parteilichkeit – English Translation – Keybot Dictionary
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arabic.euronews.com
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Russland warnt vor
Parteilichkeit
im Syrien-Konflikt
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de.euronews.com
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Putin to consider banning US parents from adopting Russian children
www.ael.com.br
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Feministische
Parteilichkeit
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frauenprojekte-bora.de
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Shelter Guidelines
www.wort.lu
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"Protinvest" wirft Finanzaufsicht
Parteilichkeit
vor
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wort.lu
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Luxembourg's biohealth boffins head for Brazil
fr.euronews.com
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Russland warnt vor
Parteilichkeit
im Syrien-Konflikt
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de.euronews.com
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US Secretary of State Nominee John Kerry gets tough on Iran
www.sixpackfilm.com
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Das Leben einer jungen Frau zwischen routiniertem, nicht unbedingt tristem Alltag mit Kind und einer scheinbar aufregenden Arbeit am VIP-Schalter des Flughafens. Kathrin Resetarits kompakte Milieustudie ist ungeheuer präzise, ein Wunder an Beobachtungsgabe und unaufdringlicher
Parteilichkeit
.
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sixpackfilm.com
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A young womans life is portrayed through her role as a mother, which is routine but not overly dreary, and an apparently exciting job at the airports VIP desk. Kathrin Resetarits compact milieu study is extremely precise, demonstrating a great talent for observation and unobtrusive bias. (Andreas Ungerböck)
multivacances.groupepvcp.com
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Das Leben einer jungen Frau zwischen routiniertem, nicht unbedingt tristem Alltag mit Kind und einer scheinbar aufregenden Arbeit am VIP-Schalter des Flughafens. Kathrin Resetarits kompakte Milieustudie ist ungeheuer präzise, ein Wunder an Beobachtungsgabe und unaufdringlicher
Parteilichkeit
.
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sixpackfilm.com
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A young womans life is portrayed through her role as a mother, which is routine but not overly dreary, and an apparently exciting job at the airports VIP desk. Kathrin Resetarits compact milieu study is extremely precise, demonstrating a great talent for observation and unobtrusive bias. (Andreas Ungerböck)
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www.epo.org
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Daher ist die Kammer zur Schlussfolgerung gekommen, dass im vorliegenden Fall die Einspruchsabteilung keinen Verfahrensfehler begangen hat, als sie selbst über den gegen sie erhobenen Vorwurf ihrer
Parteilichkeit
in der angefochtenen Entscheidung entschieden hat.
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epo.org
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The board held that, although the Enlarged Board had, in the above obiter dictum, considered it advantageous for the procedural matter to be settled before a decision on the substance was taken, it could not be inferred from the order in G 5/91 that it was forbidden in principle to decide on that matter together with the decision on the substance. The board therefore concluded that the opposition division had not committed any procedural error in the case in hand by deciding itself, as part of the contested decision, on the allegation that it would be impartial.
www.imasmallorca.net
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“ Ich bin auch stark davon überzeugt, dass Mission heutzutage den Widerstand gegen das Imperium beinhaltet und dass Christ in der reformierten Tradition zu sein eine bestimmten
Parteilichkeit
zu Gunsten der Benachteiligten beinhaltet, von der aus wir uns bemühen alle Hierarchien abzubauen.
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wcrc.ch
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“I see a commitment to justice as not just arising out of our faith but as a better way of being Christian,” says Peacock. “I also strongly believe that mission today is resistance to empire and that being a Christian who draws from the Reformed traditions means that we are committed to a particular positionality on the margins from which we seek to dismantle all hierarchies.”
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www.kas.de
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Zudem könne nur eine faire und objektive Aufarbeitung des Konflikts dazu führen, dass der ivorischen Bevölkerung Gerechtigkeit widerfährt und der Aussöhnungsprozess vorangetrieben wird, so die NGOs. Auch warnten sie davor, dass ein Vorgehen lediglich gegen den ehemaligen Präsidenten, scharfe Kritik gegen den IStGH wegen Voreingenommenheit und
Parteilichkeit
zur Folgen haben könnte.
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kas.de
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Gbagbo's arrest and detention in The Hague was welcomed by human rights groups, although some NGOs are asking the ICC to also accelerate its investigations on allegations of crimes committed by supporters of Alassane Quattara during the presidential election as well as subsequent to the arrest of Laurent Gbagbo in April 2011. They perceive fair and impartial justice addressing all sides of the conflict as the only way that will help bring justice and reconciliation among the Ivoirians and also to help the Court avoid criticisms of bias and partiality.
hotelmauro.com
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Anhand eines breit gefächerten Spektrums von Textsorten – von Blog-Beiträgen bis hin zu Boulevardzeitungen – machen sich die SchülerInnen mit stilistischen Konventionen und ihrem Bruch vertraut. Sie erlernen,
Parteilichkeit
in Medien zu erkennen, politische Rhetorik zu analysieren und visuelle Texte zu dekonstruieren.
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cosmopolitanschool.de
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Writing skills are also taught throughout the middle school years with a focus on English grammar and writing for different purposes and audiences. Students are taught how to compose argumentative and persuasive papers, engaging and interesting stories and analytical essays. As many of our students are non-native English speakers, there is also a focus on informal weekly vocabulary and spelling tests. In addition, the English department offers extra-curricular activities, for example a play writing competition where students can write and film their own plays in English. We also have plans to run a book club!
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eipcp.net
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Gerade dadurch, dass dies für den Zuschauer durchschaubar ist, wird letztlich thematisiert, dass es sich um eine "Interpretation" der vorgefundenen Welt handelt, und zwar aus sozialistischer Sicht: eine "kommunistische Dechiffrierung des Sichtbaren"[2]. Der feine Unterschied zwischen (berechtigter)
Parteilichkeit
und Propaganda entsteht dort, wo ein urteilender Mensch hinter der Schilderung zu spüren ist.
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eipcp.net
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These kinds of documentary films first appeared as feature-length auteur films in the late twenties in capitalist countries, where they served as "counter-information". The first significant documentary film that came to Germany was Yakov Bliokh's Shanhkajskij dokument (The Shanghai Document, SU 1928). It can be regarded as a prototype of the operative film, a film of counter-information. It opens showing the Shanghai harbor and life in the Chinese and European quarters. The hard work of the overburdened coolies is contrasted with the indolence of the property-owning Europeans and the Chinese elite: an exhausted cooly peeks through a fence and catches a glimpse of the European bourgeoisie enjoying bathing and cocktails, the wheels of his cart fade into the turning records of the dancing hedonists, a giant treadmill powered by coolies is transformed into a carousel with laughing European children, followed by the hard work of Chinese children in the silk mills and phosphorous-poisoned match factories. There is a rumbling in the city, but the European military machinery suppresses the unrest. Then revolutionaries fill the streets and the Europeans hide in the enclaves behind sandbags, call for battleships and have regular troops and tanks land. In March 1927 the Southern Army of the Kuomintang under Chiang Kai-Shek takes over the city, but then there is a bloody break with the previously allied communists, bound prisoners are executed. In the end, Chiang Kai-Shek is branded as having betrayed the Chinese Revolution.
www.republicart.net
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Gerade dadurch, dass dies für den Zuschauer durchschaubar ist, wird letztlich thematisiert, dass es sich um eine "Interpretation" der vorgefundenen Welt handelt, und zwar aus sozialistischer Sicht: eine "kommunistische Dechiffrierung des Sichtbaren"[2]. Der feine Unterschied zwischen (berechtigter)
Parteilichkeit
und Propaganda entsteht dort, wo ein urteilender Mensch hinter der Schilderung zu spüren ist.
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republicart.net
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What is epoch-making about this film is the "discovery" of the politically framed parallel montage, the analytical view of the camera and the politically, journalistically unambiguous stance. The author insists not least of all with the title that this is a matter of "documents" of practices of oppression and exploitation. The break with the postcard idyll previously conventional in travelogues is sharp and final, which contemporaries also acknowledged in their reviews: "The cultural film must attain documentary value. However, this documentary will never be without a political flavor." (Film und Volk, No. 1, November 1928, p. 4) Bliokh's parallel montage conjoins images that have no spatial or temporal relation to one another per se, but instead these relations are first produced by the montage. Precisely because this is transparent for the audience, it is made explicit that this is an "interpretation" of the world as it appears, specifically from a socialist perspective: a "communist deciphering of the visible"[2]. The subtle difference between (justified) partisanship and propaganda is found where a person passing judgment is palpable behind the description. Through the revealing of the specific strategy of representation, the object loses authenticity, but the representation gains it. Authenticity is thus not an intentionless characteristic of images, no a priori given natural occurrence, but rather has to be understood as the form and result of media representation.
transversal.at
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Gerade dadurch, dass dies für den Zuschauer durchschaubar ist, wird letztlich thematisiert, dass es sich um eine "Interpretation" der vorgefundenen Welt handelt, und zwar aus sozialistischer Sicht: eine "kommunistische Dechiffrierung des Sichtbaren"[2]. Der feine Unterschied zwischen (berechtigter)
Parteilichkeit
und Propaganda entsteht dort, wo ein urteilender Mensch hinter der Schilderung zu spüren ist.
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transversal.at
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These kinds of documentary films first appeared as feature-length auteur films in the late twenties in capitalist countries, where they served as "counter-information". The first significant documentary film that came to Germany was Yakov Bliokh's Shanhkajskij dokument (The Shanghai Document, SU 1928). It can be regarded as a prototype of the operative film, a film of counter-information. It opens showing the Shanghai harbor and life in the Chinese and European quarters. The hard work of the overburdened coolies is contrasted with the indolence of the property-owning Europeans and the Chinese elite: an exhausted cooly peeks through a fence and catches a glimpse of the European bourgeoisie enjoying bathing and cocktails, the wheels of his cart fade into the turning records of the dancing hedonists, a giant treadmill powered by coolies is transformed into a carousel with laughing European children, followed by the hard work of Chinese children in the silk mills and phosphorous-poisoned match factories. There is a rumbling in the city, but the European military machinery suppresses the unrest. Then revolutionaries fill the streets and the Europeans hide in the enclaves behind sandbags, call for battleships and have regular troops and tanks land. In March 1927 the Southern Army of the Kuomintang under Chiang Kai-Shek takes over the city, but then there is a bloody break with the previously allied communists, bound prisoners are executed. In the end, Chiang Kai-Shek is branded as having betrayed the Chinese Revolution.
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www.balzan.org
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Seine intellektuelle Redlichkeit, seine aussergewöhnliche Unabhängigkeit - weitere Fähigkeiten, die ihn auszeichnen - schützen ihn vor
Parteilichkeit
und veranlassen ihn, vielmehr, bis ins einzelne auf die Differenzen hinzuweisen, die manchmal zu Verstimmung und Streit Anlass gaben.
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balzan.org
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Étiemble succeeds in eliciting the meaning thanks to many qualities which are to be found in all his books. Among these qualities there is one, the most substantial, which consists in his capacity for being - so to speak - everywhere. Étiemble is well acquainted, not just from books but from direct experience, with the United States and South America, China and the Near East, all countries in which he has most often taught and of whose languages he is a master. There is no better prerequisite for a comparativist whose university career has been devoted to the field of study which automatically benefits from the scholar’s travels. But, more than that, in Paris itself Étiemble is associated with truly literary circles. He moves in the surrealist groups; later, he becomes a collaborator in Temps modernes and La nouvelle revue française. That is why he seems to have known personally all the authors about whom he writes. This does not mean that he adopts their points of view and that he admires indiscriminately anyone who happens to be a friend. His intellectual honesty and exceptional independence - further qualities characteristic of Étiemble - save him from enlisting in any faction. They rather stimulate him to describe minutely all the differences which do exist and which have sometimes given rise to misunderstandings and estrangements. Étiemble, argumentative by nature, does not deny himself the candid and lively declaration of his thoughts and feelings. Though comparative studies are carried out for their own sake, Étiemble makes use of them also for personal commitment and for condemnation of racism, colonialism, Stalinism and anti-Semitism.
republicart.net
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Gerade dadurch, dass dies für den Zuschauer durchschaubar ist, wird letztlich thematisiert, dass es sich um eine "Interpretation" der vorgefundenen Welt handelt, und zwar aus sozialistischer Sicht: eine "kommunistische Dechiffrierung des Sichtbaren"[2]. Der feine Unterschied zwischen (berechtigter)
Parteilichkeit
und Propaganda entsteht dort, wo ein urteilender Mensch hinter der Schilderung zu spüren ist.
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republicart.net
as primary domain
What is epoch-making about this film is the "discovery" of the politically framed parallel montage, the analytical view of the camera and the politically, journalistically unambiguous stance. The author insists not least of all with the title that this is a matter of "documents" of practices of oppression and exploitation. The break with the postcard idyll previously conventional in travelogues is sharp and final, which contemporaries also acknowledged in their reviews: "The cultural film must attain documentary value. However, this documentary will never be without a political flavor." (Film und Volk, No. 1, November 1928, p. 4) Bliokh's parallel montage conjoins images that have no spatial or temporal relation to one another per se, but instead these relations are first produced by the montage. Precisely because this is transparent for the audience, it is made explicit that this is an "interpretation" of the world as it appears, specifically from a socialist perspective: a "communist deciphering of the visible"[2]. The subtle difference between (justified) partisanship and propaganda is found where a person passing judgment is palpable behind the description. Through the revealing of the specific strategy of representation, the object loses authenticity, but the representation gains it. Authenticity is thus not an intentionless characteristic of images, no a priori given natural occurrence, but rather has to be understood as the form and result of media representation.