passbilder – English Translation – Keybot Dictionary

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  www.ceapire.be  
Passbilder
– identity card
  www.borgoceri.it  
Für die Einreise nach Myanmar / Burma brauchen Sie kein Visum. Bei Einreise erhalten Sie eine begrenzte Aufenthaltsgenehmigung die mit einem provisorischen Reisedokument erstellt wird, wofür Sie 2 Passbilder benötigen.
To travel to Myanmar / Burma you do not require a visa. Upon entering the country you will receive a temporary residence permit and temporary travel document for which you need 2 passport photos.
  www.kaysersberg.com  
drei mit Namen versehene Passbilder,
Thee passport photos with your name on them
  3 Hits bayanat.ae  
742001: Fotografen Fotoaufnahmen jeglicher Art (Kunst-, Mode- oder Studioaufnahmen, Passbilder usw.)
742001: Photographers all types of photographs (artistic, fashion, in studio, passport, etc.)
  8 Hits moveability.org  
Erstellen und drucken Sie Ihre eigenen Passbilder
Create and print your own passport pictures
  www.efms.uni-bamberg.de  
Die SPD konnte sich gegenüber der CDU durchsetzen und eine zusätzliche Speicherung der Fingerabdrücke bei den Meldeämtern vermeiden. Allerdings können Sicherheitsbehörden online auf die bei den Ämtern gespeicherten Passbilder zugreifen.
On 24 May 2007, the German Parliament (Bundestag) decided that in addition to a digital photograph also a person"s fingerprints will in future be stored in electronic form on the passport. The SPD party prevailed over the CDU and managed to avoid an additional storing of the fingerprints at the registration offices. However, the security services have an online access to the passport photographs stored at the offices.
  www.rentacarantalya.com  
begibt sich Corbijn in der Maskerade von Musikern in die ländliche Umgebung seiner Jugend. Den in Strijen entstandenen Farbfotografien stehen hochformatige Schwarz-Weiß-Fotografien gegenüber, die im Studio aufgenommen wurden und an Passbilder erinnern.
. For this two-part series, Corbijn dressed up as various musicians and photographed himself in the rural environs of his hometown of Strijen. These colour images are juxtaposed in the show with vertical black-and-white photographs taken in the studio, resembling passport photos. These studio shots are arguably the artist’s most free-form works. For
  db-artmag.de  
2004-05 porträtiert Hugo für das Projekt Looking aside Menschen, von denen wir gerne den Blick abwenden. Es sind an monumentale Passbilder erinnernde Studioaufnahmen von Alten, Blinden, Albinos. Als "weißhäutige Schwarze" werden sie in Afrika häufig diskriminiert und sogar verfolgt.
The hyena men live as a "traveling people" on the fringes of Nigerian society. Pieter Hugo is interested in outsiders like these-people and phenomena that cause many to simply look away. The photographer takes a closer look and even photographs in places of unimaginable horror. In 2004, ten years after the genocide in Rwanda, he documented the remaining evidence of the crime: landscapes with mass graves, mortuaries, churches whose floors were still covered in the victims' bones and clothing. These are subdued photographs whose reserve makes them all the more haunting. They try-as far as that's possible-to counter the terror with aesthetic consistency. The images of Hugo's series Rwanda 2004: Vestiges of a Genocide have just been published in book form, accompanied by a text by the journalist Linda Melvern, who has closely investigated the events of that time.
  www.db-artmag.com  
2004-05 porträtiert Hugo für das Projekt Looking aside Menschen, von denen wir gerne den Blick abwenden. Es sind an monumentale Passbilder erinnernde Studioaufnahmen von Alten, Blinden, Albinos. Als "weißhäutige Schwarze" werden sie in Afrika häufig diskriminiert und sogar verfolgt.
The hyena men live as a "traveling people" on the fringes of Nigerian society. Pieter Hugo is interested in outsiders like these-people and phenomena that cause many to simply look away. The photographer takes a closer look and even photographs in places of unimaginable horror. In 2004, ten years after the genocide in Rwanda, he documented the remaining evidence of the crime: landscapes with mass graves, mortuaries, churches whose floors were still covered in the victims' bones and clothing. These are subdued photographs whose reserve makes them all the more haunting. They try-as far as that's possible-to counter the terror with aesthetic consistency. The images of Hugo's series Rwanda 2004: Vestiges of a Genocide have just been published in book form, accompanied by a text by the journalist Linda Melvern, who has closely investigated the events of that time.
  www.qcplannedgiving.ca  
2004-05 porträtiert Hugo für das Projekt Looking aside Menschen, von denen wir gerne den Blick abwenden. Es sind an monumentale Passbilder erinnernde Studioaufnahmen von Alten, Blinden, Albinos. Als "weißhäutige Schwarze" werden sie in Afrika häufig diskriminiert und sogar verfolgt.
The hyena men live as a "traveling people" on the fringes of Nigerian society. Pieter Hugo is interested in outsiders like these-people and phenomena that cause many to simply look away. The photographer takes a closer look and even photographs in places of unimaginable horror. In 2004, ten years after the genocide in Rwanda, he documented the remaining evidence of the crime: landscapes with mass graves, mortuaries, churches whose floors were still covered in the victims' bones and clothing. These are subdued photographs whose reserve makes them all the more haunting. They try-as far as that's possible-to counter the terror with aesthetic consistency. The images of Hugo's series Rwanda 2004: Vestiges of a Genocide have just been published in book form, accompanied by a text by the journalist Linda Melvern, who has closely investigated the events of that time.
  db-artmag.com  
2004-05 porträtiert Hugo für das Projekt Looking aside Menschen, von denen wir gerne den Blick abwenden. Es sind an monumentale Passbilder erinnernde Studioaufnahmen von Alten, Blinden, Albinos. Als "weißhäutige Schwarze" werden sie in Afrika häufig diskriminiert und sogar verfolgt.
The hyena men live as a "traveling people" on the fringes of Nigerian society. Pieter Hugo is interested in outsiders like these-people and phenomena that cause many to simply look away. The photographer takes a closer look and even photographs in places of unimaginable horror. In 2004, ten years after the genocide in Rwanda, he documented the remaining evidence of the crime: landscapes with mass graves, mortuaries, churches whose floors were still covered in the victims' bones and clothing. These are subdued photographs whose reserve makes them all the more haunting. They try-as far as that's possible-to counter the terror with aesthetic consistency. The images of Hugo's series Rwanda 2004: Vestiges of a Genocide have just been published in book form, accompanied by a text by the journalist Linda Melvern, who has closely investigated the events of that time.
  dbartmag.com  
2004-05 porträtiert Hugo für das Projekt Looking aside Menschen, von denen wir gerne den Blick abwenden. Es sind an monumentale Passbilder erinnernde Studioaufnahmen von Alten, Blinden, Albinos. Als "weißhäutige Schwarze" werden sie in Afrika häufig diskriminiert und sogar verfolgt.
The hyena men live as a "traveling people" on the fringes of Nigerian society. Pieter Hugo is interested in outsiders like these-people and phenomena that cause many to simply look away. The photographer takes a closer look and even photographs in places of unimaginable horror. In 2004, ten years after the genocide in Rwanda, he documented the remaining evidence of the crime: landscapes with mass graves, mortuaries, churches whose floors were still covered in the victims' bones and clothing. These are subdued photographs whose reserve makes them all the more haunting. They try-as far as that's possible-to counter the terror with aesthetic consistency. The images of Hugo's series Rwanda 2004: Vestiges of a Genocide have just been published in book form, accompanied by a text by the journalist Linda Melvern, who has closely investigated the events of that time.
  www.uni-due.de  
Zwei biometrische Passbilder
(your rental agreement gives that information)
  www.db-artmag.de  
2004-05 porträtiert Hugo für das Projekt Looking aside Menschen, von denen wir gerne den Blick abwenden. Es sind an monumentale Passbilder erinnernde Studioaufnahmen von Alten, Blinden, Albinos. Als "weißhäutige Schwarze" werden sie in Afrika häufig diskriminiert und sogar verfolgt.
The hyena men live as a "traveling people" on the fringes of Nigerian society. Pieter Hugo is interested in outsiders like these-people and phenomena that cause many to simply look away. The photographer takes a closer look and even photographs in places of unimaginable horror. In 2004, ten years after the genocide in Rwanda, he documented the remaining evidence of the crime: landscapes with mass graves, mortuaries, churches whose floors were still covered in the victims' bones and clothing. These are subdued photographs whose reserve makes them all the more haunting. They try-as far as that's possible-to counter the terror with aesthetic consistency. The images of Hugo's series Rwanda 2004: Vestiges of a Genocide have just been published in book form, accompanied by a text by the journalist Linda Melvern, who has closely investigated the events of that time.
  3 Hits www.yamasa.org  
Passbilder
Passport Photos