aufnahmen von Lorin Maazel sind bislang erschienen, u.a. vollstädnige Zyklen der Symphonien von Beethoven, Brahms, Mahler, Sibelius, Rachmaninow und Tschaikowsky sowie ein umfassendes Opernrepertoire.
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In 1951 he went to Italy on a Fulbright Fellowship to further his studies, and two years later made his European conducting début, stepping in for an ailing conductor at the Massimo Bellini Theatre in Catania, Italy. He quickly established himself as a major artist, appearing at Bayreuth in 1960 (the first American to do so), with the Boston Symphony in 1961, and at the Salzburg Festival in 1963.
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Außerdem wird das Opernrepertoire durch die Oper in einem Akt Cavalleria rusticana (Sizilianische Bauernehre) von Pietro Mascagni und Ruggieros Oper Leoncavallos Pagliacci (Der Bajazzo) erweitert, die am 14. Juni 2012 Premiere haben werden.
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The premiere of the opera Gloriana, composed by Benjamin Britten, is to take place on 3 March in the National Theatre. Some operas will be performed in two languages (Czech and German) in the upcoming season, including Carmen, Rusalka and The Magic Flute. The programme of the National Theatre also features duplicate performance of Tosca and Aida, while you will no longer be able to see La traviata in the State Opera.
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Dresden war auch immer schon ein Ort künstlerischer Innovation – so auch im Bereich der Oper. Was wir heute als ver­­trautes und gesichertes „klassisches“ Opernrepertoire ansehen, war seinerzeit umstrittene Mo­­der­­ne.
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The Dresden opera establishment histor­ically dates back to the 17th century. The Dresden Opera House has written opera and music history. Famous composers worked here and gave important impetus to the respective stylistic eras: Johann Adolf Hasse, the baroque opera; Carl Maria von Weber, the Ger­man romanticism; Richard Wagner, who originated from Dresden in Saxony and af­fected the history of opera in the 19th century like no other; and Richard Strauss with his revolutionary debut performan­ce of “Salome” and “Elektra” in the 20th century.
  zaantar.eu  
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Dieses Phänomen, das eine untrennbare Verschränkung der beiden Stimmlagen suggeriert, setzt sich im Konzert- und Opernrepertoire (von Monteverdi über Bach bis Mozart und Rossini) bis ins frühe 19. Jahrhundert hinein fort.
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The vast field of themes involving the historical development as well as the medical and phoniatrical differences between tenor and countertenor, will be transferred by a professional singer of both registers from a pure scientific level into a concrete and personal artistic context. Artistic research – the examination and analysis of the grey area between tenor and countertenor under vocal, physical and interpretational aspects – will lead to new perceptions, the results of which may also influence modern interpretation, casting and style in the sense of a historically informed performance practice. The scientific-artistic results will also add to the understanding of a difficult area which has not been thoroughly examined in the past.
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Nach meinem Studium in Hamburg - prägend war für mich mein Lehrer Horst Stein - habe ich zunächst die klassische deutsche Dirigentenlaufbahn begonnen, und zwölf Jahre im festen Engagement an verschiedenen Theatern in Deutschland und Österreich gearbeitet. In dieser Zeit habe ich den Beruf gewissermaßen von der Pike auf gelernt, und mir vor allem ein umfangreiches Opernrepertoire erarbeitet.
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After studying in Hamburg - where I was deeply influenced by my teacher Horst Stein - I started to pursue the classic Germany conductor career and had permanent engagements, working at various theatres in Germany and Austria for 12 years. During this time I practically learned the profession from scratch and especially accumulated an extensive opera repertoire. Since successfully conducting Aida at the Sferisterio di Macerata in 1989 I have been working as a guest conductor in Europe, the USA, East Asia, and South Africa, and I have conducted numerous concerts with works from all areas of the symphonic repertoire. In the course of time many radio, TV and CD recordings such as those with the Bamberg Symphonic Orchestra for example document my work as an artist. I also teach orchestra conducting at the Karlsruhe Music Academy.