wie durch zauberhand – English Translation – Keybot Dictionary
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www.maritim.de
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Nachtkerzenölcreme-Packung: Irritationen der Haut verschwinden
wie durch Zauberhand
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maritim.de
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Evening primrose oil cream pack formulated to eliminate skin irritations like magic.
electricalsector.eaton.com
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Wenn Manipulation ein Prozess ist, bei dem Menschen
wie durch Zauberhand
zu etwas gebracht werden, was sie ansonsten unter keinen Umständen getan hätten (so wird es von den Demokraten gerne bezeichnet), dann definitiv nicht.
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placedise.com
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It depends on the definition of “manipulation” in this context. If strengthen specific, already existing feelings and thoughts in people’s minds, yes, it is. If we define it as magically make people do something, they would never do without the measure, then it is a clear no.
www.verlag-kettler.de
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Gleich einem Kometenschweif, der
wie durch Zauberhand
am nächtlichen Himmel erscheint, so taucht der schlanke Bogen aus Licht in das idyllische Ambiente ein und beleuchtet sanft jeden einzelnen Tisch.
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vibia.com
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The hotel’s design seamlessly melds tradition and modernity, including in the tranquil outdoor dining area. Against the backdrop of the building’s ancient brick-walled façade, garden tables are crowned with the Halley light by Jordi Vilardell and Meritxell Vidal. Recalling a comet streaming across the night sky, its slender arc of illumination blends into the bucolic setting while subtly setting off each table.
www.fppq.pt
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Und
wie durch Zauberhand
nimmt Francis wieder Farbe an und lacht erneut aus vollem Herzen. Gegen Ende des Films und nach einem zweiten, stressbedingten Schwächeanfall ist es ein Glas Armagnac, das ihn wieder auf die Beine bringt: «Das ist Leben, das ist Feuer: Davon würde selbst ein Toter wieder zum Leben erwachen!» Die Ernährung wandelt sich somit zur Seelenheilkunde und das Essen wird zum Synonym für die Wiederauferstehung.
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alimentarium.org
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, Francis, played by Michel Serrault, is happy when he is eating and eats because he is happy. By contrast, he is at his lowest when he has lost his appetite. Hence, when Gérard visits Francis in hospital after experiencing fainting attacks and unveils a covered plate of kidneys and a bottle of Bordeaux wine with the words
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www.belgium-architects.com
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Die fein säuberlich in Reih und Glied auf Abstand abgehängten Hölzer und Leuchten, erzeugen eine Art durchlässigen Vorhang. Schon leichte Windstöße lassen die einzelnen Latten
wie durch Zauberhand
sich drehen und der Vorhang beginnt zu flirren und zu tanzen.
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belgium-architects.com
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The simple elements are made out of roof slats and carefully selected commercial neon tubes which are suspended by "invisible" steel wires and are arranged as a square - the new work and lecture room - in the former garage. The neatly lined up in file roof slats and tubes create through equal gaps this kind of translucent curtain. Even a slight wind blows let the individual slats as if by magic, turn and the curtain starts to shimmer and dance. A white carpet supports the interior and defines the adittional areas between walls and curtain. These areas can be used in addition to the square eg for group work as a retreat.
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www.chinese-architects.com
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Die fein säuberlich in Reih und Glied auf Abstand abgehängten Hölzer und Leuchten, erzeugen eine Art durchlässigen Vorhang. Schon leichte Windstöße lassen die einzelnen Latten
wie durch Zauberhand
sich drehen und der Vorhang beginnt zu flirren und zu tanzen.
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chinese-architects.com
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The simple elements are made out of roof slats and carefully selected commercial neon tubes which are suspended by "invisible" steel wires and are arranged as a square - the new work and lecture room - in the former garage. The neatly lined up in file roof slats and tubes create through equal gaps this kind of translucent curtain. Even a slight wind blows let the individual slats as if by magic, turn and the curtain starts to shimmer and dance. A white carpet supports the interior and defines the adittional areas between walls and curtain. These areas can be used in addition to the square eg for group work as a retreat.
agroconf.org
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Die fein säuberlich in Reih und Glied auf Abstand abgehängten Hölzer und Leuchten, erzeugen eine Art durchlässigen Vorhang. Schon leichte Windstöße lassen die einzelnen Latten
wie durch Zauberhand
sich drehen und der Vorhang beginnt zu flirren und zu tanzen.
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world-architects.com
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The simple elements are made out of roof slats and carefully selected commercial neon tubes which are suspended by "invisible" steel wires and are arranged as a square - the new work and lecture room - in the former garage. The neatly lined up in file roof slats and tubes create through equal gaps this kind of translucent curtain. Even a slight wind blows let the individual slats as if by magic, turn and the curtain starts to shimmer and dance. A white carpet supports the interior and defines the adittional areas between walls and curtain. These areas can be used in addition to the square eg for group work as a retreat.
www.db-artmag.com
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Ausgeblichene Hölzer, Trümmer aus Marmor und immer wieder nackter Stahl werden mit der virtuellen Bildsprache des Films kombiniert, so dass sich am Ende
wie durch Zauberhand
die Ruinen der Zivilisation mit moderner Technologie vereinen.
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db-artmag.com
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Despite this, the Italian artist is not concerned with documenting the present, but creating magical panoramas and imaginary districts. A dream world, which Plessi says portrays the visions, fears, and hopes people are subjected to in the big city. To this purpose, he uses elements of an austere nature and the apparently lifeless forms of highly industrialized settings, illuminating them with his precisely calibrated videos. Bleached wood, marble ruins, and again and again naked steel are combined with the virtual pictorial language of film, such that the ruins of civilization ultimately become united with modern technology as though by magic. For this reason, Plessi sees himself as a kind of alchemist, seeking to allow different materials to "live together as communicating pipes." Even where social tension dominates, as in the work Bronx from 1985, the artist is concerned with "anticipating a secret need for beauty and peace."
db-artmag.com
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Ausgeblichene Hölzer, Trümmer aus Marmor und immer wieder nackter Stahl werden mit der virtuellen Bildsprache des Films kombiniert, so dass sich am Ende
wie durch Zauberhand
die Ruinen der Zivilisation mit moderner Technologie vereinen.
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db-artmag.com
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Despite this, the Italian artist is not concerned with documenting the present, but creating magical panoramas and imaginary districts. A dream world, which Plessi says portrays the visions, fears, and hopes people are subjected to in the big city. To this purpose, he uses elements of an austere nature and the apparently lifeless forms of highly industrialized settings, illuminating them with his precisely calibrated videos. Bleached wood, marble ruins, and again and again naked steel are combined with the virtual pictorial language of film, such that the ruins of civilization ultimately become united with modern technology as though by magic. For this reason, Plessi sees himself as a kind of alchemist, seeking to allow different materials to "live together as communicating pipes." Even where social tension dominates, as in the work Bronx from 1985, the artist is concerned with "anticipating a secret need for beauty and peace."
www.db-artmag.de
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Ausgeblichene Hölzer, Trümmer aus Marmor und immer wieder nackter Stahl werden mit der virtuellen Bildsprache des Films kombiniert, so dass sich am Ende
wie durch Zauberhand
die Ruinen der Zivilisation mit moderner Technologie vereinen.
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db-artmag.de
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Despite this, the Italian artist is not concerned with documenting the present, but creating magical panoramas and imaginary districts. A dream world, which Plessi says portrays the visions, fears, and hopes people are subjected to in the big city. To this purpose, he uses elements of an austere nature and the apparently lifeless forms of highly industrialized settings, illuminating them with his precisely calibrated videos. Bleached wood, marble ruins, and again and again naked steel are combined with the virtual pictorial language of film, such that the ruins of civilization ultimately become united with modern technology as though by magic. For this reason, Plessi sees himself as a kind of alchemist, seeking to allow different materials to "live together as communicating pipes." Even where social tension dominates, as in the work Bronx from 1985, the artist is concerned with "anticipating a secret need for beauty and peace."
www.qcplannedgiving.ca
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Man weiß nicht, ob es sich um Relikte längst vergangener Epochen oder um eine heutige Versuchsanordnung handelt. Wie dem auch sei, es scheint, als ob diese Zentrifuge jederzeit
wie durch Zauberhand
zum Leben erweckt werden könnte.
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dbartmag.de
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Her sculpture TURBA TURBO, created for the Views Award exhibition, hangs from the ceiling on a network of barely visible wires, floating just above the floor. Its major part resembles a skeleton or a scaffolding in the shape of a pipe. Repetitive metal circles are connected by geometrical shelves. The tubular structure forms a complicated display mechanism, an alchemist's laboratory, or even a kind of organism. What at first seems quite sturdy reveals its fragile nature when examined more closely. The structure is inhabited by a group of small sculptural objects and micro-installations composed of pigments, rocks, and specimens. Titanium white, hemp fiber, resin, asphalt, plant glue, cement, ash. One doesn't know if these forms were abandoned a long time ago, or if it's a newly set up experiment. It seems, however, that somebody could easily breathe life into it. Hovering above TURBA TURBO is Arena, a black rope of hemp fiber and rubber that creates a closed circuit, like an afterimage: a large question mark or Moebius strip. The spirit.
db-artmag.de
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Ausgeblichene Hölzer, Trümmer aus Marmor und immer wieder nackter Stahl werden mit der virtuellen Bildsprache des Films kombiniert, so dass sich am Ende
wie durch Zauberhand
die Ruinen der Zivilisation mit moderner Technologie vereinen.
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db-artmag.de
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Despite this, the Italian artist is not concerned with documenting the present, but creating magical panoramas and imaginary districts. A dream world, which Plessi says portrays the visions, fears, and hopes people are subjected to in the big city. To this purpose, he uses elements of an austere nature and the apparently lifeless forms of highly industrialized settings, illuminating them with his precisely calibrated videos. Bleached wood, marble ruins, and again and again naked steel are combined with the virtual pictorial language of film, such that the ruins of civilization ultimately become united with modern technology as though by magic. For this reason, Plessi sees himself as a kind of alchemist, seeking to allow different materials to "live together as communicating pipes." Even where social tension dominates, as in the work Bronx from 1985, the artist is concerned with "anticipating a secret need for beauty and peace."
www.spanish-architects.com
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Die fortwährende Verwandlung des Vorhangs am Tag durch Sonne und Wolken wird bei einsetzender Dämmerung durch gesteuerte Beleuchtungskörper übernommen. Ein ruhiger Auftakt ausgelöst,
wie durch Zauberhand
startet ein farbliches Zusammenspiel mit den Farbtönen des Himmels.
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spanish-architects.com
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This sophisticated and fantastic veil has been completed in 2008 for the Swarovski works in Wattens, Austria. The Veil transforms the Swarovskistraße in a bright boulevard of constant magical change. The new pathway marked by the billowing veiled curtain becomes a new place of poetic play; of light and shade; of an iridescent dalliance of colors and of amazingly magical moments of expression and transformation. During the day, rays of sun and passing clouds toy with the new space, creating a continual metamorphosis. Depending on how the sunlight meets the curtain and on the visual angle, the curtain emerges either as a dazzling, sparkling veil or vanishes completely from the eye. The incessant transformation of the curtain at daytime triggered by the sun and the clouds is emulated at nightfall by luminaria. A peaceful start, as if by magic, triggers an interaction of color with the hues of the sky. The intensity of the light adapts to the surrounding brightness; not glaring or vying for effects, but of a harmonizing and soothing quality. The lighting dims. We gently draw the curtain. The silent movie starts and follows a virtual script composed of an overture, calming shades, quick and quiet rhythms. The veiled curtain forms the groundwork of the installation. The soft change of color and lighting makes the curtain radiate like a crystal, with an opulence of hues ranging from mythical blue to a clear, bright white. Like all other design elements, the light conveys an activating seeing. Like creatures of the light and natural phenomena, the statures rejoice in merry games. The veil is made of a corrosion- and weather-resistant stainless steel mesh. It gives rise to a varied play of light and embodies a never-before seen materialness, held in place by a 10-meter high steel stringer. A group of illuminated pads creates a seating arrangement and doubles as the boundary to what lies beyond… During the day, rays of sun and traveling clouds revel in this space, triggering a constant change. When night falls, a spectacle takes place that lives in harmony with the hues of the sky. This setting forms the groundwork for a permanent and enchanting transformation.
www.austria-architects.com
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Die fortwährende Verwandlung des Vorhangs am Tag durch Sonne und Wolken wird bei einsetzender Dämmerung durch gesteuerte Beleuchtungskörper übernommen. Ein ruhiger Auftakt ausgelöst,
wie durch Zauberhand
startet ein farbliches Zusammenspiel mit den Farbtönen des Himmels.
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austria-architects.com
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This sophisticated and fantastic veil has been completed in 2008 for the Swarovski works in Wattens, Austria. The Veil transforms the Swarovskistraße in a bright boulevard of constant magical change. The new pathway marked by the billowing veiled curtain becomes a new place of poetic play; of light and shade; of an iridescent dalliance of colors and of amazingly magical moments of expression and transformation. During the day, rays of sun and passing clouds toy with the new space, creating a continual metamorphosis. Depending on how the sunlight meets the curtain and on the visual angle, the curtain emerges either as a dazzling, sparkling veil or vanishes completely from the eye. The incessant transformation of the curtain at daytime triggered by the sun and the clouds is emulated at nightfall by luminaria. A peaceful start, as if by magic, triggers an interaction of color with the hues of the sky. The intensity of the light adapts to the surrounding brightness; not glaring or vying for effects, but of a harmonizing and soothing quality. The lighting dims. We gently draw the curtain. The silent movie starts and follows a virtual script composed of an overture, calming shades, quick and quiet rhythms. The veiled curtain forms the groundwork of the installation. The soft change of color and lighting makes the curtain radiate like a crystal, with an opulence of hues ranging from mythical blue to a clear, bright white. Like all other design elements, the light conveys an activating seeing. Like creatures of the light and natural phenomena, the statures rejoice in merry games. The veil is made of a corrosion- and weather-resistant stainless steel mesh. It gives rise to a varied play of light and embodies a never-before seen materialness, held in place by a 10-meter high steel stringer. A group of illuminated pads creates a seating arrangement and doubles as the boundary to what lies beyond… During the day, rays of sun and traveling clouds revel in this space, triggering a constant change. When night falls, a spectacle takes place that lives in harmony with the hues of the sky. This setting forms the groundwork for a permanent and enchanting transformation.