person plural – English Translation – Keybot Dictionary

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Keybot      26 Results   14 Domains
  www.smo.uhi.ac.uk  
diib = von ihnen (Präposition “di” + Pronomen der 3. Person Plural)
diib = of them (preposition "di" + 3rd person plural pronoun)
  art.webesteem.pl  
Naveen benutzt für sich selbst weder das Pronomen „sie/ihr“ oder „er/ihm“, sondern die dritte Person Plural, also „sie/ihnen“.
Naveen uses neither the pronoun "she / her" nor "him / her", but the third person plural, "they / them".
  www.intercat.cat  
Weißt du, dass die Höflichkeitsform im Schwedischen die zweite Person Plural ist (entspricht dem katalanischen "vós")? Zum Beispiel: "Haben Sie noch Wünsche, meine Dame?" Welche der folgenden drei katalanischen Personalformen ist die freundlichste und respektvollste?
Did you know that in Sweden, one politeness form involves using the second person plural (equivalent to the “vós” in Catalan)? For example, “Would you ladies like anything, madam?” Among the three personal forms, which is the most affectionate and respectful in Catalan?
  www.db-artmag.de  
In Bezug auf den komplexen Charakter dieser "Ersten Person Plural" und auf die Vorstellung, das alles Sein miteinander verbunden ist, fordern die ausgewählten Filme und Videos den Besucher auf, eingefahrene Sichtweisen zu hinterfragen und die klassischen Kategorisierungen von Fakt und Fiktion, Kunst und Film, Objektivität und Subjektivität neu zu überdenken.
Philosopher Jean-Luc Nancy’s idea of "being singular plural," in which the individual is always understood within a social framework, provides the structural scaffolding for the exhibition. Recognizing the complex character of the "first-person plural" and the interconnectedness of all beings, the selected films and videos invite the viewer to study, reassess, and challenge conventional categories such as fact and fiction, art and cinema, and objectivity and subjectivity. By manipulating sound, image, and text in experimental ways, the artists shift viewers’ positions from those of passive spectatorship to ones of active participation—to places where the "we" of "being together" is in the immediate here and now.
  db-artmag.de  
In Bezug auf den komplexen Charakter dieser "Ersten Person Plural" und auf die Vorstellung, das alles Sein miteinander verbunden ist, fordern die ausgewählten Filme und Videos den Besucher auf, eingefahrene Sichtweisen zu hinterfragen und die klassischen Kategorisierungen von Fakt und Fiktion, Kunst und Film, Objektivität und Subjektivität neu zu überdenken.
Philosopher Jean-Luc Nancy’s idea of "being singular plural," in which the individual is always understood within a social framework, provides the structural scaffolding for the exhibition. Recognizing the complex character of the "first-person plural" and the interconnectedness of all beings, the selected films and videos invite the viewer to study, reassess, and challenge conventional categories such as fact and fiction, art and cinema, and objectivity and subjectivity. By manipulating sound, image, and text in experimental ways, the artists shift viewers’ positions from those of passive spectatorship to ones of active participation—to places where the "we" of "being together" is in the immediate here and now.
  www.db-artmag.com  
In Bezug auf den komplexen Charakter dieser "Ersten Person Plural" und auf die Vorstellung, das alles Sein miteinander verbunden ist, fordern die ausgewählten Filme und Videos den Besucher auf, eingefahrene Sichtweisen zu hinterfragen und die klassischen Kategorisierungen von Fakt und Fiktion, Kunst und Film, Objektivität und Subjektivität neu zu überdenken.
Philosopher Jean-Luc Nancy’s idea of "being singular plural," in which the individual is always understood within a social framework, provides the structural scaffolding for the exhibition. Recognizing the complex character of the "first-person plural" and the interconnectedness of all beings, the selected films and videos invite the viewer to study, reassess, and challenge conventional categories such as fact and fiction, art and cinema, and objectivity and subjectivity. By manipulating sound, image, and text in experimental ways, the artists shift viewers’ positions from those of passive spectatorship to ones of active participation—to places where the "we" of "being together" is in the immediate here and now.
  www.qcplannedgiving.ca  
In Bezug auf den komplexen Charakter dieser "Ersten Person Plural" und auf die Vorstellung, das alles Sein miteinander verbunden ist, fordern die ausgewählten Filme und Videos den Besucher auf, eingefahrene Sichtweisen zu hinterfragen und die klassischen Kategorisierungen von Fakt und Fiktion, Kunst und Film, Objektivität und Subjektivität neu zu überdenken.
Philosopher Jean-Luc Nancy’s idea of "being singular plural," in which the individual is always understood within a social framework, provides the structural scaffolding for the exhibition. Recognizing the complex character of the "first-person plural" and the interconnectedness of all beings, the selected films and videos invite the viewer to study, reassess, and challenge conventional categories such as fact and fiction, art and cinema, and objectivity and subjectivity. By manipulating sound, image, and text in experimental ways, the artists shift viewers’ positions from those of passive spectatorship to ones of active participation—to places where the "we" of "being together" is in the immediate here and now.
  db-artmag.com  
In Bezug auf den komplexen Charakter dieser "Ersten Person Plural" und auf die Vorstellung, das alles Sein miteinander verbunden ist, fordern die ausgewählten Filme und Videos den Besucher auf, eingefahrene Sichtweisen zu hinterfragen und die klassischen Kategorisierungen von Fakt und Fiktion, Kunst und Film, Objektivität und Subjektivität neu zu überdenken.
Philosopher Jean-Luc Nancy’s idea of "being singular plural," in which the individual is always understood within a social framework, provides the structural scaffolding for the exhibition. Recognizing the complex character of the "first-person plural" and the interconnectedness of all beings, the selected films and videos invite the viewer to study, reassess, and challenge conventional categories such as fact and fiction, art and cinema, and objectivity and subjectivity. By manipulating sound, image, and text in experimental ways, the artists shift viewers’ positions from those of passive spectatorship to ones of active participation—to places where the "we" of "being together" is in the immediate here and now.
  dbartmag.com  
In Bezug auf den komplexen Charakter dieser "Ersten Person Plural" und auf die Vorstellung, das alles Sein miteinander verbunden ist, fordern die ausgewählten Filme und Videos den Besucher auf, eingefahrene Sichtweisen zu hinterfragen und die klassischen Kategorisierungen von Fakt und Fiktion, Kunst und Film, Objektivität und Subjektivität neu zu überdenken.
Philosopher Jean-Luc Nancy’s idea of "being singular plural," in which the individual is always understood within a social framework, provides the structural scaffolding for the exhibition. Recognizing the complex character of the "first-person plural" and the interconnectedness of all beings, the selected films and videos invite the viewer to study, reassess, and challenge conventional categories such as fact and fiction, art and cinema, and objectivity and subjectivity. By manipulating sound, image, and text in experimental ways, the artists shift viewers’ positions from those of passive spectatorship to ones of active participation—to places where the "we" of "being together" is in the immediate here and now.