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  VNV Nation выпускают до...  
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VNV Nation очень хорошо знакомы с классической музыкой, и давно черпают в ней вдохновение для своих песен, так что этот диск то, что они давно хотели сделать. Планируемый годами, альбом включает лучшие песни VNV Nation, в виде вокала, исполненного чисто под оркестр.
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Already very familiar with classical music, and taking much inspiration from it for their own songs, this is the album that VNV Nation have always wanted to make. Years in the planning, the album features many of the best known VNV Nation songs, performed purely with orchestra and voice. No other studio instruments were used as the goal was to be as authentic as possible.
  «Schattenspiel» - юбиле...  
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Затем они открывают свой личный архив с эклюзивными записями последующих лет и заканчивают свой экскурс самыми последними записями. Кто бы мог подумать, что группа, известная всем как роковая, начинала свою карьеру с чисто электронных номеров типа «Schuld und Sühne» и «Seelenübertritt» (обе 1990 года)?
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«Schattenspiel» starts with the presentation of the first and so far unheard musical steps from the year 1990. Then they open their private archive with exclusive recordings from the following years and end their journey with the latest productions that can be currently heard from them. Who would have thought that the band which is after all known as a rock band began their career with pure electro numbers like «Schuld und Sühne» and «Seelenübertritt» (both 1990)? And when one knows the more abundant arrangements of the last years albums songs like «Morgen» (2003) and «Déjà vu» (2007) have nearby a minimalist character, although the latter one aroused special interest through its emotional enthusiasm. The original version of «Schakal» (1994) is really surprising! The song officially released in the same year is known as one of the first gothic metal songs ever though this version doesn’t sound like it at all! The classical elements and the bombastic intention can be divined though the guitars seem inspired by punk rock while the drums have electronic roots! This combination surely needs getting used to but exactly this makes it pretty charming. So this is very much a shadow play just like «Mantiquor» (2005): on one hand you hear the clear relatedness to classics like «Ich bin der brennende Komet» or «Kelch der Liebe» but still it has a note that is rather pleasant and therefore strange. Especially worth mentioning are the new titles «Sellador» and «Ohne Dich ist alles nichts» which are the most opposite to each other. While the first one is reviving the band’s electronic roots and combining these with classical and rock elements, «Ohne Dich ist alles nichts» comes with all the strong and large emotions in a first-class musical and handcraft quality like we know this polemical but always consistent band.