vorher kann – English Translation – Keybot Dictionary

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  www.gap2011.com  
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Man muss dann eine Piste präparieren, die zwei Wochen lang standhält. Vier Wochen vorher kann man nicht sehen, was das Wetter macht. Deswegen muss man eine sehr solide Basis, eine solide Grundpräparation auf der Piste schaffen, die dann für alle Rennen halten muss.
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No, not at all. There was the rumor of criticism. But I believe that this criticism was rather a statement from the racers or teams which could hardly cope with the given conditions. You have many starters and you have a World Championships, and you start preparing two weeks prior to the first race. So then you have to prepare a course that withstands for two weeks. You cannot determine the weather four weeks in advance. That´s why you have to have a very solid basis, and create a solid ground preparation on the course that must resist for all the races. Considering 500 to 800 people moving around the mountain every day - and seven or eight races per day, you have to prepare accordingly. At the end we would not have had those good races or even any races at all last weekend, considering the warm temperatures.
  db-artmag.de  
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Im April wird Roman Ondák als "Künstler des Jahres" der Deutschen Bank mit Do not walk outside this area ein spektakuläres Projekt im Deutsche Guggenheim realisieren. Doch schon vorher kann man eine Ausstellung des slowakischen Künstlers in Deutschland erleben.
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In April, Roman Ondák, Deutsche Bank’s “Artist of the Year,” will create a spectacular project at the Deutsche Guggenheim titled Do not walk outside this area. But there will already be an exhibition of the Slovakian artist’s works in Germany before that time. Now, the K21 in Dusseldorf presents Within Reach of Hand or Eye. Forming the center of the show is the new work The Hill Seen from Afar (2011) – an artificial hill with a miniature tree at the peak that Ondák has installed in the middle of the exhibition space. Paradoxically, one can only view Ondáks artwork from up close. As with his other works, The Hill Seen from Afar plays with our perception and the conventions of presenting art. Ondáks installation Across That Place (2008-2011) investigates the Panama Canal zone, which once belonged to the US, while Eclipse (2011) presents itself as absurd architecture—a life-sized roof construction whose remnants are scattered on the floor of the exhibition space. Since his much-acclaimed work for the Venice Biennale of 2009, Ondák is regarded as one of today’s most important young artists to carry on the traditions of conceptual and process-based art in a completely independent way.
  db-artmag.com  
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Im April wird Roman Ondák als "Künstler des Jahres" der Deutschen Bank mit Do not walk outside this area ein spektakuläres Projekt im Deutsche Guggenheim realisieren. Doch schon vorher kann man eine Ausstellung des slowakischen Künstlers in Deutschland erleben.
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In April, Roman Ondák, Deutsche Bank’s “Artist of the Year,” will create a spectacular project at the Deutsche Guggenheim titled Do not walk outside this area. But there will already be an exhibition of the Slovakian artist’s works in Germany before that time. Now, the K21 in Dusseldorf presents Within Reach of Hand or Eye. Forming the center of the show is the new work The Hill Seen from Afar (2011) – an artificial hill with a miniature tree at the peak that Ondák has installed in the middle of the exhibition space. Paradoxically, one can only view Ondáks artwork from up close. As with his other works, The Hill Seen from Afar plays with our perception and the conventions of presenting art. Ondáks installation Across That Place (2008-2011) investigates the Panama Canal zone, which once belonged to the US, while Eclipse (2011) presents itself as absurd architecture—a life-sized roof construction whose remnants are scattered on the floor of the exhibition space. Since his much-acclaimed work for the Venice Biennale of 2009, Ondák is regarded as one of today’s most important young artists to carry on the traditions of conceptual and process-based art in a completely independent way.
  www.db-artmag.com  
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Im April wird Roman Ondák als "Künstler des Jahres" der Deutschen Bank mit Do not walk outside this area ein spektakuläres Projekt im Deutsche Guggenheim realisieren. Doch schon vorher kann man eine Ausstellung des slowakischen Künstlers in Deutschland erleben.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine db-artmag.com as primary domain
In April, Roman Ondák, Deutsche Bank’s “Artist of the Year,” will create a spectacular project at the Deutsche Guggenheim titled Do not walk outside this area. But there will already be an exhibition of the Slovakian artist’s works in Germany before that time. Now, the K21 in Dusseldorf presents Within Reach of Hand or Eye. Forming the center of the show is the new work The Hill Seen from Afar (2011) – an artificial hill with a miniature tree at the peak that Ondák has installed in the middle of the exhibition space. Paradoxically, one can only view Ondáks artwork from up close. As with his other works, The Hill Seen from Afar plays with our perception and the conventions of presenting art. Ondáks installation Across That Place (2008-2011) investigates the Panama Canal zone, which once belonged to the US, while Eclipse (2011) presents itself as absurd architecture—a life-sized roof construction whose remnants are scattered on the floor of the exhibition space. Since his much-acclaimed work for the Venice Biennale of 2009, Ondák is regarded as one of today’s most important young artists to carry on the traditions of conceptual and process-based art in a completely independent way.
  dbartmag.com  
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Im April wird Roman Ondák als "Künstler des Jahres" der Deutschen Bank mit Do not walk outside this area ein spektakuläres Projekt im Deutsche Guggenheim realisieren. Doch schon vorher kann man eine Ausstellung des slowakischen Künstlers in Deutschland erleben.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine dbartmag.com as primary domain
In April, Roman Ondák, Deutsche Bank’s “Artist of the Year,” will create a spectacular project at the Deutsche Guggenheim titled Do not walk outside this area. But there will already be an exhibition of the Slovakian artist’s works in Germany before that time. Now, the K21 in Dusseldorf presents Within Reach of Hand or Eye. Forming the center of the show is the new work The Hill Seen from Afar (2011) – an artificial hill with a miniature tree at the peak that Ondák has installed in the middle of the exhibition space. Paradoxically, one can only view Ondáks artwork from up close. As with his other works, The Hill Seen from Afar plays with our perception and the conventions of presenting art. Ondáks installation Across That Place (2008-2011) investigates the Panama Canal zone, which once belonged to the US, while Eclipse (2011) presents itself as absurd architecture—a life-sized roof construction whose remnants are scattered on the floor of the exhibition space. Since his much-acclaimed work for the Venice Biennale of 2009, Ondák is regarded as one of today’s most important young artists to carry on the traditions of conceptual and process-based art in a completely independent way.
  www.qcplannedgiving.ca  
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Im April wird Roman Ondák als "Künstler des Jahres" der Deutschen Bank mit Do not walk outside this area ein spektakuläres Projekt im Deutsche Guggenheim realisieren. Doch schon vorher kann man eine Ausstellung des slowakischen Künstlers in Deutschland erleben.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine dbartmag.de as primary domain
In April, Roman Ondák, Deutsche Bank’s “Artist of the Year,” will create a spectacular project at the Deutsche Guggenheim titled Do not walk outside this area. But there will already be an exhibition of the Slovakian artist’s works in Germany before that time. Now, the K21 in Dusseldorf presents Within Reach of Hand or Eye. Forming the center of the show is the new work The Hill Seen from Afar (2011) – an artificial hill with a miniature tree at the peak that Ondák has installed in the middle of the exhibition space. Paradoxically, one can only view Ondáks artwork from up close. As with his other works, The Hill Seen from Afar plays with our perception and the conventions of presenting art. Ondáks installation Across That Place (2008-2011) investigates the Panama Canal zone, which once belonged to the US, while Eclipse (2011) presents itself as absurd architecture—a life-sized roof construction whose remnants are scattered on the floor of the exhibition space. Since his much-acclaimed work for the Venice Biennale of 2009, Ondák is regarded as one of today’s most important young artists to carry on the traditions of conceptual and process-based art in a completely independent way.
  www.db-artmag.de  
Show textShow cached sourceOpen source URL
Im April wird Roman Ondák als "Künstler des Jahres" der Deutschen Bank mit Do not walk outside this area ein spektakuläres Projekt im Deutsche Guggenheim realisieren. Doch schon vorher kann man eine Ausstellung des slowakischen Künstlers in Deutschland erleben.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine db-artmag.de as primary domain
In April, Roman Ondák, Deutsche Bank’s “Artist of the Year,” will create a spectacular project at the Deutsche Guggenheim titled Do not walk outside this area. But there will already be an exhibition of the Slovakian artist’s works in Germany before that time. Now, the K21 in Dusseldorf presents Within Reach of Hand or Eye. Forming the center of the show is the new work The Hill Seen from Afar (2011) – an artificial hill with a miniature tree at the peak that Ondák has installed in the middle of the exhibition space. Paradoxically, one can only view Ondáks artwork from up close. As with his other works, The Hill Seen from Afar plays with our perception and the conventions of presenting art. Ondáks installation Across That Place (2008-2011) investigates the Panama Canal zone, which once belonged to the US, while Eclipse (2011) presents itself as absurd architecture—a life-sized roof construction whose remnants are scattered on the floor of the exhibition space. Since his much-acclaimed work for the Venice Biennale of 2009, Ondák is regarded as one of today’s most important young artists to carry on the traditions of conceptual and process-based art in a completely independent way.
  www.campanules.com  
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Doch schon vorher kann CargoLifter der Windkraftbranche mit seinen Lösungen helfen:
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But even before that, CargoLifter can help the wind industry with its solutions:
  www.cicec.cn  
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Aber wirklich toll ist es wenn wir unsere Fotoshootings haben. Dann sieht man die Stoffe zum ersten Mal groß am Fenster in einer tollen Umgebung. Vorher kann man immer nur vermuten wie es aussehen wird.
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Marlene: The fact that every collection is different means it’s always exciting. But it’s great when we have our photoshoots as then you get to see the fabrics up close and personal for the first time in a fantastic environment. Before a shoot you can only guess how it’s going to look.