canadh – English Translation – Keybot Dictionary

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canadh nó seinm in éineacht leis an gceol.
singing or playing along with the music.
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Amhráin a Canadh sa Cheantar - An Brianach Tréan Tras-scríofa
Amhráin a Canadh sa Cheantar - An Brianach Tréan Transcribed
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Amhránaithe cáiliúla as trí Ghaeltacht ag canadh amhráin don Nollaig. Is féidir na hamhráin a chloisteáil agus na focail a léamh ar scáileán ríomhaire . Tá ceachtanna samplacha san áireamh do mhúinteoirí ar na dioscaí seo.
Well-known singers from three Gaeltachts sing traditional Christmas songs on this CD + CD Rom double album. The option is available to hear the songs as they are sung while reading the lyrics on-screen. This product also includes simple lesson suggestions for teachers wishing to include a Christmas...
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Rinn e dealbh den Bhàrd òg mar seo: ‘Ann an cuideachd bhiodh e na shuidhe sàmhach, a’ bruadar mu rud air choireigin (cha robh ùidh aige ann an còmhradh gun seadh), gus an canadh cuideigin facal no dha mu cuspair a ghlacadh aire.
Sorley MacLean and J. B. Caird met in Edinburgh while the former was taking teacher training at Moray House, and Caird was a second year undergraduate in the University of Edinburgh. J. B.Caird’s close friend, the young philosophy student George Davie, introduced the two men. The most detailed account of their friendship is given in [J. B.] Caird’s essay ‘Sorley MacLean: a Personal View’ (Sorley MacLean. Critical Essays). When Caird first met Sorley MacLean, he recalled that, along with his scholarly bent, he thought that he was a perfervid Gael and a man of strong socialist convictions. He felt that he was a man of absolute integrity and intellectual honesty, but, at the same time, he had too trusting and generous a nature. Caird described the young poet in these terms: ‘In company he sat in silence, brooding over something or other (he had little gift for small talk), until a chance remark on a subject that touched him would arouse his interest. He would rise to his fee, his eyes would flash, and a torrent of rhythmically cadenced, magnificent language would pour forth: a kind of vatic fury would possess him’. Writing of the complementary influences of J B Caird and George Davie, Sorley MacLean said of Caird: ‘Caird was, I think, outstanding, as I said, in his combination of literature and what I would call sensibility’. Their literary discussions ranged over Greek, Latin, French, English and Scottish poetry, and on the work of poets such as Yeats, Eliot, Valéry, Pound, Lawrence, MacDiarmid, and the emerging MacSpaunday group (Auden, MacNeice, Spender and Day Lewis, so termed by their critics), but, in Caird’s words, ‘We nearly always came back to MacDiarmid and Yeats, to whose work we were passionately devoted’.