sie drehte sich – English Translation – Keybot Dictionary

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  aw.my.com  
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Sie drehte sich zu ihm um und sagte etwas, doch er konnte es wegen der Donnerschläge nicht hören. Der Wolkenbruch hatte ihr teures Designerkleid durchnässt und ihr Makeup zerstört, sie sah... zerbrechlich aus, dachte er.
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She turned to him and said something but he didn't hear her over the sound of thunder. The downpour drenched her expensive outfit and destroyed her make-up, making her look... weak, he thought. He had seen her before of course, usually on a big screen talking to corporate masses like a queen of old. Not so regal now are we, he thought.
  mrgoodlife.net  
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Sie drehte sich um, ging zurück zu dem Jungen und sagte ihm, dass sie ihm kein Geld geben werde, er jedoch mit ihr zusammen zu McDonald’s gehen könne, wenn er wirklich Hunger habe. Diese Einladung konnte Maurice nicht ausschlagen.
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Annoyed by the many homeless and beggars who live in the streets of New York, she only replied with a short “No” and let the boy back to the corner. But just a few moments later the words “I’m hungry” caused something in her.
  gameinfo.euw.leagueoflegends.com  
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Sie drehte sich um und sprang runter auf das Hauptdeck, um zum Achterdeck ans Steuerrad zu eilen. Nicht, dass sie etwas hätte tun können, um das Schiff zu bewegen, aber sie möge verdammt sein, würde man ihre Leiche an einem anderen Ort als diesem auffinden.
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The voice in her head was cold and lifeless, the voice of a dead man. It conjured the image of iron-rimmed wheels on a corpse-heaped cart, a knife cutting yet another death mark on a staff. Vionax knew the tales of the Black Mist; she knew to avoid the islands brooding beneath the darkness in the east. She’d thought the ship was far from the Shadow Isles, but she was wrong.
  vastsverige.com  
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Er kratzte sich am Auge, es war eine Träne kommen? Sie drehte sich zu ihrer Freundin waren auf dem Weg, und sie sah ein Taxi? Seien Sie der erste Kuss, hatten sie gerade erst kennengelernt, und sie feierten etwas anderes?
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Advertising man and photographer Mats Alfredsson has for decades been street photography as one of his main interests. With camera in hand, he discovers and documents the rest of us usually do not see. Small human events that normally go unnoticed, but the images stuck forever.
  divus.cc  
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Die in den Galerien und Institutionen gezeigte Kunst war damals meistens sehr interessant, aber sie drehte sich mehr um die “dominante” internationale Kunstszene, und nur sehr wenige Galerien unterstützten junge Künstler.
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After graduating I lived in Paris for 3 years (1996-1999) and enjoyed this time in the city very much. I mainly enjoyed it for the multicultural aspects of Paris life, the influence of the African, Middle East and Asian communities where I was living (20th & 11th arrondissements). But I also found Paris quite traditional and rigid in some ways. The works presented in the galleries and institutions were most of the time very interesting, but mostly represented the ‘dominant’ international art scene, and there were very few galleries to support young artists. Fortunately it was the beginning of new artist run spaces like Glassbox, La Flêche d’or, La Chambre. In 1999, following the presentation of my Fakir and his Bed in the exhibition Homage a l’objet d’hard a Taiwanese curator invited me to Taiwan for a month-long residency and an exhibition. Going to Asia, I also developed a project of residency in Japan where I had some contacts. I went as soon as I found a little bit of funding and logistical support. I lived and researched there for several months and exhibited in several venues & cities, among them was the NIPAF (Tokyo, Nagoya, Nagano). When I came back I decided to move to London.