von ihrer kindheit – English Translation – Keybot Dictionary

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  3 Hits www.wollheim-memorial.de  
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In allen Erzählungen berichten die Überlebenden von ihrer Kindheit, also der Zeit vor der Verfolgung, von ihrer Verhaftung und Lagerzeit und ihrem Leben nach der Befreiung. Diese drei thematischen Blöcke nehmen in den Schnittfassungen der 24 Interviews, die auf dieser Seite zu sehen sind, unterschiedlich viel Raum ein, je nachdem, aus welchem geographischen, kulturellen und sozialen Hintergrund die Menschen stammen, welche Verfolgungsgeschichte sie haben, und worauf sie den Schwerpunkt ihrer Erzählung legten.
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In all their stories, the survivors tell about their childhood—the time before their persecution—their arrest and time in the camp, and their life after liberation. These three groups of themes occupy varying amounts of space in the edited films of the 24 interviews listed on this Web page, depending on the geographic, cultural, and social backgrounds of these men, their individual histories of persecution, and the focal points of their accounts. The uncut interview material is accessible on request in the Archive of the Fritz Bauer Institute.
  db-artmag.de  
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Drei wichtige Beziehungen bestimmen Hillas Laufbahn – von Ihrer Kindheit im damals noch deutschen Straßburg bis zu ihren späten Jahren in den USA. Sie verlaufen parallel zu ihrer Entfaltung als Künstlerin und erklären auch die Brüche in ihrer künstlerischen Arbeit.
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Rebay’s trajectory from her early childhood in Strasbourg, Germany (now France) to her later years in America is marked by three important relationships that run parallel and sometimes explain her divergent paths in the visual world. The first occurs in 1915 when she travels to Zurich and meets Hans (Jean) Arp; the second when she meets the artist Rudolf Bauer in 1917 through Arp at the gallery Der Sturm; and the third when she meets Irene and Solomon R. Guggenheim in New York around 1927 and accepts a commission to do Solomon’s portrait in 1928.
  www.vivai.ca  
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Vier einstige irakische Kommunisten erinnern sich an das Leben in Baghdad, die revolutionäre Politik der 40er und 50er Jahre, und den demütigenden Empfang in Israel. Ella Shohat erzählt von ihrer Kindheit als »stinkende Iraki« in Israel und analysiert die Klischees von Orientalen und arabischen Juden in alten Filmen.
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A filmic reflection about the stereotypes of “Jew” and “Arab” through onehundred years of film, contrasted with the history of Jewish communists from Iraq. The protagonists are Shimon Ballas, a writer and professor of Arabic studies in Tel Aviv and Paris; the best-selling Israeli author Sami Michael from Haifa; Moshe Houri, a former dealer in real estate; writer Samir Naqqash who only publishes in the Arabic language and Ella Shohat, a Professor of Film and Cultural Studies in New York who has written a standard text on the Israeli film industry.
  www.db-artmag.de  
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Drei wichtige Beziehungen bestimmen Hillas Laufbahn – von Ihrer Kindheit im damals noch deutschen Straßburg bis zu ihren späten Jahren in den USA. Sie verlaufen parallel zu ihrer Entfaltung als Künstlerin und erklären auch die Brüche in ihrer künstlerischen Arbeit.
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Rebay’s trajectory from her early childhood in Strasbourg, Germany (now France) to her later years in America is marked by three important relationships that run parallel and sometimes explain her divergent paths in the visual world. The first occurs in 1915 when she travels to Zurich and meets Hans (Jean) Arp; the second when she meets the artist Rudolf Bauer in 1917 through Arp at the gallery Der Sturm; and the third when she meets Irene and Solomon R. Guggenheim in New York around 1927 and accepts a commission to do Solomon’s portrait in 1928.
  db-artmag.com  
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Drei wichtige Beziehungen bestimmen Hillas Laufbahn – von Ihrer Kindheit im damals noch deutschen Straßburg bis zu ihren späten Jahren in den USA. Sie verlaufen parallel zu ihrer Entfaltung als Künstlerin und erklären auch die Brüche in ihrer künstlerischen Arbeit.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine db-artmag.com as primary domain
Rebay’s trajectory from her early childhood in Strasbourg, Germany (now France) to her later years in America is marked by three important relationships that run parallel and sometimes explain her divergent paths in the visual world. The first occurs in 1915 when she travels to Zurich and meets Hans (Jean) Arp; the second when she meets the artist Rudolf Bauer in 1917 through Arp at the gallery Der Sturm; and the third when she meets Irene and Solomon R. Guggenheim in New York around 1927 and accepts a commission to do Solomon’s portrait in 1928.
  www.db-artmag.com  
Show textShow cached sourceOpen source URL
Drei wichtige Beziehungen bestimmen Hillas Laufbahn – von Ihrer Kindheit im damals noch deutschen Straßburg bis zu ihren späten Jahren in den USA. Sie verlaufen parallel zu ihrer Entfaltung als Künstlerin und erklären auch die Brüche in ihrer künstlerischen Arbeit.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine db-artmag.com as primary domain
Rebay’s trajectory from her early childhood in Strasbourg, Germany (now France) to her later years in America is marked by three important relationships that run parallel and sometimes explain her divergent paths in the visual world. The first occurs in 1915 when she travels to Zurich and meets Hans (Jean) Arp; the second when she meets the artist Rudolf Bauer in 1917 through Arp at the gallery Der Sturm; and the third when she meets Irene and Solomon R. Guggenheim in New York around 1927 and accepts a commission to do Solomon’s portrait in 1928.
  lavispera.org  
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Basierend auf der Dokumentation der Pariser Villa, in der sie aufgewachsen ist, beschreibt eine junge Frau ihre Familie. Celia erzählt von ihrer Kindheit, ihren vier Geschwistern, dem Scheitern der Ehe ihrer Eltern und vom Leben ohne den Vater, der das Haus nur noch bis zur Türschwelle betreten hat.
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Sissa Micheli is showing the video Rue de la Tour – The History of a House in 8 Chapters (2009/2016). Based on the documentation of the Parisian villa in which she grew up, a young woman describes her family. Celia tells of her childhood, four siblings, the failed marriage of her parents and her life without her father who only ever came as far as the doorstep of the house. The slow travelling shot through the rooms chosen by Sissa Micheli visually conveys the mental process of remembering: The quiet flow of images as if from the subconscious is concretised by Celia’s voice and becomes a palpable current of experiences. Images and voice meld into a labyrinth of memories. The video is the third in a trilogy about living spaces that are just short of disintegration. In this series Sissa Micheli examines, in a very poetic and emotional way, how homes can awaken and store memories. Starting from Celia’s account she goes on to talk about general existential issues and feelings such as love, security and loss.