narrativer – -Translation – Keybot Dictionary

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Show textShow cached sourceOpen source URL	Ein mutiges Programm aus narrativer und ästhetischer Sicht, mit speziellem Fokus auf Aktivismus in mehreren 360°-Werken. Vom 1. bis zum...
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Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine luxfilmfest.lu as primary domain	Une programmation audacieuse composée d’œuvres militantes en 360° inédite au Luxembourg. Du 1 au 12 mars 2017, Luxembourg City Film...

  3 Hits www.sixpackfilm.com  

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Verdrehte Augen ist narrativer als viele andere Filme von Dietmar Brehm, und doch in erster Linie strukturell: Denn die Großaufnahme des überlegenen Mannes (des Jägers, der abwartet) wirkt wie ein leitmotivischer Kommentar zu einer naturhaften, im pornographischen Film kanonisierten Geschlechterpolitik, in der die Frau zwei Formen des Begehrens ausgeliefert ist - dem ohnmächtigen und dem übermächtigen.

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A drama of gazes in which a woman´s turned-up eyes express both her sexual superiority and her submission: She shows the contempt she feels for her impotent husband, who is unable to start the car, by twisting her eyes from the passenger seat. And with regard to their pursuers, who later attempt to force their way through both doors of the car where the couple has found refuge, keeping them in view by twisting her eyes is not possible at the moment she looks, the victor gains entry to the vehicle, which he had been confident of from the film´s very beginning. His composed expression, full of both speculation and disdain as he languidly chews on a toothpick (which justifies the ironic tone of the subplot dealing with the preparation of meat), meets the woman´s cool, passive gaze thanks to the indirectness of the cut alone. At the beginning of the film the woman sits in a rattan chair, the furniture of sexual liberation since Emmanuelle. The two men sit outside, attempting to penetrate the rooms occupied by the woman. Although Twisted Eyes has more of a narrative character than many other films by Dietmar Brehm, it is primarily structural. The close-up of the victorious man (the patient hunter) functions as a leitmotif which comments on a primitive type of sexual politics canonized in pornographic films: Women are at the mercy of two types of desire one powerless and the other overpowering. Brehm ends his film with an image taken from nature, similarly to its beginning with one from the food chain.

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Das Werk spiegelte die kulturelle Konvergenz von Judentum, Christentum und Islam im mittelalterlichen Spanien wider und fungierte als narrativer Text mit verschiedenen Bedeutungsebenen, der von einem subtilen Soundtrack begleitet wurde.

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Moving away from noise, but still in the realm of sound, there was an interesting show at the Robert Guttman Gallery, by two Americans--composer, Robert Gluck, and visual artist, Cynthia-Beth Rubin. Their sound and visual project, Layered Histories, was an elaborate interactive work that projected the many layers of an illuminated Hebrew manuscript (the Marseilles Bible) as a beautiful, fragile art book, reflecting the convergence of cultures (Christianity, Islam, Jewish) in medieval Spain; it served as a narrative text of layered meanings with a subtle soundtrack or sound sculpture of found sound, noise, and music fragments from Jewish culture.

  www.kaiser-wzb.eu  

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Die nahezu ins unendlich gewachsene ästhetische Vielfalt des Films hat die Entwicklung narrativer, aber vor allem auch dokumentarischer Formen im Kino wie in der Bildenden Kunst revolutioniert. Dennoch gibt es bis heute keinen Ort, an dem diese Entwicklung in Theorie und Praxis aufgearbeitet, gesammelt und gezeigt wird: Sowohl die institutionelle Aufführungspraxis als auch die Ausstellungskultur trennen bis heute zwischen Film und Kunst.

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The exponential growth of visual diversity in film – to near-endless proportions – has revolutionized documentary film formats in cinemas and in the visual arts. Unfortunately however, there still is no place where this development is collected, reprocessed and reflected, in theory and in practice. To this day, institutionalised screening practices and exhibition culture differentiate between film and art.

  www.recettemunicipale.gov.tn  

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Rezeption, Ästhetik, Geschichte zugleich Panorama und Bilanz der aktuellen filmwissenschaftlichen Forschung über das einheimische Kino. Schweizer Filme aus Vergangenheit und Gegenwart werden in narrativer und ästhetischer Hinsicht untersucht und sowohl in Produktions- als auch Rezeptionskontexte gestellt.

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A travers une vingtaine de contributions, Cinéma CH. Réception, esthétique, histoire offre à la fois un large panorama et un bilan des différentes approches dont le cinéma helvétique fait actuellement l'objet dans le champ des études académiques. Menées tant sur les plans esthétique et narratif que du point de vue du contexte de production et de réception, les analyses proposées traitent de films d'hier et d'aujourd'hui issus de différents horizons. Des fictions d'Alain Tanner, de Thomas Imbach ou de Lionel Baier aux documentaires Katzenball ou Nicolas Bouvier, 22 Hospital Street, en passant par le film de commande, le cinéma expérimental (Fischli et Weiss), la vidéodanse et le film didactique ou politique, c'est en effet dans sa diversité que le cinéma suisse est abordé, parfois loin des sentiers battus des pratiques légitimées. Afin de mieux saisir l'identité plurielle de ce cinéma national, on questionne non seulement le discours que les films suisses entendent porter sur le monde, mais aussi les différents discours qui ont été portés sur eux. Pour ce faire, les auteurs font reposer leur étude sur des sources parfois inédites (entretiens, sondages, dépouillement de la presse ou de fonds d'archives) et recourent à l'enquête sociologique des publics ou à la recherche historiographique pour esquisser les contours de ce paysage du «cinéma suisse», toujours à redéfinir et à explorer plus avant

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Studierende des 3. Semesters konzipierten eine räumlich-kulinarische Performance im Rahmen der Ausstellung »Take Away – Design der mobilen Esskultur«. Durch eine 360°-Projektion entsteht ein narrativer Raum – ein Ort der dialektischen Auseinandersetzung von Fast Food und Slow Ambience.

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In the frame of the exhibition »Take Away-Design in Modern Eating Culture«, students of the third semester conceived a ‘spatial-culinary’ performance. Through a 360-degree projection, a narrative space emerged representing the dialectic of fast food and slow ambience. Odd characters, yet with familiar rituals figures act out serving an experimental dinner. The performers, the rhythm of the images and subjects, follow a surreal choreography challenging the perception of our eating habits, and involving the guests as participants.

  www.goethe.de  

Show textShow cached sourceOpen source URL	Verschiedene methodische Ansätze (Total Physical Response, Narrativer Ansatz o. Ä.) sollen in Übereinstimmung mit Zielen und Inhalten eingesetzt und, wenn die Lernsituationen es zulassen, miteinander kombiniert werden.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine goethe.de as primary domain	Tuleks rakendada erinevaid metoodilisi lähenemisi (Total Physical Response, narratiivne meetod jne), mis vastaksid sisule ja eesmärkidele, ning kui õpisituatsioon seda võimaldab, tuleks neid metoodikaid omavahel kombineerida.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine goethe.de as primary domain	A különböző módszertani megközelítést (total physical response, narratív megközelítés stb.) a célokkal és tartalmakkal összhangban kell alkalmazni, illetve amennyiben a tanulási szituáció lehetővé teszi, egymással kombinálni.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine goethe.de as primary domain	Phương thức tiếp cận kiểu tường thuật hoặc tương tự nên được áp dụng thống nhất với mục tiêu và nội dung, và nếu hoàn cảnh cho phép nên được kết hợp với nhau.

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Studierende des 3. Semesters konzipierten eine räumlich-kulinarische Performance im Rahmen der Ausstellung »Take Away – Design der mobilen Esskultur«. Durch eine 360°-Projektion entsteht ein narrativer Raum – ein Ort der dialektischen Auseinandersetzung von Fast Food und Slow Ambience.

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In the frame of the exhibition »Take Away-Design in Modern Eating Culture«, students of the third semester conceived a ‘spatial-culinary’ performance. Through a 360-degree projection, a narrative space emerged representing the dialectic of fast food and slow ambience. Odd characters, yet with familiar rituals figures act out serving an experimental dinner. The performers, the rhythm of the images and subjects, follow a surreal choreography challenging the perception of our eating habits, and involving the guests as participants.

  www.kulturhuef.lu  

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Sie sind statisch und unveränderlich, während Zeit nur in Verbindung mit Veränderung und Bewegung fassbar ist. Allerdings ist bereits aus der Antike das Phänomen narrativer Bilder bekannt, die einen Handlungs- und damit auch einen Zeitablauf generieren.

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Pictures cannot represent time. They are stable and immutable while time can be perceived only in connection with change and motion. Already in antiquity, however, we encounter the phenomenon of narrative pictures, which generate a course of action and therefore a course of time. The specific narrative mechanisms of ancient vase paintings and wall paintings, i.e. the techniques employed by painters to create the illusion of chronological progress, have been carefully analysed by modern scholars. Yet very little research has been done so far into the question of whether antiquity developed a theoretical approach to the issue of signs of time within pictures.

  www.budapestacappella.hu  

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Seit 2003 beschäftigt er sich hauptsächlich mit Videoanimationen und Animationskunst. Nach einer Reihe narrativer Zeichentrickfilme, behandeln seine aktuellen Animationen die künstlerische Synästhesie.

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Adnan Popovi? is a filmmaker and visual artist who has been living in Vienna since 2001. He studies conceptual art at the Vienna Academy of Fine Arts. Since 2003 his main focus has been on video animations and animation art. After producing a couple of narrative cartoon movies his current animations mainly deal with artistic synaesthesia. So far his films have been shown at several film festivals around the world and have been awarded a number of times. Some of his films include: THE GRASS IS ALWAYS GREENER ON THE OTHER SIDE (2004), WALZERKÖNIG (2008) TINAMV1 (2011, which received the Hubert Sielecki Award). Adnan Popovi? also created VIS Vienna Independent Shorts? 2010 official festival trailer.

  lavispera.org  

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Die Etablierung narrativer Darstellungen, sowohl in einem raumimmanenten Kontext durch Rauminstallationen und –interventionen von Gerald Moser, als auch innerhalb von Irina Georgievas Bildkompositionen prägen die gemeinsame Ausstellung.

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The exhibition Keep me closer to you, showing works by Irina Georgieva and Gerald Moser, is concerned with space and the playful approximation to it by using simple materials and forms. Keep me closer to you may be interpreted as a physical experience of space. Although the artistic practice of both artists could not be more different, stimulating dialogs, dramaturgic tensions, and symbiotic encounters are enabled within the gallery space.

  www.secession.at  

Show textShow cached sourceOpen source URL	Als Erzählerin zeigt sie den BetrachterInnen ständig etwas, tritt aber, auch in narrativer Hinsicht, hinter das Gesehene und das Gehörte zurück, lässt es auf den Anderen wirken, enthält sich eines wertenden oder beurteilenden Kommentars.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine secession.at as primary domain	As a flaneur, she explores the terrain, is a researcher, wandering through the city, experiencing the city as a theme park. As a storyteller, she constantly shows viewers something, but she retreats, also in terms of narrative, behind what is seen and heard, allowing it to affect others, refraining from a value judgment or appraising commentary.

  www.native-instruments.com  

Show textShow cached sourceOpen source URL	DAMAGE liefert 30 GB Dramatik pur und fusioniert kantige Elektronik mit orchestralem Schlagwerk zu einem beeindruckenden elektroakustischen Sperrfeuer: mitreißende Percussion mit narrativer Qualität.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine native-instruments.com as primary domain	DAMAGE gives you 30 GB of drama, fusing industrial sounds and orchestral drums into a devastating electro-acoustic barrage to deliver breathtaking cinematic percussion with a tense, epic edge.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine native-instruments.com as primary domain	DAMAGE propose 30 Go de drame, fusionnant sons industriels et batteries d’orchestre en un déluge déchaîné de sonorités électro-acoustiques pour fournir un instrument de percussions spectaculaire au son nerveux et inspirant.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine native-instruments.com as primary domain	DAMAGE te ofrece 30 GB de drama, fundiendo sonidos industriales y baterías orquestrales en una devastadora descarga electro-acústica para lograr una percusión cinematográfica asombrosa con un tono tenso y épico.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine native-instruments.com as primary domain	DAMAGEには30 GBもの大迫力サウンドが搭載されています。インダストリー・サウンドとオーケストラ・ドラムが卓越したエレクトロ・アコースティックサウンドと融合し、息を飲むようなパーカッションと壮大なサウンドを実現。

  www.folkwang-uni.de  

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Im Lehrplan sind spezialisierte Module zum Vertiefen narrativer und kommunikativer Fähigkeiten sowie Management, Recht und Marketing enthalten. In einem Wahlpflichtfachmodul werden zusätzliche technische Fächer mit fachspezifischen Schwerpunkten in den Bereichen Audio, Video, Multimedia und Licht sowie künstlerisch geprägte Fächer in Wahrnehmungspsychologie, Gestaltung, Anwendung von Echtzeitsystemen und Mediengeschichte angeboten.

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This study course is aimed at applicants with an artistic aptitude, professional qualification university degree in a relevant artistic/artistic-technical study course and corresponding interest: applicants from professional fields in the creative industry as well as the artistic/artistic-technical media industry

  www.sculpture-network.org  

Show textShow cached sourceOpen source URL	Wenn man den Vorträgen dieser Kunstexperten zuhört und die Werke dieser Künstler betrachtet, zeichnet sich an der Wende zum 21. Jahrhundert eine Verschiebung von abstrakter zu narrativer Kunst ab, aus der Notwendigkeit geboren, das Leben und die Gesellschaft in der wir leben, zu reflektieren.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine sculpture-network.org as primary domain	Listening to the stories of these sculpture experts, and looking at the works of these driven artists, at the turn of the 21st century, there’s a shift from abstract to narrative art, born from the need to reflect on life and the society we live in.

  asso-skema.fr  

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Hierzu definieren wir zunächst die Schlüsselthemen, die charakteristisch für Ihre Marke sind. Mit Hilfe narrativer Techniken entwickeln wir eine spannende Brand Story, die Ihre Kunden emotional berührt.

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The brand story breathes life into your brand. First, we define the main story themes that are characteristic of your brand. We then create a narrative and an exciting brand story that appeals to the emotions of your customers. The dramatic composition is focused on the essentials, but allows for episodes to be added as desired. This is how we create a recurring theme for your entire brand communication.

  2 Hits www.deutsche-guggenheim.de  

Show textShow cached sourceOpen source URL	Gemeinsam diskutieren sie über dessen „Verwandtschaft“ zu Joseph Beuys in Bezug auf beider Interesse an Metamorphosen, die Beziehung zwischen Aktion und Dokumentation und die Einbindung narrativer Strukturen.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine deutsche-guggenheim.de as primary domain	Nancy Spector, Curator of Contemporary Art and Director of Curatorial Affairs at the Solomon R. Guggenheim Museum in New York, discusses the concept of the exhibition with Matthew Barney, examining his work in relationship to that of Joseph Beuys. The discussion is in English.

  2 Hits www.deutsche-guggenheim-berlin.de  

Show textShow cached sourceOpen source URL	Gemeinsam diskutieren sie über dessen „Verwandtschaft“ zu Joseph Beuys in Bezug auf beider Interesse an Metamorphosen, die Beziehung zwischen Aktion und Dokumentation und die Einbindung narrativer Strukturen.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine deutsche-guggenheim-berlin.de as primary domain	Nancy Spector, Curator of Contemporary Art and Director of Curatorial Affairs at the Solomon R. Guggenheim Museum in New York, discusses the concept of the exhibition with Matthew Barney, examining his work in relationship to that of Joseph Beuys. The discussion is in English.

  7 Hits www.patconsult.it  

Show textShow cached sourceOpen source URL	Künstler bedienen sich narrativer Strukturen ohne dabei ganze Geschichten zu erzählen. Sie zielen auf das Nichtdarstellbare ab, statuieren die Abwesenheit einer Handlung oder exponieren das Fehlen einer Quintessenz.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine georgkargl.com as primary domain	Narration has long since been the common denominator of art and writing. But artists do not always make a point of telling the whole story. Art aims at the untellable, the untold; it dwells in the absence of action, exposing such quintessence as is lost in the transit from first word to last.

  www.ies-immobilien.at  

Show textShow cached sourceOpen source URL	Unser Atelier bietet starke und reaktive Architektur, Träger narrativer Neuigkeiten und Lebens-Szenarien. Unsere Partner heben in der Praxis die Subtilitäten eines Ortes, die Logik oder die Wiedersprüche hervor, damit jede neue Konstruktion an Präsenz und Bedeutung gewinnt.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine flon.ch as primary domain	Coming from a precise analysis of the «milieux», our architecture explores the notion of the «presence» of a building which is conveyed by an intimate relationship of form and structure.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine flon.ch as primary domain	Notre atelier propose une architecture forte et réactive, porteuse de nouvelles narratives, de scénarios de vie. Les partenaires cherchent dans sa pratique à révéler les prémisses subtiles d’un lieu donné, d’en extraire la logique ou les contradictions afin que toute nouvelle construction affirme sa présence et procure du sens.

  africamed.org  

Show textShow cached sourceOpen source URL	Vom 27. Februar bis zum 2. März 2018 veranstaltet das Institut für Medienwissenschaft der Universität Tübingen eine Winter School zur De- und Rekontextualisierbarkeit und prä-narrativer Zirkulation transmedialer Figuren:
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine comicgesellschaft.de as primary domain	A Tuebingen University Winter School, organized by Lukas R.A. Wilde, brings together eleven international keynote speakers and ten junior researchers to discuss

  2 Hits www.uni-heidelberg.de  

Show textShow cached sourceOpen source URL	Digitale Erfassung von mittelalterlicher Buchmalerei und Analyse narrativer Strategien im Wechselspiel von Text und Bild
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  www.uni-muenster.de  

Show textShow cached sourceOpen source URL	B2-19 - Zwischen religiöser Frömmigkeit und politischer Reflexion: Die Erkenntnisfunktion narrativer und allegorischer Repräsentation in Texten des Trecento (Dante, Petrarca, Boccaccio)
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine uni-muenster.de as primary domain	B2-16 - Media Strategies of Cities and Rulers in Multi-Religious Societies of Antiquity: “Foreign“ Cults in the Light of Material Evidence

  www.evalo.ch  

Show textShow cached sourceOpen source URL	Narrativer Begutachtungsbericht der Kandidaten;
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine missiontalent.com as primary domain	narrative candidate assessment report;
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine missiontalent.com as primary domain	rapport narratif d'évaluation des candidats ;

  www.bio-pro.de  

Show textShow cached sourceOpen source URL	Steine markieren traumatische, Blumen schöne Erlebnisse. Mit narrativer Expositionstherapie kann Genozidflüchtlingen geholfen werden. (© privat)
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine bio-pro.de as primary domain	Stones mark traumatic experiences, flowers mark nice experiences. Genocide survivors can be treated with narrative exposure therapy (NET). (© private)

  www.avertiss.com  

Show textShow cached sourceOpen source URL	Storytelling (Narrativer Wissenstransfer)
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  careers.thenorthface.eu  

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Die Darstellung der Bodenkonfiguration auf denen die Festungen gebaut wurden, ist ebenfalls vollkommen unreal. Hinsichtlich der zahlreichen Disproportionen, entstand die Vedute aufgrund deskriptiver und narrativer Quellen.

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Ovu neobičnu veduta grada Hvara izradio je F. Biermann oko 1875. godine. Objavljena je u Trstu od strane austrijskog osiguravajućeg društva Lloyd. Ova je veduta po svemu sudeći dio grafičke mape F. Biermanna, jer slični Biermannovi prikazi u izdanju austrijskog Lloyda postoje za još neke dalmatinske gradove. Veduta pruža pogled na grad Hvar s otočića Gališnika smještenom na ulazu u hvarsku luku. No, ne radi se o realnom izgledu grada, već o impresiji slikara kojeg su se očito osobito dojmile utvrde iznad grada. Konfiguracija terena na kojem se smjestio sam grad, ovdje je predočena kao izrazito strma i brdovita. I urbana struktura grada Hvara teško je prepoznatljiva. Među označenim objektima sa sigurnošću raspoznajemo samo gradsku ložu i toranj sa satom čiji prikaz dominira središnjim dijelom luke. Slikom dominiraju prikazi fortifikacija: tvrđava Španjol te tvrđave na brdu nad Dolcem sagrađena u vrijeme francuske uprave u Dalmaciji, 1806. godine. Prikaz konfiguracije terena na kojima su smještene utvrde također je sasvim nerealan. S obzirom na brojne disproporcije, veduta je očito nastala na temelju deskriptivnih ili narativnih izvora, pa možemo pretpostaviti da F. Biermann vjerojatno nikada nije osobno vidio grad Hvar.

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Verdrehte Augen ist narrativer als viele andere Filme von Dietmar Brehm, und doch in erster Linie strukturell: Denn die Großaufnahme des überlegenen Mannes (des Jägers, der abwartet) wirkt wie ein leitmotivischer Kommentar zu einer naturhaften, im pornographischen Film kanonisierten Geschlechterpolitik, in der die Frau zwei Formen des Begehrens ausgeliefert ist - dem ohnmächtigen und dem übermächtigen.

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A drama of gazes in which a woman´s turned-up eyes express both her sexual superiority and her submission: She shows the contempt she feels for her impotent husband, who is unable to start the car, by twisting her eyes from the passenger seat. And with regard to their pursuers, who later attempt to force their way through both doors of the car where the couple has found refuge, keeping them in view by twisting her eyes is not possible at the moment she looks, the victor gains entry to the vehicle, which he had been confident of from the film´s very beginning. His composed expression, full of both speculation and disdain as he languidly chews on a toothpick (which justifies the ironic tone of the subplot dealing with the preparation of meat), meets the woman´s cool, passive gaze thanks to the indirectness of the cut alone. At the beginning of the film the woman sits in a rattan chair, the furniture of sexual liberation since Emmanuelle. The two men sit outside, attempting to penetrate the rooms occupied by the woman. Although Twisted Eyes has more of a narrative character than many other films by Dietmar Brehm, it is primarily structural. The close-up of the victorious man (the patient hunter) functions as a leitmotif which comments on a primitive type of sexual politics canonized in pornographic films: Women are at the mercy of two types of desire one powerless and the other overpowering. Brehm ends his film with an image taken from nature, similarly to its beginning with one from the food chain.

  www.taksa-agri.ir  

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Es geht um eine grundsätzliche Minimalisierung, eine Deanimation kultureller Produkte, die ihrerseits auf die Kraft der Imagination vertrauen und in der offenen Struktur der Bilder und Wörter ihr Potenzial entfalten. Filme im Jenseits narrativer Ökonomie.

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“Matthias Meyer’s works build on the visual power of cinematographic images, which appear familiar even when narrative is eliminated, when parts stand for the whole and certainty loses itself in memory. It is an aesthetic of disappearance that generates new image worlds from the fragmentary, in which absence gains its own significance, since it achieves new visibility as an empty space. Frozen film stills encounter silent sequences whose erstwhile eloquence still vibrates in the space like a distant echo. However, it is not only the deconstruction of filmic dramaturgies or the abbreviation of iconic images that motivates these works.

  2 Hits www.kinamo.be  

Show textShow cached sourceOpen source URL	Der Sog seiner assoziativen Bildsprache erweckt ein Bewusstsein für eine Gegenwart, die von ihrer Geschichte eingeholt wird und welche die Offenlegung von Differenzen und Vorurteilen einfordert. Einem Drehbuch ähnlich, das auf seine Umsetzung wartet, öffnet sich ein narrativer Raum, in dem stummgeschaltete Stimmen wieder zu Wort kommen und unerfüllte Lebensentwürfe Wirklichkeit werden.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine swissart.ch as primary domain	Hand signals engraved in stone, Bibles clamped between false teeth, blurred chalk marks on blackboards, school benches turned into birdhouses. Kemang Wa Lehulere’s (*1984, SA) many-sided work produces haunting, suggestive images, founded in the past of his native country South Africa. Located between an autobiographical search for clues and historical events, the exhibition creates a place of reflection on ideologies in the education system, the instrumentalisation of religion or the erasure of collective memory. He submits his visual narratives to an on-going process of overwriting and reconstruction. Beyond the examination of South African history his drawings, performances, installations and videos also have an impact that extends to the questions of our time. The force of an associative visual language provokes an awareness of a present that its history has caught up with and which demands the disclosure of differences and prejudices. Like a film script waiting to be implemented, a narrative space opens up in which muted voices have their say again and unfulfilled ways of living become reality.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine swissart.ch as primary domain	Des signes de mains gravés dans la pierre, des exemplaires de la Bible coincés entre des dentiers, des traits de craie floutés sur tableau noir, des bancs d’école transformés en volières. Le travail protéiforme de Kemang Wa Lehulere (*1984, SA) libère des images poignantes et suggestives qui trouvent leur origine dans le passé de son pays d’origine, l’Afrique du Sud. Entre recherche autobiographique et faits historiques, l’artiste crée dans son exposition un espace qui invite à réfléchir à l’irruption des idéologies dans le système éducatif, aux instrumentalisations de la religion ou encore à l’effacement de la mémoire collective. Il fait subir à son travail un processus continu de réinterprétation et de reconstruction. Au-delà de la confrontation avec l’histoire sud-africaine, ses dessins, performances, installations et vidéos ont aussi une résonance dans les questionnements de notre époque. Le flot de son langage visuel associatif éveille la conscience d’un présent rattrapé par son histoire, qui revendique la mise à nu de ses différences et préjugés. A l’image d’un scénario attendant sa réalisation, émerge un espace narratif dans lequel des voix opprimées retrouvent la parole et des projets inaboutis deviennent réalité.