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Keybot 268 Results  agropolisfondation.optimytool.com  Page 7
  Cyngor Celfyddydau Cymr...  
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Nid dim ond yn y DG y gwelwyd gwaith Earthfall; roedd yna gamau cyffrous hefyd yn y berthynas barhaus â Theatr Chorea. Cafodd y perfformiad cyntaf o After the Birds, o flaen aelodau o Senedd yr UE yn Ludz ei gynnal ar yr un noson ag agoriad At Swim Two Boys yn Aberhonddu.
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However, it is not just the UK in which Earthfall’s work has been seen, the ongoing relationship with Teatr Chorea took another exciting step forward; first performing After the Birds, to members of the EU Parliament, in Ludz on the same night that At Swim Two Boys opened in Brecon. The show then went on to do two Christmas performances at the renowned Meyerhold Centre, an infamous venue for physical theatre. Lara Ward, one of Earthfall’s company members also choreographed a choral piece with Chorea's 2011 Oratorium Dance Project.
  Cyngor Celfyddydau Cymr...  
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"Mae yna gysylltiad ers tro byd rhwng y celfyddydau a’r dyfrffyrdd. Mae gan gelf yn ei holl ffurfiau y gallu gwych i synnu, i godi’r galon, i herio ac i ymchwilio. Bydd y bartneriaeth yma yn annog pobl i ymweld â’r dyfrffyrdd a’u cefnogi a gobeithio y bydd y fenter yn rhoi gwên ar wyneb pobl gan beri iddyn nhw gymryd munud i sefyll ac ystyried y camlesi gwych sydd ar garreg y drws. Mae Cadw, sef fy ngwasanaeth amgylchedd hanesyddol i, wedi gweithio’n galed gyda Chyngor Celfyddydau Cymru i hybu’r amgylchedd hanesyddol drwy gyfrwng y celfyddydau."
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"There is a longstanding link between arts and the waterways. Art in all its forms has a fantastic capacity to surprise, delight, challenge and explore. This partnership will encourage people to visit and support the waterways and we hope that this initiative will make people smile and take a moment to stop and think about the wonderful canals that are on their doorsteps. Cadw, my historic environment service, has worked hard with the Arts Council of Wales to promote the historic environment through the arts"
  Cyngor Celfyddydau Cymr...  
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Dangosodd arolwg o werthwyr Etsy yn 2014 bod yna rwydwaith o entrepreneuriaid sy'n gwerthfawrogi annibyniaeth, creadigrwydd a hyblygrwydd yn eu bywyd gwaith - sydd wedi eu hysbrydoli gan ddymuniad i fod yn greadigol ac i fanteisio i'r eithaf ar syniad da, a hynny gan ddefnyddio sgiliau cydweithredu i fwydo arloesedd mewn cymuned gefnogol ar-lein.
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A 2014 survey of Etsy sellers from the UK reveals a network of entrepreneurs who value autonomy, creativity and flexibility in their working lives - motivated by the desire to be creative and to make the most of a good idea, using collaborative skills to drive innovation in a supportive online community. Etsy is consistently working to support these local makers and designers across the UK and Ireland and the Etsy Awards are just one way to recognise this incredible local community.
  Cyngor Celfyddydau Cymr...  
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Daw dyn sioe tlawd i'r dref â'i syrcas sy'n colli staff o hyd. Ond yna cyrraedd dieithryn ar yr un pryd ag y caiff y dofwr llewod ddamwain. Caiff ei berswadio i ymgymryd â'r swydd gyda chanlyniadau doniol o drwsgl.
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The show is a melodrama full of action, excitement and laughs inspired by the comedy genius of Charlie Chaplin, Buster Keaton and other stars of the golden age of the silver screen. It tells the story of a down-at-heel showman who is rapidly running out of acts for his travelling circus when a stranger arrives in town at the same time that the lion tamer has an unfortunate accident, the newcomer is 'volunteered' for the job with catastrophic and hilarious results. The multi-talented performers combine circus skills, slapstick comedy and an original musical score to create an incredible black and white show which encourages audiences of all ages to join in, booing the baddie and cheering the goody.
  Cyngor Celfyddydau Cymr...  
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Wedi hynny bu’n gweithio i Newyddion 7 a Hel Straeon cyn sefydlu ei gwmni cynhyrchu ei hun. Roedd yn un o sylfaenwyr Cwmni Da, ac yna’n brif weithredwr cwmni adnoddau Barcud yng Nghaernarfon. Bu’n Gyfarwyddwr Cyfathrebu gyda Chomisiynydd y Gymraeg, gan ymuno ag S4C fel Cyfarwyddwr Cyfathrebu yn 2015.
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Gwyn Williams is S4C’s Director of Communications. After working at Nant Gwrtheyrn Language Centre for a year, Gwyn started his career in the media by working for BBC Radio Cymru in Bangor. Later, he worked on the programmes Newyddion 7 and Hel Straeon before starting his own company. He was one of the founder members of Cwmni Da, and later the chief executive of Barcud, the resources company based at Caernarfon. He has been a Communications Director with the Welsh Language Commissioner, and joined S4C as Communications Director in 2015.
  Cyngor Celfyddydau Cymr...  
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Mae’r Stiwdio Actorion Ifanc yn cynnig sesiynau ‘blasu’ am ddim ar Ddydd Mercher 26 a Dydd Iau 27 wythnos hanner tymor. Yna cynigir y cyfle i’r myfyrwyr gael clyweliad ar gyfer y Cwrs Actio ym mis Mawrth neu i fynychu Gweithdy Theatr sy’n agored i bawb.
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Young Actors Studio is offering free ‘taster’ sessions on Wednesday 26th and Thursday 27th of half term week. Students will then be offered the opportunity to audition for the Acting Course in March or to attend open-entry Theatre Workshops. Auditions are on Saturday 8 March at Pembrokeshire College. Students will take part in a group workshop and perform a prepared audition piece for lecturers from Royal Welsh College.
  Cyngor Celfyddydau Cymr...  
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Agorodd y cynhyrchiad yn Òran Mór, Glasgow ddydd Llun 9 Tachwedd, yna aeth ymlaen i Theatr y Tobacco Factory ym Mryste, cyn dychwelyd i Theatr y Sherman, Caerdydd o ddydd Mawrth 24ain – dydd Sadwrn 28 Tachwedd.
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The production opened at Òran Mór, Glasgow on Monday 9 November, then heads to Bristol’s Tobacco Factory Theatre, before returning to the Sherman Theatre, Cardiff from Tuesday 24th – Saturday 28 November. The earlier start time of 6.30pm allows audiences to come straight from work to enjoy a pint and a pie, made by Foxy’s Kitchen, before the performance. Book tickets by visiting shermancymru.co.uk or calling our ticket office on 029 2064 6900.
  Cyngor Celfyddydau Cymr...  
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Mae’r tymor yn cychwyn â Dathlu’r Nadolig, cyngerdd tymhorol poblogaidd i’r teulu i gyd, ac ynddo amrywiaeth o gerddoriaeth gan gynnwys pigion o Llyn yr Elyrch Tchaikovsky, cerddoriaeth gan John Rutter, a’r Sleigh Ride gyffrous gan Leroy Anderson. Mae yna gyfle hefyd i’r i’r teulu i gyd forio canu’r carolau a’r caneuon Nadolig, dan arweiniad yr arweinydd Grant Llewellyn.
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The season starts with Christmas Celebrations, a popular festive concert for all the family, with a variety of music including excerpts from Tchaikovsky’s Swan Lake, music by John Rutter, and the exciting Sleigh Ride by Leroy Anderson. There’s also a chance for all the family to join in with festive carols and songs, led by conductor Grant Llewellyn.
  Cyngor Celfyddydau Cymr...  
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Daeth dros 60 o gantorion ifanc rhwng 10 a 18 oed o Opera Ieuenctid WNO hefyd i groesawu Ei Uchelder Brenhinol gan ganu "I shall not live in vain" a chafodd y cantorion ifanc yna aros i fwynhau’r perfformiad.
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On arrival, His Royal Highness was met by Her Majesty’s Lord-Lieutenant of South Glamorgan, Mrs Morfudd Meredith, and hosts including WNO Honorary President Mathew Prichard, WNO Artistic Director David Pountney and WNO Managing Director Leonora Thomson. Over 60 young singers aged 10 to 18 from WNO Youth Opera greeted His Royal Highness’s arrival singing "I shall not live in vain" and were then able to stay and enjoy the opera performance.
  Cyngor Celfyddydau Cymr...  
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"Rwy’n teimlo’n ffodus dros ben i gael gweithio gyda cherddor mor ddawnus a theimladwy â Tauseef. Mae ei ddawn wrth anadlu bywyd newydd i hen farddoniaeth gyda’i lais yn syfrdanol, ac mae yna gysylltiad thematig naturiol rhwng canu ghazal a’n traddodiad gwerin ni yng Nghymru. Dyma’r tro cyntaf erioed i ganu ghazal gael ei gyfuno â thraddodiad cerddorol arall, ac rwy’n gyffrous ac yn llawn chwilfrydedd wrth edrych ymlaen at y cyfle hwn i archwilio dau draddodiad diwylliannol sydd mor debyg ond mor wahanol i’w gilydd mewn ffordd hollol unigryw."
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"I feel incredibly fortunate to be working with such a gifted and soulful musician as Tauseef. His talent for bringing ancient poetry alive with his voice is astounding, and there’s a natural thematic connection between ghazal singing and our folk tradition in Wales. This is the first time in history that ghazal singing has merged with another music tradition, and I’m extremely curious and excited by this unique exploration into our differing yet similar cultural heritage."
  Cyngor Celfyddydau Cymr...  
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"Rwy’n gweithio ar sail brawddegu sy’n seiliedig ar symudiadau sy’n cynrychioli’r discus, y naid bolyn a champau eraill, ac yn gweld gyda’r dawnswyr sut y medrwn gyfieithu’r rhain i mewn i iaith dawns. Bydd y darn yn cychwyn ac yn gorffen gydag egni chwim megis ar drac ond mae yna hefyd ddarn arafach prydferth yn y canol. Rwy’n dymuno adlewyrchu y penderfyniad a’r rhwystrau; natur gyhyrog athletwyr"
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Set to the propulsive rhythms of John Adams’ Son of Chamber Symphony, Martin Lawrance’s Run For It is a high energy work inspired by the power of Olympic athletes. This dynamic piece features a striking sculptural installation created by Glasgow-born visual artist Martin Boyce built on an aesthetic concept sparked by creative workshops with the Company, and which was further developed into his recent Turner Prize winning piece. "I’m working on movement-base phrases that represent the discus, the pole vault and more, and with the dancers seeing how we can translate this into dance terms. The piece will start and end with a real fast tracked energy but there is also a beautiful slow movement in the middle. I want to show the resistance and determination; the muscularity of an athlete"
  Cyngor Celfyddydau Cymr...  
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Yn wreiddiol o Dalgarreg, Sir Aberteifi, mae Lleucu Siencyn yn wyneb cyfarwydd ym myd llenyddiaeth yng Nghymru. Fe astudiodd Saesneg yn Rhydychen cyn dychwelyd i Gymru i weithio fel ymchwilydd a sgriptiwr gyda chwmnïau teledu ac yna fel Swyddog Llenyddiaeth i Gyngor Celfyddydau Cymru.
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Originally from Talgarreg, Ceredigion, Lleucu Siencyn is a familiar face in the world of literature in Wales. She studied English at Oxford University before returning to Wales to work as a researcher and scriptwriter with various television companies and then as Literature Officer for the Arts Council of Wales. Lleucu was Academi’s Deputy Chief Executive from 2002 - 2011.
  Cyngor Celfyddydau Cymr...  
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Wrth i'r parti ddechrau, mae'r perfformwyr yn cymysgu â'r dorf, gan wneud a rhannu crêpes Llydewig, cyn ymroi i wledd o gerddoriaeth a syrcas. Yna byddant yn hedfan, taflu eu hunain ac ymdroelli ar draws y babell hardd ar drapîs, rhaffau tynn, olwynion Cyr, beics triciau, trampolinau a si-sos.
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As the party begins, the performers mingle with the crowd, making and sharing Breton crêpes, before they launch into a feast of music and circus. They fly, fling and swing across the tent on trapezes, tightropes, Cyr wheels, trick bicycles, trampolines and seesaws.
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"Dwi’n meddwl ei bod hi’n braf creu rhywbeth parhaol, yn enwedig i mi gan fy mod i’n treulio cymaint o amser yn teithio. Ar ôl gosod y babell fawr, mae’r hud a lledrith yn digwydd, ac yna’n sydyn, rydych chi wedi mynd. Trwy gael rhywbeth parhaol, rydych chi’n gwybod y bydd yr hud yno drwy’r amser. Dwi’n methu aros i weld y plant yn rhedeg o gwmpas yno!".
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"I think it’s really nice to create something permanent, especially for me as I spend so much time touring. With the big top you set up, the magic happens and then suddenly you're gone. To have something permanent, you know that the magic will always be there. I just can’t wait to see the kids running round in there!". Zoe Munn, Four Elms Development Officer.
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"Os y ffordd mae artistiaid yn weledyddion a chrisialwyr ein hymwybyddiaeth mewn byd a nodweddir yn aml gan synnwyr o eironi arwynebol nad oes ar un olwg fodd dianc rhagddynt yw un o islifau Biennale Rhif 54 Biennale, yna bu Davies yn cynnig ei gip difrifol ar y byd sy'n gwrthweithio hynny ers tro gan wahodd cydnabyddiaeth fwy o fwriad y gelfyddyd. Nid syndod o Gymru y daw'r persbectif a'i safle hanesyddol."
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"If one of the undercurrents of the 54th Biennale is how artists are the visionaries and the crystallizers of our consciousness in a world characterised often by a superficial and apparently inescapable sense of irony, then Davies has been offering this counterbalancing serious take on the world for some time, and inviting greater acknowledgement for his art’s intent. It is not surprising that this perspective comes from Wales and its historic position."
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Ar ôl y cyfnod preswyl yng Nghaerdydd, bydd cydweithfa iCoDaCo yn dod at ei gilydd eto yn Sweden, Hwngari ac yna Gwlad Pwyl, a bydd y gwaith yn cyrraedd ei anterth gyda pherfformiad cyntaf TRANSFORMATION (teitl gwaith) ym mis Tachwedd eleni yng ngŵyl BalletOFFFestival gan Ganolfan Goreograffi Kraków.
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After the residency in Cardiff, the iCoDaCo collective will regroup in Sweden, Hungary and then Poland, culminating in the premiere of TRANSFORMATION (working title) this November at BalletOFFFestival by Kraków Choreographic Centre. TRANSFORMATION will then tour throughout 2019 to Sweden (March), Hungary and Poland (April), Hong Kong (July), Edinburgh Festival Fringe (August) and Wales in Autumn 2019.
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Gallai fod yn hynod o arw a brwnt - yn enwedig ar gyfer ei hoes. Mae rhan ohonof yn ymgreinio ar ei rhan, ac mae rhan arall ohonof yn dweud ‘cer amdani Rachel, da ferch!’ Ac yna weithiau byddaf am roi siglad iddi.
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A volatile thrill seeker known for her shows of antisocial behaviour, an appearance on the Russell Harty TV chat show was so drunkenly chaotic that it ended in Rachel being dragged offstage – and the tapes destroyed! Rachel is a mass of fantastic contradictions, which makes her a rich and entertaining character to play… continues Helen …You could call her one of the original 'ladettes' - her wild, foul-mouthed, attention-grabbing behaviour in public was very shocking - and she meant to shock. She could be incredibly crude and obscene - especially for her time. Part of me cringes on her behalf, and part of me says – ‘go on Rachel, ata girl!’ And then sometimes you just want to shake her. She had a great career of her own but once she married superstar Rex Harrison, she gave it all up in order to be 'The Perfect Housewife' which failed miserably and led to her public outbursts becoming even more wild and provocative..
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Yn y rhan gyntaf, Chaos & Creation, wedi’i leisio gan gyda Mike Pearson, trefnir cytgord mewn bydysawd anhrefnus, ac yna caiff ei roi mewn perygl trwy ddiffygion, gwendidau a gweithrediadau treisgar hiliau dilynol y ddynol ryw.
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In the first part, Chaos & Creation narrated by Mike Pearson, a disordered universe is brought into harmony, and then put at risk through the faults, frailties and violent acts of successive races of humanity. In the second, Ignition & Eclipse narrated by Aimee-Ffion Edwards, the foolhardy Phaëthon insists on driving his father Phoebus’s fiery chariot – the sun – to prove he’s his divine son. But his reckless exploits lead to tragedy…
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Os yw'r prosiect yn llwyddiannus, mae yna gyfle i gyflwyno'r hyfforddiant i dimoedd llinell flaen eraill a datblygu canllaw wedi'i ffilmio ar weithio'n uniongyrchol â chwsmeriaid ar gyfer mwy o aelodau staff Maes Awyr Caerdydd.
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If the project is successful, there is scope to roll out the training to other frontline teams and develop a customer-facing filmed guide for more staff members at Cardiff Airport.
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Yn sgil hyn, gwahoddwyd dau fardd o Ganada i Ŵyl Lenyddiaeth Dinefwr yn Llandeilo fis Mehefin. Ymunodd Randall Maggs a Robin Durnford fel tiwtoriaid gwadd mewn gweithdai, ac yna darllen eu gwaith ar nos Sadwrn yr ŵyl i gynulleidfa orlawn.
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In return, two Canadian poets attended the successful Dinefwr Literature Festival in west Wales in June; Randall Maggs and Robin Durnford joined in as guest tutors at workshops and read their work on Saturday evening to an attentive audience. This week, Canadian author Armand G Ruffo will join poet Pascale Petit to co-tutor a course at Tŷ Newydd using indigenous stories and myths as a starting point. He’ll also be a guest at the Gŵyl Arall festival in Caernarfon on Sunday 20 July.
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Wrth siarad am yr her o gynnal ysgol hyfforddi a chyflwyno perfformiad i’r cyhoedd yng Nghastell y Bere, dywedodd Liz Pugh, Cyfarwyddwr Artistig Walk the Plank: "Mae unrhyw un sydd wedi ymweld â Chastell y Bere yn gallu deall y rhesymau pam y gosododd Llywelyn Fawr ei gastell yna - mae’n hynod o ynysig ac yn anodd ei gyrraedd. Hoffwn ddiolch i Cadw a’r bobl leol am ein cefnogi ni wrth ddefnyddio’r safle ysbrydoledig er mwyn cynnal ysgol hyfforddi am wythnos a chyrraedd uchafbwynt gyda pherfformiadau cyhoeddus."
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Talking about the challenges of siting a training school and presenting a performance to the public in Castell y Bere, Liz Pugh, Artistic Director for Walk the Plank, says: "For anyone who knows Castell y Bere, you immediately understand why Llywelyn Fawr sited his formidable castle there – it’s remote and difficult to get to. We have to thank Cadw and various local people for supporting us in using the inspirational site for a week long training school which culminates in public performances."
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Bydd cast o ddwsinau yn cynnwys dawnswyr, cantorion a cherddorion yn mynd â chynulleidfaoedd drwy'r ganrif ddiwethaf ac yna'n eu gwthio i'r dyfodol, yn dechrau o'r funud yr aiff y gynulleidfa i lolfa ymadael yr adeilad (foyer y theatr fel arfer) a chasglu eu tocynnau taith!
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A cast of dozens including dancers, singers and musicians will take audiences through the last hundred years and then propel them into the future, beginning from the moment the audience enter the building’s departure lounge (ordinarily the theatre foyer) and collect their flight passes! Audiences will then take their seats on the stage of the theatre auditorium and see "Flights of Fancy/Hedfa’r Dychymyg" unfold before them from ground level on a stage set over the stalls seats to the heights of the upper circle.
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Bydd Arena Motorpoint yn croesawu cynrychiolwyr cerddoriaeth fyd rhyngwladol ar gyfer cynhadledd yn ystod y dydd yna, gyda’r nos, bydd y sylw yn troi at Ganolfan y Mileniwm a’r Basn Hirgrwn (Roald Dahl Plas), lle bydd y cyhoedd yn ymuno â chynrychiolwyr WOMEX ac yn crwydro o amgylch chwe llwyfan i fwynhau mwy na 60 o arddangosfeydd o’r gerddoriaeth fyd orau ar y blaned.
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WOMEX 13 will be a five-day world music market. It will be hosted in Cardiff between 23 and 27 October 2013, focussed around two venues. The Motorpoint arena will host international world music delegates for a daytime conference then, by night, focus will turn to the Wales Millennium Centre and Oval Basin (Roald Dahl Plas), where WOMEX delegates will be joined by public audiences to roam around six stages and enjoy over 60 showcases of the best world music on the planet. The performance element of WOMEX 13 begins with a gala opening concert on Wednesday 23 October. This will be followed by three evenings of world music showcases on Thursday to Saturday.
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Wedi cael cydnabyddiaeth helaeth am ei waith neilltuol yn seiliedig ar ei gartref teuluol, yma mae Finnemore yn cynnwys ffotograffau mawr du a gwyn wedi eu symleiddio ond yn llawn emosiwn. Yn dwyn y teitl Everyday maent yn nodi’r berthynas yna sydd rhwng pethau a lle, a thramwy presenoldeb dynol drwy’r byd hwn, gyda naratif nid yn unig yn berthnasol i Lidice, ond i ni gyd.
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Exploring a common thread around themes of loss and memory, Finnemore, Ventura and Trezise create new commentaries that link with Lidice through personal responses. Observing collective ways of remembering and considering generational memory as a vital means of continuing to know the past is a key theme. Acknowledged for his distinctive work centered around the family home, here Finnemore’s large scale black and white photographs are pared down but still emotionally resonant. Entitled Everyday they encapsulate dialogues between objects and place and the passing of human presence, with narratives that relate not only to Lidice but ultimately to us all.
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Bydd yna ganeuon i’ch paratoi ar gyfer y gyngerdd sydd i ddilyn, gan gynnwys detholiad o gorws Gloria a’r Can-can, gyda geiriau newydd eu comisiynu gan aelodau o Gorws y WNO Jasey Hall a Sian Meinir, i ddathlu 70 mlwyddiant Opera Cenedlaethol Cymru.
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The event will begin with a FREE WNO ‘Come & Sing’ prior to the main concert starting at 2pm, an opportunity for the audience to sing with soloists from Welsh National Opera on Level 2 of Pontio. Jenny Pearson will lead the bilingual singing, with Annette Bryn Parri accompanying on piano. There will be songs to get you in the mood for the concert including an extract of the Chorus of Gloria and the Can-can, with newly-commissioned lyrics by WNO Chorus members Jasey Hall and Sian Meinir, celebrating 70 years of WNO.
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Ar y 10fed o Fedi bydd un ar ddeg acrobat-cerddor y cwmni syrcas Ffrengig cyfoes nodedig, Circa Tsuica, yn cyrraedd Bangor i godi eu Pabell Fawr goch a gwyn ar gae Coleg Menai ar Ffordd Ffriddoedd, ac yna creu pentref syrcas traddodiadol o'i hamgylch.
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On the 10th of September, the eleven acrobat-musicians of celebrated French contemporary circus company Circa Tsuica arrive in Bangor to set up their white and red Big Top on Coleg Menai field, Ffriddoedd Road, then create a traditional circus village around it. Passers-by can watch as the Big Top goes up, the village takes shape and the company prepares for the show, reinventing circus traditions for the 21st century.
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"Mae yna dîm o ddeg o bobl yn ymwneud a Grŵp Hanes Teulu Brecon U3A a’r Prosiect Rhyfel Byd 1, ond fi oedd yn ddigon lwcus i gael mynd i’r seremoni a chasglu’r wobr.
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"There is a team of ten people involved in the Brecon U3A Family History Group and the World War 1 Project, but I was the one who was lucky enough to go to the ceremony and collect the award.
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Mae'n cynnwys caneuon a ysgrifennodd trwy gydol ei gyrfa; o'i chân gyntaf, "Sweet Joy", i'r gân gan Nick Drake & Beverley Martin, "Reckless Jane", nas recordwyd o'r blaen ac a ddechreuwyd arni yn 1974 pan oedd Drake yn byw ger Beverley yn Hampstead. "Fe ddechreuasom ysgrifennu'r gân fel tipyn o jôc", meddai, "allwn i ddim edrych arni am amser hir wedi iddo farw, ond yna, o'r diwedd, fe benderfynnais ei gorffen."
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April 2014 will see the release of her new album entitled The Phoenix and the Turtle. Described by Beverley as a very personal album, it features songs written throughout her entire career, from her very first song, "Sweet Joy", to the previously unrecorded Nick Drake & Beverley Martyn song "Reckless Jane" which was started in 1974 when Drake lived nearby Beverley in Hampstead. "We started writing the song as a bit of a joke," she says, "I couldn’t look at it for a long time after he died, but then finally I decided to finish it."
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Ychwanegodd Eddy Jay, "Rwy’n ystyried fy amser gydag LMN fel y profiad pwysicaf yn fy ngyrfa gerddorol. Fe ddysgais i bopeth gan LMN, o ‘godi’n gynnar, a chyrraedd gig ar amser’ i deilwra rhaglen i gynulleidfa benodol, ac yna ei pherfformio, a gwneud noson lwyddiannus!
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Eddy Jay added, "I consider my time with LMN as the most important experience of my musical career. With LMN I learned everything from 'getting up early, and getting to the gig on time' to tailoring a programme to a specific audience, and then performing it, and then actually pulling it off!
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"Mae’r prosiect newydd yma yn un cyffrous. Mae'r cyd-weithio'n mynd i fod o fudd i'r deuddeg artist amrywiol, byddan nhw i gyd yn cael profiadau a chyfleoedd gwych dros y flwyddyn nesa. Mae BBC Cymru wastad wedi cefnogi artistiaid sy’n creu cerddoriaeth wreiddiol, ac mae Gorwelion yn gam arall cyffrous yn y stori yna."
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"This new project is an exciting one. The collaboration is going to be beneficial to the 12 artists, who will all have brilliant experiences and opportunities over the next year. BBC Wales has always supported artists who create original music, and Horizons is another exciting step in that story."
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Byddwn yn diweddaru gwybodaeth drwy'r dudalen Facebook nes bod gwefan gyda ni. Ewch i https://www.facebook.com/groups/1497714910444462 Gallwch ofyn cwestiynau yna.
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Until we have a website, we will be updating information through the Facebook page set up during the feasibility stage: https://www.facebook.com/groups/1497714910444462/ Feel free to post questions there.
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Ar ôl gweithio fel Swyddog Gyrfaoedd yng Nghasnewydd, ac fel cynhyrchydd rhaglenni radio gyda BBC Radio Cymru yn Abertawe, aeth Catherine a’r teulu i fyw dramor yn yr Iseldiroedd ac yna yn Unol Daleithiau America.
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Catherine was brought up in Pwll, a village near Llanelli, and graduated in Welsh from Bangor University. Following periods working as a Careers Officer in Newport, and as a producer of radio programmes with BBC Radio Cymru in Swansea, Catherine and her family emigrated to live in the Netherlands, and later the USA. Having returned to Wales, she started working for Menter a Busnes, the economic development company, as a researcher, project manager, director, and eventually as Deputy Chief Executive, focusing in particular on Human Resources and project management. She has worked with several companies and organisations to help them in developing their business and was a member of the Welsh Language Board until 2012. She now lives in Carmarthen, but retains a foothold in Llanelli.
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"Rydyn ni ym mherfeddwlad Cymru yng Nghastell y Bere ac mewn awyrgylch hynod o brydferth, ond mae’n heriol. Mae’r realiti ymarferol yn golygu taw profiad unwaith mewn oes yw hwn - gyda phrydferthwch y lle’n creu digwyddiad hudolus ar gyfer cynulleidfaoedd. Mae hygyrchedd y safle hefyd yn meddwl bod pris tocyn yn cynnwys taith fws yna, am nad yw’n addas i barcio ceir. Mae trefnwyr lleol fel Articulture, a busnesau o’r ardal wedi mynd ati i sicrhau bod trafnidiaeth yn bosibl ac i weithio fel swyddogion tocynnau. Y bobl yma sy’n galluogi’r hyd a lledrith i ddigwydd."
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"We’re off grid, and in a very beautiful but challenging environment at Castell y Bere. The practicalities mean that this will probably be a once in a generation experience for audiences - with the sheer beauty of the place making for a magical event. The location means that the ticket price for the event includes coach travel as there is no capacity for car parking. Local organisers including Articulture, and businesses have sprung into action to make transport possible and to act as ticket agents. It’s making the magic possible."
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Roedd yn ddarn nodweddiadol o'i gelfyddyd arbennig sy'n haenog a difrifol - ar yr un pryd yn weithred syniadol wedi ei gyfuno â ffurfiolaeth yn y llawr a gafodd ei ailosod ar dir y fforest, ac yna delwedd i feddwl yn ei chylch fel yr adenillir y llawr gan natur.
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Known for his installations that question power structures and globalization, Davies once returned a Victorian parquet floor salvaged in a reclamation yard in Swansea to the rainforest of Belize where the wood was originally sourced and cut down by slaves. It was a signal piece of his particular layered and serious art - at one and the same time a conceptual act, combined with formalism in the re-laid floor on the forest ground, and then an image to ponder as the floor is reclaimed by nature. These are acts of homage, of artifice and of politics combined.
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Bydd Arena Motorpoint yn croesawu cynrychiolwyr cerddoriaeth fyd rhyngwladol ar gyfer cynhadledd yn ystod y dydd yna, gyda’r nos, bydd y sylw yn troi at Ganolfan y Mileniwm a’r Basn Hirgrwn (Roald Dahl Plas), lle bydd y cyhoedd yn ymuno â chynrychiolwyr WOMEX ac yn crwydro o amgylch chwe llwyfan i fwynhau mwy na 60 o arddangosfeydd o’r gerddoriaeth fyd orau ar y blaned.
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WOMEX 13 will be a five-day world music market. It will be hosted in Cardiff between 23 and 27 October 2013, focussed around two venues. The Motorpoint arena will host international world music delegates for a daytime conference then, by night, focus will turn to the Wales Millennium Centre and Oval Basin (Roald Dahl Plas), where WOMEX delegates will be joined by public audiences to roam around six stages and enjoy over 60 showcases of the best world music on the planet. The performance element of WOMEX 13 begins with a gala opening concert on Wednesday 23 October. This will be followed by three evenings of world music showcases on Thursday to Saturday.
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Ar ôl gweithio fel Swyddog Gyrfaoedd yng Nghasnewydd, ac fel cynhyrchydd rhaglenni radio gyda BBC Radio Cymru yn Abertawe, aeth Catherine a’r teulu i fyw dramor yn yr Iseldiroedd ac yna yn Unol Daleithiau America.
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Catherine was brought up in Pwll, a village near Llanelli, and graduated in Welsh from Bangor University. Following periods working as a Careers Officer in Newport, and as a producer of radio programmes with BBC Radio Cymru in Swansea, Catherine and her family emigrated to live in the Netherlands, and later the USA. Having returned to Wales, she started working for Menter a Busnes, the economic development company, as a researcher, project manager, director, and eventually as Deputy Chief Executive, focusing in particular on Human Resources and project management. She has worked with several companies and organisations to help them in developing their business and was a member of the Welsh Language Board until 2012. She now lives in Carmarthen, but retains a foothold in Llanelli.
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Dengys yr astudiaeth hefyd, yn yr un ffordd ag astudiaethau eraill, mai prif gymhellion cynulleidfaoedd yw’r rhaglen ac yna safon y ddarpriaeth, a thra bo lleoliadau theatrig yn medru darparu awyrgylch cyfforddus a phrofiad cymdeithasol i gynulleidfaoedd, dylid ystyried yr effaith bosib ar lefelau mynychu’r dyfodol a’r effaith posib ar raglennu digwyddiadau byw.
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The research did, however, reveal some areas where there could be potential for problems in the future. Most notably that the development of digital broadcasts and online downloads has the potential to change the face of arts consumption away from the established theatre venues. The study also showed, as others have, that audiences are motivated primarily by programme and then by quality, and while theatre venues can provide comfortable surroundings and a social experience for audiences, the potential impact on future attendance and live performance programming needs to be considered.
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"Y gelfyddyd o hwyluso sgwrs yw’r ffactor allweddol. Rydym yn chwilio am bobl i ymuno â ni yn ein sesiwn hyfforddi’r diwrnod cynt – mae yna rai sgiliau a thriciau y gellir eu dysgu i sicrhau bod sgwrs yn dal i lifo.
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"The art of facilitating a conversation is the crucial factor. We’re looking for people to join us at our training session the day before - there are certain skills and tricks to learn that will help to keep the conversation flowing.
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Bydd y perfformiad nesaf yng Nghanolfan Gelfyddydau Taliesin yn Abertawe, yn rhan o Ŵyl Wyddoniaeth Abertawe, ac mae pob tocyn eisoes wedi’i werthu. Yna, bydd Atomau Hedfanol yn ymweld â gwyliau yn Llundain a De-ddwyrain Lloegr.
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With high-flying aerial stunts, magical soundtrack and stunning design, this playful, interactive show is a perfect introduction to dance and theatre for families with children aged 6 – 11. Dance, experiments and aerial tricks delight children and adults inspiring wonder at the magic of the universe. After touring schools in Mid-Wales in 2016, the show has now been adapted to tour to venues across the UK. Next up is a sellout visit to Swansea’s Taliesin Arts Centre as part of Swansea Science Festival. Flying Atoms will then visit Festivals in London & the South East. A Welsh tour is also planned for the new year.
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Dywedodd Graeme Farrow, Cyfarwyddwr Artistig Canolfan Mileniwm Cymru: "Uchelgais allweddol i ni yng Nghanolfan Mileniwm Cymru yw ysbrydoli Cymru gyfan a helpu magu creadigrwydd ein cenedl. Gydag Ar Waith, Ar Daith - siwrnai hudolus drwy chwedlau Cymru, rydyn ni’n mynd â’r Ganolfan i ffwrdd o’i hadeilad eiconig ac yn casglu egni artistig Cymru ynghyd o fewn ein ffwrnais awen. Gobeithio y bydd y digwyddiad unigryw yma o fewn awyrgylch arbennig Castell y Bere yn cysylltu pobl â chyffro tanllyd theatr fyw. Mae’n bosib blasu’r cyffro yna ledled Cymru. Fy ngobaith hefyd yw bod y digwyddiad yn cynnig blas ar ddiweddglo Ar Waith, Ar Daith, sy’n digwydd yn y Ganolfan yng Nghaerdydd ddydd Sadwrn 12 Medi."
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Graeme Farrow, Artistic Director at Wales Millennium Centre, adds: "One of our key ambitions at Wales Millennium Centre is to inspire the whole of Wales and to facilitate the burgeoning creativity of our nation. With Ar Waith Ar Daith - a journey of Welsh myth and magic we are bringing Wales Millennium Centre out of its iconic building and gathering up the artistic energy of Wales into our furnace of creativity. I hope this unique event in the special environment of Castell y Bere connects people with the fiery excitement of live theatre that you can taste all around Wales, as well as whetting everyone’s appetite for the finale at the Centre in Cardiff on Saturday 12 September."
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