polemisierte – English Translation – Keybot Dictionary

Spacer TTN Translation Network TTN TTN Login Deutsch Français Spacer Help
Source Languages Target Languages
Keybot      12 Results   11 Domains
  3erdve.lt  
Show textShow cached sourceOpen source URL
Auch Engels polemisierte gegen die Vorstellung des Anarchisten Bakunin, dass eine revolutionäre Organisation auf der “Einheit der Gedanken und des Handelns” basieren sollte:
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine onesolutionrevolution.org as primary domain
The disastrous results of this method are obvious: a closed “line” might help to transport, as on a conveyor belt, certain positions into the class. But it hinders the development of these very positions in dispute with and in the workers’ movement.
  www.db-artmag.com  
Show textShow cached sourceOpen source URL
"Das System, das die Oberfläche des Gemäldes aussehen lässt wie eine Haut, die entzündet oder von Scharlach befallen ist, hat seine Wurzel in der Wissenschaft, und es ist eine ausländische Entdeckung, die in den Ausstellungen des Salon des Refusés in Paris angetroffen werden kann", polemisierte etwa der einflussreiche konservative Kritiker Luigi Chirtani.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine db-artmag.com as primary domain
This new way of painting initially met massive resistance in Italy. "The system that makes the surface of a painting look like skin that is infected or afflicted by scarlet fever has its roots in science, and it is a foreign discovery that can be seen in the exhibitions of the Salon des Refusés in Paris" was the polemical assessment of influential conservative critic Luigi Chirtani. It was common for anti-modernists of the Fin de Siècle to villainize progressive art as sick – and of course that stance was especially popular when it came to art that adopted "foreign influences". Particularly in this young country – the Kingdom of Italy had only become a unified nation in 1861 – the dismissal of painting traditions met with bitter opposition.
  www.db-artmag.de  
Show textShow cached sourceOpen source URL
"Das System, das die Oberfläche des Gemäldes aussehen lässt wie eine Haut, die entzündet oder von Scharlach befallen ist, hat seine Wurzel in der Wissenschaft, und es ist eine ausländische Entdeckung, die in den Ausstellungen des Salon des Refusés in Paris angetroffen werden kann", polemisierte etwa der einflussreiche konservative Kritiker Luigi Chirtani.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine db-artmag.de as primary domain
This new way of painting initially met massive resistance in Italy. "The system that makes the surface of a painting look like skin that is infected or afflicted by scarlet fever has its roots in science, and it is a foreign discovery that can be seen in the exhibitions of the Salon des Refusés in Paris" was the polemical assessment of influential conservative critic Luigi Chirtani. It was common for anti-modernists of the Fin de Siècle to villainize progressive art as sick – and of course that stance was especially popular when it came to art that adopted "foreign influences". Particularly in this young country – the Kingdom of Italy had only become a unified nation in 1861 – the dismissal of painting traditions met with bitter opposition.
  www.digitalconcerthall.com  
Show textShow cached sourceOpen source URL
Zu Lebzeiten des Komponisten stießen Bruckners Symphonien, die Eduard Hanslick einmal als »Riesenschlangen« bezeichnete, noch größtenteils auf Ablehnung. Wie erste Rezensionen seiner Symphonie Nr. 7 E-Dur zeigen, war es die vermeintlich konzeptionslose Impulsivität von Bruckners musikalischer Sprache, die Unbehagen hervorrief. Gustav Dömpke etwa polemisierte: »Bruckner komponiert wie ein Betrunkener, er ist ein virtuoser Anempfinder, dessen Phantasie von den heterogensten Niederschlägen Beethovenscher und Wagnerscher Musik überschwemmt worden ist, ohne das Gegengewicht einer Intelligenz, welche diese Eindrücke ihrem Wert und Wesen nach zu unterscheiden wüsste, und vollends ohne die künstlerische Kraft, sie sich als einer eigenen, selbständigen Individualität zu assimilieren.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine digitalconcerthall.com as primary domain
VII, for example, comprises around five times as many bars as the piano piece on which it is based, through – according to Josef Häusler – “the use and exploitation of originally conceived structures up to the maximum output by taking up new structures obtained from the old structures by means of derivation, mutation, permutation”. Boulez described this phenomenon in more metaphorical language: “For me a musical idea is like a seed: you plant it in a certain soil and suddenly it begins to proliferate like a weed. Then you have to pull out the weeds.”
  db-artmag.de  
Show textShow cached sourceOpen source URL
"Das System, das die Oberfläche des Gemäldes aussehen lässt wie eine Haut, die entzündet oder von Scharlach befallen ist, hat seine Wurzel in der Wissenschaft, und es ist eine ausländische Entdeckung, die in den Ausstellungen des Salon des Refusés in Paris angetroffen werden kann", polemisierte etwa der einflussreiche konservative Kritiker Luigi Chirtani.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine db-artmag.de as primary domain
This new way of painting initially met massive resistance in Italy. "The system that makes the surface of a painting look like skin that is infected or afflicted by scarlet fever has its roots in science, and it is a foreign discovery that can be seen in the exhibitions of the Salon des Refusés in Paris" was the polemical assessment of influential conservative critic Luigi Chirtani. It was common for anti-modernists of the Fin de Siècle to villainize progressive art as sick – and of course that stance was especially popular when it came to art that adopted "foreign influences". Particularly in this young country – the Kingdom of Italy had only become a unified nation in 1861 – the dismissal of painting traditions met with bitter opposition.
  db-artmag.com  
Show textShow cached sourceOpen source URL
"Das System, das die Oberfläche des Gemäldes aussehen lässt wie eine Haut, die entzündet oder von Scharlach befallen ist, hat seine Wurzel in der Wissenschaft, und es ist eine ausländische Entdeckung, die in den Ausstellungen des Salon des Refusés in Paris angetroffen werden kann", polemisierte etwa der einflussreiche konservative Kritiker Luigi Chirtani.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine db-artmag.com as primary domain
This new way of painting initially met massive resistance in Italy. "The system that makes the surface of a painting look like skin that is infected or afflicted by scarlet fever has its roots in science, and it is a foreign discovery that can be seen in the exhibitions of the Salon des Refusés in Paris" was the polemical assessment of influential conservative critic Luigi Chirtani. It was common for anti-modernists of the Fin de Siècle to villainize progressive art as sick – and of course that stance was especially popular when it came to art that adopted "foreign influences". Particularly in this young country – the Kingdom of Italy had only become a unified nation in 1861 – the dismissal of painting traditions met with bitter opposition.