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  Abstract Cordula Bachmann  
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Die wichtigste Quelle hierfür sind die Eikones („Bilder“) des Philostrat. Hier imaginiert der auf Griechisch schreibende Autor, ein Kunstkritiker des 3. Jh. n. Chr. , 65 Tafelbilder von der Art, wie sie seinen Zeitgenossen zugänglich gewesen sein dürften, um kunsttheoretische Themen zu erörtern.
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The most important evidence on this matter comes from the Eikones (“paintings”) by Philostratus the Elder. Here, the Greek author, an art critic of the 3rd cent. AD, imagines 65 panel paintings which look like specimens of painting his contemporaries could have seen. Using these fictional paintings as his examples, he discusses theoretical questions of art, paying a lot of attention to the question of how time can be implemented and recognized in a painting. Being one of the most famous rhetoricians of his time, he presents his thoughts on this issue in an engaging way. For what distinguishes the Eikones from both ancient and modern treatises on art is the way in which they communicate with the reader: Philostratus interacts with his audience not from the position of the teacher of art, but from the perspective of the co-viewer, albeit a highly educated one. He does not patronize his audience by telling them what they should see on the painting, but illustrates what one does actually see and how this is to be interpreted.
  Abstract Cordula Bachmann  
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Ihre Dissertation schloss sie 2013 an der Ludwig-Maximilians-Universität München ab, wo sie von 2008 bis 2014 als wissenschaftliche Mitarbeiterin tätig war. In ihrer Arbeit untersucht sie die Eikones des Älteren Philostrat (3. Jh. n. Chr.) vor allem darauf, wie die antike Ästhetik der Malerei und Rhetorik in einem zeitgenössischen Text umgesetzt wird.
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Cordula Bachmann, PhD, studied Greek and Latin philology, ancient history, archaeology, and ancient philosophy (classics) at the University of Oxford (2004–2008). In 2013, she successfully defended her dissertation at Ludwig-Maximilians-Universität München where she worked as a scientific assistant (2008–2014). In her dissertation on the Eikones by Philostratus the Elder (3rd cent. AD), she examines the way in which ancient imperial aesthetics of painting and rhetoric are being employed and discussed in a contemporary text. In 2013, she joined the academic advisory council of the exhibition Bauen und Zeigen at Staatliche Kunsthalle Karlsruhe where frescoes inspired by the Eikones are on display. Since September 2014, she has been a scientific assistant at Erfurt University while working on her second book concerned with historical issues in the mimiambi of the Hellenistic poet Herodas.