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  Riedl TV | Filmschule  
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Lothar Riedl hat die WIFI-Filmakademie in Salzburg aufgebaut und den Master-Lehrgang Film, TV and Media an der FH St. Pölten initiiert sowie Projekte mit den Studierenden der Fachakademie Medieninformatik und der Meisterklasse Fotografie umgesetzt.
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Lothar Riedl has established WIFI Salzburg Film Academy and has initiated the Master Course of Studies Film, TV and Media at St. Pölten University of Applied Sciences. He has created media projects with students of Fachakademie Medieninformatik and Masterclass Photography umgesetzt. Find here a couple of examples:
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Lothar Riedl ha fondato l' Accademia di Film WIFI a Salisburgo e il Master in Film, TV e Media all' Università di Scienze Applicate St. Pölten, oltre ad aver supervisionato progetti con gli studenti dell' Academia di Media Informatici e del Masterclass Fotografia. Qui sotto alcuni esempi:
  Riedl TV | wissenschaft...  
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Gibt es Verfahren und Regeln für den Trailerschnitt? Welche Kompressionsalgorithmen sind die geeignetsten? Wie muss Musik für Dokumentarfilme beschaffen sein? Lothar Riedl betreut wissenschaftliche Arbeiten an der FH Salzburg und FH St. Pölten.
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At which distance do you have to place objects in 3D-films? Are there procedures and rules for editing trailers? Which compression algorithms are suited best? How should music for documentary films be composed? Lothar Riedl supervises diploma and master theses at the University of Applied Sciences Salzburg and at St. Pölten University of Applied Sciences.
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A che distanza si devono posizionare gli oggetti nei film in 3D? Ci sono delle procedure o regole per l' editing dei trailer? Quali algoritmi di compressione sono più adatti? Come dovrebbe essere composta la musica per i documentari? Lothar Riedl supervisiona i progetti di ricerca all' Università di Science Appllicate di Salisburgo e all' Università di Science Appllicate di St. Pölten.
  Riedl TV | wissenschaft...  
Show textShow cached sourceOpen source URL
Gibt es Verfahren und Regeln für den Trailerschnitt? Welche Kompressionsalgorithmen sind die geeignetsten? Wie muss Musik für Dokumentarfilme beschaffen sein? Lothar Riedl betreut wissenschaftliche Arbeiten an der FH Salzburg und FH St. Pölten.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine riedl.tv as primary domain
At which distance do you have to place objects in 3D-films? Are there procedures and rules for editing trailers? Which compression algorithms are suited best? How should music for documentary films be composed? Lothar Riedl supervises diploma and master theses at the University of Applied Sciences Salzburg and at St. Pölten University of Applied Sciences.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine riedl.tv as primary domain
A che distanza si devono posizionare gli oggetti nei film in 3D? Ci sono delle procedure o regole per l' editing dei trailer? Quali algoritmi di compressione sono più adatti? Come dovrebbe essere composta la musica per i documentari? Lothar Riedl supervisiona i progetti di ricerca all' Università di Science Appllicate di Salisburgo e all' Università di Science Appllicate di St. Pölten.