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Keybot 3 Résultats  db-artmag.com  Page 9
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Bei Werken, an die man nur schwer herankommt, wird es immer ziemlich spannend. Francis Alys ist dafür ein gutes Beispiel. Jemand, der jung ist und dessen Arbeiten sehr begehrt sind – wie Wilhelm Sasnal.
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Things that are hard to get are pretty exciting. Francis Alys is a good example. Somebody who is young and for whom there is a lot of demand – like Wilhelm Sasnal.
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Diese wurde zwar über einen längeren Zeitraum entwickelt und ist viel größer als das Studio, aber in ihr gibt es ebenfalls einen großen blinden Punkt - nur dass er nicht so schön und rund ist wie der vorherige. Und so wird es immer sein.
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Well, I've already said that there is no hierarchy to reality. Truman will leave the studio and experience the same story yet again. He'll come to the realization that it's all a construction out there, too – that it's just another dome. As long as he remains inside the studio, the outside is his blind spot, as it were. The moment he steps outside, he perceives it. But he'll soon discover that the social structure of the outside world is subjected to a system of values that are neither natural nor created by God. It's a matter of a cultural construction. This might have been developed over a long period of time, and it might be a lot bigger than the studio, but it also contains a huge blind spot – only it's not as nice and round as the one before. And that's how it will always be. Redemption, in the sense that modernism formulated it, does not exist. At the very most, we can find it within ourselves.
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Weil alles virtueller wird, brauchen die Menschen zugleich verstärkt physische Begegnungen und deshalb wird es immer wichtiger, Leute tatsächlich zu treffen – und sei es nur, indem man sich auf der Messe zufällig über den Weg läuft.
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What I hear from the galleries is that they're hiring again. Very little art was sold between late 2008 and early 2009, so everyone panicked. However, very few galleries closed - it hasn't been the bloodbath that was expected. My impression is that things are not back to where they were in 2006-07, when everything was massively overheated, but most people can continue reasonably happily. The basic model of artists needing commercial galleries to help them sell art has been around for over 100 years, and I don't think it's going to change. Fairs have taken on more prominence in the last 10 years or so and I don't see that changing either, because the art world has globalized to such an extent that you can't be everywhere and see everything. Also, as things get more virtual, people need more physical experiences as well, and so meeting or bumping into people gets more and more important too.