zumthor – English Translation – Keybot Dictionary

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Atmosphères, de Peter Zumthor.
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Atmospheres, by Peter Zumthor.
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Peter Zumthor dans un certain registre et Franck Gehry dans une toute autre veine, sans oublier dans le passé Claude Nicolas Ledoux et plus loin Jules Hardouin Mansart, tout ce choix éclectique qui représente mes attirances pour des univers très variés, mais des univers forts…
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Peter Zumthor for certain types of projects and Franck Gehry for other totally different ones, without forgetting Claude Nicolas Ledoux if we go back in the past and, long before that, Jules Hardouin Mansart. They form an eclectic group and they’re a good reflection of my attraction for widely varying worlds. Yet they’re all major names.
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Pour citer quelques uns je dirai Frank Lloyd Wright, mais aussi Tadao Ando et Zumthor, ainsi que Shigeru Ban par son discret et, en même temps, impactant travail et la façon dont il utilise des matériaux comme le béton ou le bois.
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There is a number of architects whose work I admire for various reasons. One of the elements of our mission is that we are dedicated to exceed expectations and strive to excite and inspire, beyond imagination. This essential part of our design philosophy is what drives us. In history and also today, there are other designers and architects who work from a humane perspective. Frank Lloyd Wright, but also Tadao Ando and Zumthor, Shigeru Ban for their subdued, but impactful work and their use of materials like concrete and wood. And your own Ricardo Bofill.  From the very first start of his career he was genuinely interested in the world around him, in how a society works and evolves as a living organism. It all has to do with wanting to make works of worth. This deeper thought and layer in people’s work adds depth and quality.
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C’est un essai très intéressant sur les aspects humains de l’architecture, ce qu’on appelle aujourd’hui l’architecture expérientielle. Il a donné une conférence à ce sujet l’année dernière en Hollande avec Peter Zumthor.
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The Eyes of the Skin by Juhani Pallasmaa. An interesting essay on the human aspects of architecture, nowadays referred to as experience architecture. He lectured on this issue last year in The Netherlands with Peter Zumthor. Basically, what this means, is that architecture is meant for humans. This sounds as an open door. But the thought behind it is, that human beings are sensory beings and architecture, or for that matter all disciplines designing spaces, need to be aware of the needs of humans. Our senses need to be stimulated. The touch and texture of natural materials, perhaps their smell, visual stimuli….they all need to be carefully considered and incorporated in projects. Somewhere Pallasmaa talks about the door handle as the hand shake of a building. That is so true. We often overlook these simple things, but it is our first encounter with a building. What is the first impression we want our users to have?