maz – -Translation – Keybot Dictionary

Spacer TTN Translation Network TTN TTN Login Deutsch Français Spacer Help
Source Languages Target Languages
Keybot 20 Results  artifactproductions.ca
  Leonīds Āriņš. Glezniec...  
Show textShow cached sourceOpen source URL
Leonīds Āriņš ir savrupa personība latviešu mākslā, dzīvojis un strādājis Tukumā. Māksla — tas ir dzīvesveids, forma, kādā viņš ir izteicis sevi, laika un dzīves ritmu, darba, mīlestības un sapņu mūžīgumu, mirkļa noskaņu un savu attieksmi pret lielām un mazām lietām.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine neputns.lv as primary domain
Leonīds Āriņš was a painter, a draughtsman, founder of a museum and expander of its collections; teacher, observer and assessor. No single-word description will do.
  Vija Zariņa — Neputns  
Show textShow cached sourceOpen source URL
Mākslā man patīk just pārlaicīgumu. Nevis vecmodīgumu. Un māksliniekam jābūt kā antenai. Kā uztvērējam. Man liekas, ka vizuālajai mākslai ar pliku stāstu ir par maz. Ir jābūt noslēpumam.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine neputns.lv as primary domain
I like art which transcends time. Not old-fashioned art. And the artist must be like an antenna. A receiver. I think that visual art needs more than just having a story. There needs to be a secret, too.
  Mihails Eizenšteins. Tē...  
Show textShow cached sourceOpen source URL
pirmā gadu desmita ēkās, kas savulaik pilnībā pārveidoja pilsētvidi. Šī grāmata iepazīstina ar pasaulslavenā kinorežisora Sergeja Eizenšteina tēva, Rīgas kontekstā ne mazāk slavenā būvinženiera-arhitekta Mihaila Eizenšteina dzīvi un Rīgā uzceltajām ēkām.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine neputns.lv as primary domain
In Riga, Art Nouveau gained its most important expression through architecture – the buildings of the late 1890s and 1900’s changed the face of the city. This book introduces the life of the father of world-famous film director Sergej Eisenstein, who was equally well known in the context of Riga – the building engineer and architect Mikhail Eisenstein – and describes the houses he built in Riga.
  Pēteris Krastiņš — Nepu...  
Show textShow cached sourceOpen source URL
Krastiņa mazās krāsu studijas atstāj pavisam savādu iespaidu. Tie ir gandrīz kolorēti zīmējumi; bet tomēr liekas, ka zīmējums ir tikai tamdēļ, lai lielo krāsu simfoniju daudzmaz valdītu. Viņš izvēlas šaurus motīvus, kuri tomēr, stipras dekoratīvas sajūtas vadīti, dziļāk ieskatoties, izveidojas par lielu plašumu.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine neputns.lv as primary domain
Krastiņš’ little colour studies give a truly peculiar impression. They look very much like coloured drawings, yet it seems that the drawing has no other use as to conduct the grand symphony of colour. He selects narrow motifs which create, upon closer examination, an illusion of spaciousness, evoked by a strong decorative sensibility. And every fragment is brimming with life and vitality, even though the whole is veiled in a deep melancholy.
  Sakrālās arhitektūras u...  
Show textShow cached sourceOpen source URL
Grāmata tapusi, balstoties uz plašākai sabiedrībai mazāk pazīstamu arhīva materiālu, kas apkopo pieminekļu aizsardzības dienestu pieredzi Latvijā kopš 20. gadsimta 20. gadiem un glabājas Valsts kultūras pieminekļu aizsardzības inspekcijas Pieminekļu dokumentācijas centrā.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine neputns.lv as primary domain
Just like other parts of Latgale, Krāslava County has had religious sites of all the traditional denominations of Latvia: both Christian (Catholic, Lutheran, Orthodox and Old Believer) and Jewish. In accordance with the approach taken in this series of books, the emphasis in this volume, as in previous ones, is on the appearance of the churches, noting their architectural and artistic qualities.
  Sakrālās arhitektūras u...  
Show textShow cached sourceOpen source URL
Grāmata balstīta uz plašākai sabiedrībai mazāk pazīstamu materiālu, kas glabājas Valsts Kultūras pieminekļu aizsardzības inspekcijas Pieminekļu dokumentācijas centrā un ietver arī pirmskara pētnieku savāktā Pieminekļu valdes arhīva dokumentus.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine neputns.lv as primary domain
Content of the book is based on materials, less known to wider society, from the Monuments Documentation Centre of the State Inspection for Heritage Protection and includes documents form the Archives of the Monument Board collected before the Second World War as well as information from other document repositories and publications of academic research. In order to verify the information and reflect the present situation the authors have  visited all religious buildings included in the book and have made their photo documentation. The book is supplemented by a glossary of terms and text summaries in Russian and English.
  Laris Strunke — Neputns  
Show textShow cached sourceOpen source URL
Mana ideja ir glezniecība. Mans mērķis – vienkāršiem līdzekļiem radīt kustību un telpu un, cik maz līdzekļiem vien iespējams, panākt telpas izjūtu. Es esmu vienkāršojis formas – labi, ka skatītājam ir dažādas iespējas sava viedokļa veidošanā.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine neputns.lv as primary domain
An absorbing monograph by art researcher Gundega Cēbere, telling about the life and work of an artist who belongs in equal measure to Latvian and Swedish culture, a fellow of the Royal Swedish Academy of Art, who has been awarded the Egron Lundgren and Prince Eugen Medals, as well as the Order of the Three Stars of the Republic of Latvia – painter Laris Strunke.
  Alvis Hermanis (angļu v...  
Show textShow cached sourceOpen source URL
Katra opera, katra luga, katrs dzejolis jau pastāv kā pasaules modelis miniatūrā. Kā teic latvieši: saule rasas pilienā. Šis mazītiņais rasas piliens ar savu sfēriskumu atspoguļo, reflektē visu kosmosu. Līdzīgi es skatos uz katru teātra valodā izstāstīto stāstu.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine neputns.lv as primary domain
My greatest conviction is that every story is in its own way a model of the world per se. Every opera, every play, every poem exists as a model of the world in miniature. Latvians have a saying: the sun in a drop of dew. This tiny dewdrop with its spherical shape reflects the entire cosmos. I regard each story told in the language of the theatre in a similar way. Each individual work is embedded in a certain anthropological context, with all the consequences that follow from that, also at the aesthetic level, as regards style, the visualisation. Because for me visualisation is always the beginning of the beginning. Until I begin to see pictures of how the production could look, the process simply cannot take place.