plinius dem älteren – English Translation – Keybot Dictionary

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Beschreibung der antiken Glaskunst durch Plinius dem Älteren.
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Pliny the Elder described the antique glass art.
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Die Geschichte dieser Wurst ist wirklich sehr alt. Die ersten Schriften über die Salami Toscano finden wir in der Naturgeschichte von Plinius dem Älteren, der die in dieser herrlichen Region erzeugten Wurstwaren lobt.
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The history of this deli meat is really ancient: we find the first writings on Tuscan salami in the Natural History of Pliny the Elder who praises the meats produced in this beautiful region.
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Grotta del Cane in Italien, in der Nähe von Neapel. Der Effekt wurde bereits von Plinius dem Älteren beschrieben, später von Johann Wolfgang von Goethe und Andre Dumas. Während diese Besonderheit im Altertum als Gefahr betrachtet wurde, wurde sie im 19. Jahrhundert eine berühmte Touristenattraktion.
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Grotta del Cane in Italy, near Napoli. It was described by Pliny the Elder in Roman times, Johann Wolfgang von Goethe and Andre Dumas. While this disturbing effect was a source of fear in old ages, it became a tourist attraction during the 19th century, when people from northern Europe started modern tourism by travelleing to Italy. Today the dog caves are almost forgotten.
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Seine amorphe Struktur, seine Farbspiele und seine Formationen sind jahrhundertelang ein Geheimnis geblieben. Viele Wissenschaftler, von Plinius dem Älteren bis Des Cloizeaux, waren an seinen Eigenschaften interessiert.
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Opal is known and appreciated since antiquity, and continues to fascinate enthusiasts and scientists. Its amorphous structure, its color schemes and their formations have remained a mystery for centuries. Many scientists, from Pliny the Elder to Des Cloizeaux, were interested in its properties. Nowadays, with the advent of new characterization technologies, some questions have been answered. But there are still many riddles on this unique material. From Earth to Mars, we will retrace the knowledge acquired over centuries, and we will look at the challenges that remain to better understand the opal.
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Zu den Legenden über den Ursprung der Malerei gehört die Erzählung von Plinius dem Älteren in der Naturalis historia: 1) Ein korinthisches Mädchen habe den Umriss des Schattens gezeichnet, den ihr Geliebter an die Wand warf, bevor er sie verlassen musste.
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One of the legends dealing with the origins of painting is the story related by Pliny the Elder in his Naturalis historia.1) It concerns a young woman from Corinth who drew the outline of the shadow cast by her lover onto a wall before he had taken leave of her. Painting consequently derives from the realm of light and shadow. From classical antiquity to the eighteenth and nineteenth centuries – for example The Corinthian Maid or The Origin of Painting (1782–84) by Joseph Wright of Derby, the paintings of William Turner and the Impressionists – to the present day, light has been seen as the foundation of painting.
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Der Name der Villa leitet sich von Plinius dem Älteren ab, der als Erster diesen Ort in Dokumenten, die auf das erste Jahrhundert v. Chr. zurückgehen, aufgrund der Quelle, die noch heute im zentralen Hof der Villa sprudelt, zitiert.
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Reopened in May 2016, Villa Pliniana is a magnificent palace originally built in 1576, nestled in 18 acres of private lakefront in Torno – a small village on the eastern shore of Lake Como. The name comes from Pliny the Elder, who first mentioned this place in documents dating from the first century B.C. because of the spring which still flows in the central courtyard of the villa, goes down through one of the apartments and then leads to the Lake. For centuries, naturalists such as Leonardo da Vinci, musicians like Rossini and poets like Percy Shelley stayed and wrote about it. It is now featured on the pages of glossy magazines thanks to the restoration guided by Patricia Urquiola and the management of Il Sereno Hotel. The villa can be rented for special events and includes 19 luxurious bedrooms, 3 independent villas, a lake view SPA and the ability to accommodate up to 500 guests – like those that attended Bruno Mars’ private concert last summer… Mark Zuckerberg included.
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Mit ihrer Ausgestaltung des Motivs der Barmherzigkeit als theologische Tugend(11) nach «antiker Art» verherrlicht die aus den Schriften von Plinius dem Älteren entnommene Episode auf gewisse Weise die Kindesliebe: Der römische Greis Cimon wird zum Hungertod im Kerker verurteilt und verdankt sein Überleben den täglichen Besuchen seiner Tochter Pera, die ihm die Brust gibt(12).
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At the end of the 16th century, iconology became more widespread, with artists’ repertoires expanding to include symbols, allegories and personification. While Cesare Ripa and his disciples supplied some examples of nudity and nursing (see box), it was not until the 17th and 18th centuries that one area in particular became increasingly popular: Roman charity. Derived from Pliny the Elder, an ‘ancient’ version of the theme of Charity as a theological virtue(12), this episode was a form of glorification of filial piety: Cimon, an elderly Roman man incarcerated and sentenced to death by starvation, is kept alive by the daily visits of his daughter, Pera, who secretly breastfeeds him(13). In Bachelier’s portrayal, in contrast to the frequent tradition of depicting Pera casting nervous looks in the direction of the prison guards out of the picture(14), her posture evokes that of a concerned mother leaning over her infant. Perhaps it was this ambiguity that secretly horrified the French art critic Denis Diderot, even if he pretended otherwise. In any case, he did not hesitate to criticise it harshly(15). Despite the strong symbolic nature of the painting, which transformed breastfeeding into a sacrifice of the self and of life in general, capable even of traversing generations, it did not find favour in Diderot’s eyes.