so in order – English Translation – Keybot Dictionary

Spacer TTN Translation Network TTN TTN Login Deutsch Français Spacer Help
Source Languages Target Languages
Keybot      43 Results   40 Domains
  www.voilemercator.com  
Show textShow cached sourceOpen source URL
On a steep slope about 300 metres above the west shore of Lake Garda, in the park-like outdoor area with a view of the lake, the ground area of an old rustico is not large enough to accommodate the required room programme for a house with guest quarters. So in order to obtain building permission, the ancillary are under the ground and thus do not appear as part of the building volume.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine mexican-architects.com as primary domain
Am Steilhang, rund 300 Meter über dem Westufer des Gardasees, im parkartigen Außenbereich mit fantastischem Blick auf den Lago, reicht die Grundfläche eines alten Rusticos nicht aus, um das geforderte Raumprogramm für ein Wohnhaus mit Gästetrakt aufzunehmen. Damit ein Baurecht erzielt werden kann, sind die Nebenräume im Hang bergmännisch / unterirdisch angeordnet und treten somit als Volumen nicht in Erscheinung. Ein spektakulärer Infinity-Pool folgt den Höhenlinien. Das Rustico und die „Limonaia“ werden mit traditionellem Bruchsteinmauerwerk, jedoch zweischalig mit Kerndämmung wieder aufgebaut und bewahren somit einen explizit rauen, haptischen Charakter. Das Ensemble vermittelt eine warme, distinguiert rustikale Atmosphäre. Landschaft und Bauwerk, Natur und Artefakt bilden eine Symbiose zum Wohlfühlen.
  kunsthallezurich.ch  
Show textShow cached sourceOpen source URL
CD It had to do with this idea about identity itself and thinking that maybe there was some unintended consequence of being in the work. The reception of those videos veered too much toward the “This is her,” “This is she,” “This is what she is.” That really was not my intention. So, in order to reexamine it or dissuade that interpretation that “She is in her work, therefore this work is about her, and this is her personality, and this is. . . .” as those questions became a larger part of the interpretation of the work, it made me realize that it was in fact the least interesting part of the work to me. I had to step out of it. It seemed like the quickest way to dissuade those types of interpretations, which I felt the least invested in personally. I thought, I just have to get out of the frame, so it’s not about me. Of course, there was always an aspect of it that it was about me or my body, I suppose, since I made the choice to be in it. But since I made the choice to be in it, I could equally make the choice to be out of it. That was a freedom I had. My concerns really became much more about space and place and material, and—if I can even get a little ahead of myself—the idea of clothing coming back into it is really situating it once again on the body. It opens up the door for the choice to be made to come back into the work, after that hiatus.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine kunsthallezurich.ch as primary domain
Even things like living with Kenny, who’s such a huge collector, and constantly asking, What the hell are you playing? What music is that? Or being surprised by my own reactions to things that maybe I didn’t choose, that were brought in and I suddenly have to deal with. I like to mix things that don’t go together at first, to think and find relationships. I’m thinking about, for example, the video Cheryl (2005), which features stills from the toy catalogue. That catalogue of cheap little plastic toys was sent because I bought a piñata online for my older son’s birthday. Suddenly, we’re getting all these horrible toy catalogues. I was like, Wow, these images are so amazing, look at all these things that are manufactured. Pages and pages and pages of these little plastic trinkets. The aesthetics of that catalogue, the way you think about who designed this catalogue. This is crazy, all these horrible colors and it’s not done with any idea of the aesthetics of it. Then mixing that with this soundtrack that I heard on WFMU. One of the DJs played it, and it seemed like an inspirational pep talk for people selling Amway products or something. Mashing the two together and realizing that this is a story about self-promotion and sales and the promotion of these seriously inconsequential things. Yet, there was this whole apparatus built around these items of no consequence. I found that really fascinating and maybe a metaphor for something to do with performing yourself. So all these choices just happened through accumulation.