von sich preisgeben – English Translation – Keybot Dictionary
TTN Translation Network
TTN
TTN
Login
Deutsch
Français
Source Languages
Target Languages
Select
Select
Keybot
14
Results
12
Domains
2 Hits
www.switch.ch
Show text
Show cached source
Open source URL
Je mehr persönliche Details Kinder und Jugendliche
von sich preisgeben
, desto eher können sie auch Opfer von Cybermobbing, Stalking oder Cybergrooming werden, also belästigt und bedroht werden.
Compare text pages
Compare HTM pages
Open source URL
Open target URL
Define
switch.ch
as primary domain
The more personal details children and young people give away, the more likely it is that they will be victims of cyber-bullying, stalking or grooming.
www.cybercrime.admin.ch
Show text
Show cached source
Open source URL
Wer im Internet Angaben zu seiner eigenen Person macht ─ sei es in einem Blog, einem sozialen Netzwerk oder in einem Diskussionsforum ─ macht sich verletzbar. Man sollte deshalb gut überlegen, ob und was man in der virtuellen Welt
von sich preisgeben
will.
Compare text pages
Compare HTM pages
Open source URL
Open target URL
Define
cybercrime.admin.ch
as primary domain
Putting personal data on the Internet ─ whether on a blog, a social network or a discussion forum ─ makes you vulnerable. That is why you should think carefully about what you want to disclose about yourself in cyberspace.
www.bricknode.com
Show text
Show cached source
Open source URL
Dabei möchten viele Teenager die Nähe zu ihren Eltern, solange sie darüber bestimmen können, wann sie wieviel
von sich preisgeben
möchten. Nicht selten heisst es nach 20 Minuten Fernsehen: „Du Mami, kann ich dich was fragen?“
Compare text pages
Compare HTM pages
Open source URL
Open target URL
Define
lifeathome.ch
as primary domain
Many teens want to be close to their parents as long as they can decide how much they want to reveal about themselves and when. It’s not uncommon after 20 minutes of watching television for a “Mum, can I ask you something?”
www.nacalai.co.jp
Show text
Show cached source
Open source URL
Für die Nutzung dieser Internetseite ist es in der Regel nicht erforderlich, dass Sie personenbezogene Daten
von sich preisgeben
. Wir erfahren nur den Namen des von Ihnen verwendeten Browsers, die IP-Adresse, die Webseite, von der aus Sie uns besuchen sowie die übertragene Datenmenge, Datum und Verweildauer auf unserer Webseite.
Compare text pages
Compare HTM pages
Open source URL
Open target URL
Define
vgb.org
as primary domain
To access our website, it is not necessary to disclose any personal data. We only receive some information which includes the name of the browser and operating system being used, the IP address, the website from which you linked from, the amount of data that has been transferred and the date and time you accessed our website. This data remains anonymous and it is used only for statistical purposes and will be deleted afterwards.
www.qcplannedgiving.ca
Show text
Show cached source
Open source URL
Wie Paul Klee, mit dem Camara das poetische Wechselspiel zwischen Bild und Text verbindet, ist auch der afrikanische Fotograf kaum greifbar. Stellt man ihm Fragen zu seinem Werk, erhält man auf charmante Weise ausweichende Antworten, denen anzumerken ist, wie wenig er
von sich preisgeben
möchte.
Compare text pages
Compare HTM pages
Open source URL
Open target URL
Define
dbartmag.de
as primary domain
Like Paul Klee, who shares Camaras poetic play with image and text, the African photographer is hard to pin down. When asked about his work, he provides charming but evasive answers that demonstrate how little he cares to reveal about himself and how important he considers all elements of the playful and open to be, even in conversation: "I play with the beauty of the moment, and with the materials that are there, like fabrics and textiles", for instance, is his answer to the question concerning the meaning of material in his work. When asked about the aesthetic role of the autobiographical, his response is: "Of course I make art, but I also portray my everyday life and I often play with things I cant say in my photographs."
db-artmag.de
Show text
Show cached source
Open source URL
Wie Paul Klee, mit dem Camara das poetische Wechselspiel zwischen Bild und Text verbindet, ist auch der afrikanische Fotograf kaum greifbar. Stellt man ihm Fragen zu seinem Werk, erhält man auf charmante Weise ausweichende Antworten, denen anzumerken ist, wie wenig er
von sich preisgeben
möchte.
Compare text pages
Compare HTM pages
Open source URL
Open target URL
Define
db-artmag.de
as primary domain
Like Paul Klee, who shares Camaras poetic play with image and text, the African photographer is hard to pin down. When asked about his work, he provides charming but evasive answers that demonstrate how little he cares to reveal about himself and how important he considers all elements of the playful and open to be, even in conversation: "I play with the beauty of the moment, and with the materials that are there, like fabrics and textiles", for instance, is his answer to the question concerning the meaning of material in his work. When asked about the aesthetic role of the autobiographical, his response is: "Of course I make art, but I also portray my everyday life and I often play with things I cant say in my photographs."
db-artmag.com
Show text
Show cached source
Open source URL
Wie Paul Klee, mit dem Camara das poetische Wechselspiel zwischen Bild und Text verbindet, ist auch der afrikanische Fotograf kaum greifbar. Stellt man ihm Fragen zu seinem Werk, erhält man auf charmante Weise ausweichende Antworten, denen anzumerken ist, wie wenig er
von sich preisgeben
möchte.
Compare text pages
Compare HTM pages
Open source URL
Open target URL
Define
db-artmag.com
as primary domain
Like Paul Klee, who shares Camaras poetic play with image and text, the African photographer is hard to pin down. When asked about his work, he provides charming but evasive answers that demonstrate how little he cares to reveal about himself and how important he considers all elements of the playful and open to be, even in conversation: "I play with the beauty of the moment, and with the materials that are there, like fabrics and textiles", for instance, is his answer to the question concerning the meaning of material in his work. When asked about the aesthetic role of the autobiographical, his response is: "Of course I make art, but I also portray my everyday life and I often play with things I cant say in my photographs."
www.db-artmag.de
Show text
Show cached source
Open source URL
Wie Paul Klee, mit dem Camara das poetische Wechselspiel zwischen Bild und Text verbindet, ist auch der afrikanische Fotograf kaum greifbar. Stellt man ihm Fragen zu seinem Werk, erhält man auf charmante Weise ausweichende Antworten, denen anzumerken ist, wie wenig er
von sich preisgeben
möchte.
Compare text pages
Compare HTM pages
Open source URL
Open target URL
Define
db-artmag.de
as primary domain
Like Paul Klee, who shares Camaras poetic play with image and text, the African photographer is hard to pin down. When asked about his work, he provides charming but evasive answers that demonstrate how little he cares to reveal about himself and how important he considers all elements of the playful and open to be, even in conversation: "I play with the beauty of the moment, and with the materials that are there, like fabrics and textiles", for instance, is his answer to the question concerning the meaning of material in his work. When asked about the aesthetic role of the autobiographical, his response is: "Of course I make art, but I also portray my everyday life and I often play with things I cant say in my photographs."
www.db-artmag.com
Show text
Show cached source
Open source URL
Wie Paul Klee, mit dem Camara das poetische Wechselspiel zwischen Bild und Text verbindet, ist auch der afrikanische Fotograf kaum greifbar. Stellt man ihm Fragen zu seinem Werk, erhält man auf charmante Weise ausweichende Antworten, denen anzumerken ist, wie wenig er
von sich preisgeben
möchte.
Compare text pages
Compare HTM pages
Open source URL
Open target URL
Define
db-artmag.com
as primary domain
Like Paul Klee, who shares Camaras poetic play with image and text, the African photographer is hard to pin down. When asked about his work, he provides charming but evasive answers that demonstrate how little he cares to reveal about himself and how important he considers all elements of the playful and open to be, even in conversation: "I play with the beauty of the moment, and with the materials that are there, like fabrics and textiles", for instance, is his answer to the question concerning the meaning of material in his work. When asked about the aesthetic role of the autobiographical, his response is: "Of course I make art, but I also portray my everyday life and I often play with things I cant say in my photographs."
dbartmag.com
Show text
Show cached source
Open source URL
Wie Paul Klee, mit dem Camara das poetische Wechselspiel zwischen Bild und Text verbindet, ist auch der afrikanische Fotograf kaum greifbar. Stellt man ihm Fragen zu seinem Werk, erhält man auf charmante Weise ausweichende Antworten, denen anzumerken ist, wie wenig er
von sich preisgeben
möchte.
Compare text pages
Compare HTM pages
Open source URL
Open target URL
Define
dbartmag.com
as primary domain
Like Paul Klee, who shares Camaras poetic play with image and text, the African photographer is hard to pin down. When asked about his work, he provides charming but evasive answers that demonstrate how little he cares to reveal about himself and how important he considers all elements of the playful and open to be, even in conversation: "I play with the beauty of the moment, and with the materials that are there, like fabrics and textiles", for instance, is his answer to the question concerning the meaning of material in his work. When asked about the aesthetic role of the autobiographical, his response is: "Of course I make art, but I also portray my everyday life and I often play with things I cant say in my photographs."