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So hatte zum Beispiel Audrey Flack in den frühen Sechzigern begonnen, mit fotografischen Abbildungen als Vorlagen für ihre Gemälde zu arbeiten, unter anderem, weil sie sich nicht auf die traditionellen Definitionen der Zeichnung festlegen wollte und die mechanische Übertragung unter Zuhilfenahme eines Rasters als Erweiterung des Mediums verstand.
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The first of Meisel's five principles asserted that the Photorealist uses the camera to gather information, replacing the imagination, drawings, and studies. Quite simply, the Photorealist work cannot exist without the photograph. For example, in the early 1960s Audrey Flack adopted photographic images as sources for her paintings in part out of an unwillingness to define what constituted a drawing.
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Außerdem war es die erste Arbeit, in der Sachs die Verbindung zwischen Populärkultur und Nazismus untersucht; er war nämlich auf ein paar interessante geschichtliche Zusammenhänge gestoßen. So hatte er entdeckt, dass die Luger-Waffenfabrik im Besitz einer von den Nazis arisierten jüdischen Familie gewesen war.
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Kleeblatt: Quite some time before I began working on Mirroring Evil. The Sachs works were remarkably powerful, moving works that made one sort of renegotiate one's own connection, one's own closeness to the symbols of Nazism. And that was the earliest work in which he began exploring the connection of popular culture to Nazism after having discovered some historical connections concerning the Luger, which had been owned by a Jewish family that was subsequently Aryanized by the Nazis.
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Das war für mich interessant, man konnte mit elektronischen Medien Musik machen, die dazugehörigen Sampler und Computer waren auch in einer Preislage, die man sich leisten konnte. Was meine Tätigkeit als DJ angeht, so hatte ich mich schon länger mit HipHop beschäftigt, und so empfand ich Plattenauflegen als das adäquate Medium.
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Yeah, sure. That was the late eighties, when I got to know House Music at exhibitions in New York. It was interesting to me that you could make music using electronic media, and the samplers and computers you needed to do that were in an affordable price range. In terms of my activities as a deejay, I had been involved with Hip Hop for some time, and so playing records seemed like an adequate medium. It was fun, that’s all, but I didn’t seek to combine this interest with my artistic agenda – everything had a momentum of its own, and I was part of the first clubs in Vienna from early on. There were offers, I performed here and there, but it remained limited to a certain degree.
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Dies hatte maßgebliche Auswirkungen auf die Rezeption seines Werkes: So hatte man hier aufgrund des "Eisernen Vorhangs" bis etwa 1980 keine Kenntnis über die weitere Entwicklung des Künstlers, da die Amsterdamer Bilder ja alle vor 1927 gefertigt wurden.
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Malevich's return to Russia interrupted his contact to the West. This had a considerable effect on the reception of his work: hidden as he was behind the "Iron Curtain," we only began finding out about the artist's further development after around 1980; the Amsterdam paintings, of course, had all been made before 1927. For the Berlin exhibition, however, Malevich had already carefully brought the paintings into a new chronological sequence that did not entirely correspond to the actual dates of creation. According to this version - which also corresponds to a general Western belief in the artist's noble development - the impressionist and cubist phases necessarily had to lead directly to the climax of his creative work: abstract Suprematism.