arp – -Translation – Keybot Dictionary

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One of the outstanding representatives of the European trend of concrete and visual poetry. He started his creative literary and artistic endeavour in 1944, in 1953 he commenced correspondence with H. Arp, in the midst 50s created his first visual poetry pieces, poetic compositions.

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Карлфридрих Клаус (1930 – 1998, Аннаберг, Германия) – поэт, художник, эссеист. Один из ярких представителей европейского направления конкрет- и визуальной поэзии. Литературно-художественной деятельностью занимается с 1944 года, в 1953 году вступает в переписку с Хансом Арпом, в середине 50-х создает первые визуально-поэтические произведения, поэтические композиции. Переписка с Раулем Хаусманном подвигает К. Клауса на создание первой серии двусторонних визуально-поэтических произведений “Schreibakt”. С 1961 года – автор более трех десятков персональных выставок графики и визуальной поэзии в Германии и за рубежом, в т.ч. в Kunsthalle (Баден-Баден, 1964), Klub O.V. Guericke (Магдебург, 1968), Galerie Akumulatory 2 (Познань, 1974), Kupferstichkabinett (Дрезден, 1980), Stadtisches Museum (Цвикау, 1989), персонального выставочного тура по музеям Германии: Мюнстер – Франкфурт-на-Майне – Билефельд – Мюнхен – Гамбург – Вейден – Берлин (1990-91), Buch Julius (Штутгарт, 1991), Museum van Hedendaagse Kunst (Гент, 1992), Stadtisches Kunstmuseum (Ретлинген, 1993), Lindenau-Museum (Альтенбург, 1993) и мн. др. Участник более сотни коллективных выставок экспериментальной поэзии в различных странах мира, среди них в Stedelijk Museum (Амстердам, 1963), Haags Gemeente Museum (Гаага, 1965), Akademie der Kunste (Западный Берлин, 1966), Institut fur Moderne Kunst (Нюрнберг, 1968), Centre national d’art dramatique (Ницца, 1973), Musee d’art moderne (Брюссель, 1977), Musee d’art moderne (Париж, 1981), Museum der bildenden Kunste (Лейпциг, 1983), Museum of Modern Art (Оксфорд, 1984), Gutenberg-Museum (Майнц, 1987), Akademie der Kunste (Берлин, 1993) и мн. др. Лауреат ряда призов, премий, наград, в т.ч. обладатель Grafikpreisder Griffelkunst-Vereinigung Hamburg (1991), Jorg Ratgeb-Preis (1992), Graf-Kessler-Preis des Deutschen Kunstlerbundes (1992). Член Академии искусств Берлина, Академии искусств Лейпцига и почетный профессор Академии изящных искусств Дрездена, почетный житель Аннаберг-Буххольца. Автор многочисленных публикаций визуальной поэзии, эссе, заметок и теоретических статей в Германии и за рубежом, в т.ч. в Nota 3 (Мюнхен, 1959), LesLettres 33 (Париж, 1965), TangenteReport (Гейдельберг, 1965), Modulo 1 (Генуя, 1966), DeTafelronde 4 (Амстердам, 1967), Sinnund Forum 6 (Вена, 1985) и мн. др. С 80-х годов активизировал свои lautexerzitien – саунд-фонетические занятия, которыми занимался с 50-х годов. Интерес к заумному языку Крученых и Хлебникова инициировал появление серии

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In New Forms-New Media (Martha Jackson Gallery, New York), his works are hung alongside those of Arp, Burri, Calder, Chamberlain, Cornell, Jim Dine, Dubuffet, Dan Flavin, Jasper Johns, Kaprow, Yves Klein, Nevelson, Oldenburg and Rauschenberg.

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Juan Eduardo Cirlot publica la monografía Tàpies, y la revista Papeles de Son Armadans (Palma de Mallorca), dirigida por Camilo José Cela, le dedica un número monográfico con colaboraciones de Giulio Carlo Argan, Umbro Apollonio, Jacques Dupin, Pierre Restany y Herbert Read, entre otros muchos. En New Forms-New Media (Martha Jackson Gallery, Nueva York), sus obras se confrontan a las de Arp, Burri, Calder, Chamberlain, Cornell, Dine, Dubuffet, Flavin, Johns, Kaprow, Klein, Nevelson, Oldenburg y Rauschenberg. Participa en las exposiciones colectivas New Spanish Painting and Sculpture (The Museum of Modern Art, Nueva York), Before Picasso, after Miró (The Solomon R. Guggenheim Museum, Nueva York) y Neue Malerei. Form, Struktur, Bedeutung (Städtische Galerie, Múnich). En la Bienal de Tokio recibe el Premio del Ministerio de Asuntos Exteriores. Exposiciones individuales en Barcelona, Nueva York, Milán, Bilbao y Estocolmo.

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Show textShow cached sourceOpen source URL	TAEUBER-ARP, Sophie: Les derniers 9 dessins de Sophie Taeuber-Arp / accompagné d’une letter de Gabrielle Buffet-Picabia. – Zürich: Allianz-Verlag, 1943. – [16] pages: most of them illustrated; 20 cm
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nb.admin.ch as primary domain	TAEUBER-ARP, Sophie : Les derniers 9 dessins de Sophie Taeuber-Arp / accompagné d'une lettre de Gabrielle Buffet-Picabia. – Zurich : Allianz-Verlag, 1943. – [16] f. : en majeure partie des ill. ; 20 cm
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine nb.admin.ch as primary domain	TAEUBER-ARP, Sophie : Les derniers 9 dessins de Sophie Taeuber-Arp / accompagné d'une lettre de Gabrielle Buffet-Picabia. – Zürich : Allianz-Verlag, 1943. – [16] f. : en majeure partie des ill. ; 20 cm
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He studied philosophy and art history in Munich and Hamburg. Previously, Schreiber was curator at the Böttcherstraße Museums in Bremen, the Museum Frieder Burda in Baden-Baden and the Arp Museum, Rolandseck, and artistic director of the Kunsthalle Tübigen.

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Daniel J. Schreiber ist seit 2013 Direktor des Buchheim Museum der Phantasie in Bernried. Er studierte Philosophie und Kunstgeschichte in München und Hamburg. Schreiber war zuvor Kurator an den Kunstsammlungen Böttcherstraße in Bremen, am Museum Frieder Burda in Baden-Baden sowie am Arp Museum Rolandseck und künstlerischer Leiter der Kunsthalle Tübingen. Schreiber kuratierte zahlreiche Ausstellungen zur Kunst der klassischen Moderne und der Gegenwart.

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The yellow flower sculpture from the collection commemorates the abstract works of Hans Arp from a technical standpoint, though here, Bertrand Lavier enters the sphere of pop culture in that he challenges the understanding of sculpture that has been handed down.

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Bernard Lavier, Walt Disney Productions, n. 13, 1996, Polyester, 320 x 210 x 100 cm © bei Künstler Foto: Achim Kukulies Der in Frankreich lebende Künstler Bertrand Lavier (*1949 in Châtillon-sur-Seine, Frankreich) beleuchtet und verwischt die Grenzen zwischen den Medien, zwischen Realität und Fiktion, Zwei- und Dreidimensionalität. Die zur Sammlung gehörende Skulptur von Lavier stammt aus seiner Werkserie der „Walt Disney Production“. 1984 begann er die Geschichte, bei der Mickey und Minnie, in Bilder, Skulpturen und Installationen zu überführen. Die Skulptur aus der Sammlung erinnert an die abstrakten Werke Hans Arps, wobei Bertrand Lavier hier die Sphäre der Popkultur betritt und die tradierte Grenze der Bildhauerei feinsinnig in Frage stellt.

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** ==== Failover IP Xen ==== Change the file xend-config.sxp for the usage of the "route" scripts of Xen (network-script network-route) (vif-script vif-route) add to the script echo 'echo 1 > /proc/sys/net/ipv4/conf/eth0/proxy_arp' >> /etc/xen/scripts/network-route in the XEN configuration of the VM: vif = [ 'ip=my_ip_failover' ] netmask = "255.255.255.0" gateway = "ADDR_IP_MACHINE_HOST" in the configuration of the VM auto eth0 iface eth0 inet static address my_ip_failover netmask 255.255.255.255 post-up /sbin/ip route add ADDR_IP_MACHINE_HOST/32 dev eth0 post-up /sbin/ip route add default via ADDR_IP_MACHINE_HOST

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===== Virtualisation Xen ===== ** Important : Ne jamais faire de bridge sur votre carte réseau Dedibox. Vous risquez de diffuser sur le réseau une adresse MAC virtuelle, ce qui provoquerait la mise en sécurité de votre port réseau et la suspension de votre serveur. Faites uniquement du NAT ou du mode routé ! ** ==== Ip failover Xen ==== Modifier xend-config.sxp en pour utiliser les scripts "route" de Xen (network-script network-route) (vif-script vif-route) petit ajout dans le script echo 'echo 1 > /proc/sys/net/ipv4/conf/eth0/proxy_arp' >> /etc/xen/scripts/network-route dans la configuration Xen du virtuel : vif = [ 'ip=mon_adresse_ip_failover' ] netmask = "255.255.255.0" gateway = "ADDR_IP_MACHINE_HOTE" config dans la virtuel auto eth0 iface eth0 inet static address mon_adresse_ip_failover netmask 255.255.255.255 post-up /sbin/ip route add ADDR_IP_MACHINE_HOTE/32 dev eth0 post-up /sbin/ip route add default via ADDR_IP_MACHINE_HOTE

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This response, the adoption of Anglo-Slavic names, represents both a protest against German nationalism: both would joined the Communist Party of Germany in 1918. Their repulsion towards the catastrophe of war, to the madness of war, is represented in the arts through other madness: it is the road that the Dadaists choose to contest the system. Jean Arp wrote:

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Alcuni dei dadaisti vissero in prima persona la follia della guerra: nel novembre del 1914 il tedesco Georg Ehrenfried Groß entra nell'esercito, che lascia sei mesi più tardi per motivi di salute e nel 1916 cambia il nome in George Grosz; un altro dadaista tedesco, Helmut Franz Josef Herzfeld, cambia il proprio nome in John Heartfield. Questa risposta, l'adozione di nomi anglo-slavi, rappresenta per entrambi una protesta contro il nazionalismo tedesco; ne è la conferma l'iscrizione di entrambi al Partito Comunista di Germania nel 1918. La loro repulsione verso la catastrofe bellica, verso la follia della guerra, viene rappresentata in ambito artistico tramite altra follia: è la strada che i dadaisti scelgono per contestare il sistema. Scrisse Jean Arp:

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Show textShow cached sourceOpen source URL	The following were the founding parties: CDU and CSU/Germany, PSC and CVP/Belgium, CDS/France, Fine Gael/Ireland, DC/Italy, CSV/Luxembourg, KPV und CHU and ARP/Netherlands.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Les partis fondateurs sont la CDU et la CSU (Allemagne), le PSC et le CVP (Belgique), le CDS (France), le Fine Gael (Irlande), le DC (Italie), le CSV (Luxembourg), le KPV, le CHU et l'ARP (Pays-Bas).
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Die Gründungsparteien sind: CDU und CSU/Deutschland, PSC und CVP/Belgien, CDS/Frankreich, Fine Gael/Irland, DC/Italien, CSV/Luxemburg, KPV und CHU und ARP/Niederlande.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Los partidos fundadores fueron: CDU y CSU/Alemania, PSC y CVP/Bélgica, CDS/Francia, Fine Gael/Irlanda, DC/Italia, CSV/Luxemburgo, KPV und CHU y ARP/Países Bajos.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	I partiti fondatori sono: CDU e CSU/Germania, PSC e CVP/Belgio, CDS/Francia, Fine Gael/Irlanda, DC/Italia, CSV/Lussemburgo, KPV, CHU e ARP/Paesi Bassi.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Os partidos fundadores foram os seguintes: CDU e CSU/Alemanha, PSC e CVP/Bélgica, CDS/França, Fine Gael/Irlanda, DC/Itália, CSV/Luxemburgo, KPV, CHU e ARP/Países Baixos.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Τα ιδρυτικά κόμματα είναι τα ακόλουθα: CDU και CSU/Γερμανία, PSC και CVP/Βέλγιο, CDS/Γαλλία, Fine Gael/Ιρλανδία, DC/Ιταλία, CSV/Λουξεμβρούργο, KPV και CHU και ARP/Ολλανδία.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	De stichtende partijen waren de CDU en CSU/Duitsland, PSC en CVP/ België, CDS/Frankrijk, Fine Gael/Ierland, DC/Italië, CSV/Luxemburg, KPV en CHU en ARP/Nederland.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Zakládajícími stranami jsou: CDU a CSU / Německo, PSC a CVP / Belgie, CDS/Francie, Fine Gael / Irsko, DC/Itálie, CSV/Lucembursko, KPV a CHU a ARP / Nizozemsko.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	De grundlæggende partier var følgende: CDU og CSU/Tyskland, PSC og CVP/Belgien, CDS/Frankrig, Fine Gael/Irland, DC/Italien, CSV/Luxembourg, KPV og CHU og ARP/Nederlandene.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Euroopa Rahvapartei asutajaerakonnad olid järgmised: CDU ja CSU (Saksamaa), PSC ja CVP (Belgia), CDS (Prantsusmaa), Fine Gael (Iirimaa), DC (Itaalia), CSV (Luksemburg), KPV und CHU ja ARP (Madalmaad).
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Perustajapuolueita olivat Saksan CDU ja CSU, Belgian PSC ja CVP, Ranskan CDS, Irlannin Fine Gael, Italian DC, Luxemburgin CSV ja Alankomaiden KPV, CHU ja ARP.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	A következő pártok tartoztak az alapítók közé: CDU és CSU, Németország; PSC és CVP, Belgium; CDS, Franciaország; Fine Gael, Írország; DC, Olaszország; CSV, Luxemburg; KPV und CHU és ARP, Hollandia.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Europos liaudies partiją įsteigia šios partijos: Vokietijos CDU ir CSU, Belgijos PSC ir CVP, Prancūzijos CDS, Airijos „Fine Gael“, Italijos DC, Liuksemburgo CSV bei Nyderlandų KPV, CHU ir ARP.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Partiami założycielskimi były: CDU i CSU/Niemcy, PSC i CVP/Belgia, CDS/Francja, Fine Gael/Irlandia, DC/Włochy, CSV/Luksemburg, KPV oraz CHU i ARP/Holandia.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Partidele fondatoare au fost următoarele: CDU și CSU/Germania, PSC și CVP/Belgia, CDS/Franța, Fine Gael/Irlanda, DC/Italia, CSV/Luxemburg, KPV und CHU și ARP/Țările de Jos.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Zakladajúcimi stranami boli: CDU a CSU/Nemecko, PSC a CVP/Belgicko, CDS/Francúzsko, Fine Gael/Írsko, DC/Taliansko, CSV/Luxembursko, KPV, CHU a ARP/Holandsko.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Ustanovitvene so bile naslednje stranke: CDU in CSU/Nemčija, PSC in CVP/Belgija, CDS/Francija, Fine Gael/Irska, DC/Italija, CSV/Luksemburg, KPV, CHU in ARP/Nizozemska.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine arc.eppgroup.eu as primary domain	Dibināšanā piedalījās šādi dalībnieki: CDU un CSU/Vācija, PSC un CVP/Beļģija, CDS/Francija, Fine Gael/Īrija, DC/Itālija, CSV/Luksemburga, KPV, CHU un ARP/Nīderlande.

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Show textShow cached sourceOpen source URL	Dorothée Meilichzon, designer and founder, CHZON – Marie Carcassonne, Dynamo _ Simon Rawlings, creative director, David Collins Studio – Arnaud Ferrand, well-being project manager, ARP-Astrance – Moderated by Guy Dittrich
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Show textShow cached sourceOpen source URL	Amongst several Surrealist and Post War artists work’s, amongst them Arp, Magritte, Oldenburg, and Cesar, Dali’s
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His solo exhibitions include "Grey as Colour. Photographs until 2009," Haus der Kunst, Münich (2010); Galerie Nordenhake Berlin (2009); "Irgendwo," co-organized by the Kunstverein Heilbronn, Oldenburger Kunstverien, Arp Museum Rolandseck, Remagen (2005); "Frauen - EIN-HEIT - Menschenbilder," at the Kunstverein in der Kunsthalle Düsseldorf (2000); and "U-NI-TY," at the Museum of Modern Art, New York and Sprengel Museum, Hannover (1996).

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Michael Schmidt nació en 1945 en Berlín, donde actualmente vive y trabaja. Sus exposiciones individuales incluyen "gris como el color. Fotografías hasta 2009,"Haus der Kunst, Münich (2010); Galerie Nordenhake Berlín (2009); "Irgendwo", organizado conjuntamente por el Kunstverein Heilbronn, Oldenburger Kunstverien, Rolandseck del Museo de Arp, Remagen (2005); "Frauen-EIN HEIT - Menschenbilder," en el Kunstverein in der Kunsthalle Düsseldorf (2000); y "U-NI-TY," en el Museo de arte moderno, Nueva York y el Museo Sprengel, Hannover (1996). Ha participado en numerosas exposiciones colectivas, incluyendo "Wildnis wird Garten wird Wilniss," una exposición especial en la Fundación de colección/SK Photographische en Art Cologne (2009); "Frente a la historia - fotógrafos europeos en el siglo XX," entre Barbican, London (2006); "De ratones y hombres," Berlín Bienal de arte contemporáneo, Berlín (2006); "Zwischen Wirklichkeit und Bild: Positionen deutscher Fotografie der Gegenwart," el Museo Nacional de arte moderno, Tokio, el Museo Nacional de arte moderno, Kyoto y la Marugame Genichiro Inokuma Museo de arte contemporáneo, Shikoku (2005); "Cruel + tierna,"Tate Modern, Londres y Museo Ludwig, Köln (2003); "Openends, contra-monumentos y la memoria," el Museo de arte moderno, Nueva York (2001); y "Das Versprechen der Fotografie," Akademie der Künste, Berlín (2000). Obras de su serie "Frauen" se instalaron recientemente públicamente como carteles de la Bienal de Berlín 6 de arte contemporáneo (2010).

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Thanks especially to the artists Hans Richter and Jean (Hans) Arp, she began to explore radical directions in painting in the 1910s and early 1920s. Arp gave Rebay copies of Vasily Kandinsky’s seminal treatise On the Spiritual in Art (published 1911) and the almanac Der Blaue Reiter (1912).

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Auf Anregung ihrer Künstlerkollegen Hans Richter und (Jean) Hans Arp begann Rebay in den 1910er und 1920er Jahren mit radikaleren Malweisen zu experimentieren. Arp schenkte Rebay ein Exemplar von Wassily Kandinskys Aufsatz Über das Geistige in der Kunst (herausgegeben 1911) und den Almanach Der Blaue Reiter (1912). Arps Reliefs, Collagen und Papiers déchirés regten Rebay dazu an, ihre eigenen, unverkennbaren Klebebilder zu entwickeln, die sie selbst als Paper Plastics bezeichnete, und den Sprung ins Reich der abstrakten und gegenstandslosen Malerei zu wagen. Arp ermunterte sie, freier mit der Linie umzugehen und mit allen Formen der Collage und Druckkunst zu experimentieren. Arp brachte sie auch in Kontakt mit der Züricher DADA-Bewegung und mit Herwarth Walden, dem Gründer des einflussreichen Journals Der Sturm und der gleichnamigen Galerie in Berlin. Rebay wurde ein aktives Mitglied der europäischen Avantgarde. Sie beteiligte sich an mehreren Gruppenausstellungen und entwarf 1919 einen Holzschnitt für den Umschlag der Februar-Ausgabe von der Zeitschrift Der Sturm. In der Galerie Der Sturm traf Rebay den Künstler Rudolf Bauer, in dem sie den führenden Vertreter der gegenstandslosen Malerei zu erkennen glaubte und mit dem sie bald eine langjährige und persönlich wie künstlerisch folgenreiche Verbindung einging.

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Show textShow cached sourceOpen source URL	Athénée Royal Jean Rostand, Avenue de samart 2b, 5600 Philippeville, 7 May at 10 a.m., contact: prefet.arp@skynet.be
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Show textShow cached sourceOpen source URL	'Jean Arp - The Invention of the Form', Exhibition brochure, Palais des Beaux-Arts, Brussels
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Show textShow cached sourceOpen source URL	L’ARP, the Civil Society of Writers, Directors and Producers, announced that the 20th edition of […]
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  3 Hits www.g-status.com  

Show textShow cached sourceOpen source URL	ethernet-interface, 10 – 100 Mbps, TCP, UDP, IP, ARP, ICMP, Ethernet Mac protocols
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For the entrance of the building, the Berlin based artist Björn Dahlem has created a permanent light installation entitled Lokale Gruppe. The courtyard of the house accommodates Säulenskulptur, a sculpture by Hans Arp, courtesy of Foundation Arp.

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Der Salon präsentiert ein vielseitiges Programm, das sich mit einer breiten Palette an künstlerischen Formaten beschäftigt: Ausstellungen, Konzerte, Performances, Workshops und die Begegnung kreativer Menschen und Experten. Die Institution ist nicht nur ein Raum für kulturelle Zusammenkünfte und Events; das ganze Haus ist der Kunst gewidmet. An den Salon angefügt befindet sich ein geschmackvoll eingerichtetes privates Appartement, das deutsches und finnisches Design miteinander verbindet. Es beherbergt eine Selektion von Kunstwerken aus der Sammlung Miettinen, deren Arrangement jeweils auf die temporär stattfindenden Ausstellungen abgestimmt ist. Für den Eingangsbereich des Gebäudes hat der in Berlin lebende Künstler Björn Dahlem die permanente Lichtinstallation Lokale Gruppe gestaltet. Der Hof wurde kürzlich umgestaltet für die Installation einer Skulptur von Hans Arp – zur Verfügung gestellt mit freundlicher Genehmigung der Arp Foundation.

  tomotoshihoshino.com  

Show textShow cached sourceOpen source URL	7. The management and implementation of safety assessment methods for airborne systems and equipment ARP-4761. SAE International. Aerospace Sector. Moscow, Aviaizdat, 2010. 265 p. (in Russian).
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine mmi.sgu.ru as primary domain	7. Руководство P-4761 по методам оценки безопасности систем и бортового оборудования самолетов гражданской авиации / Авиационный регистр. Межгосударственный Авиационный Комитет. М. : Авиаиздат, 2010. 265 с.

  2 Hits www.placestefoy.com  

Show textShow cached sourceOpen source URL	Develops flows on ARP for third party applications
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  it.formidapps.com  

Show textShow cached sourceOpen source URL	- on plain boards of airlines "International Ukrainian Airlines", "Malev", "Turkish Airlines", "Aerostar", "ARP-410".
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Show textShow cached sourceOpen source URL	Hall 2.0 | Booth C11 Thursday, June 19, to Sunday, June 22, 2014 Thursday – Sunday: 11am – 7pm Further information: > see Online Catalog www.artbasel.com Artists: Alexander Archipenko Hans Arp Hans Bellmer Aenne Biermann Carl Buchheister Erich Buchholz Erich Comeriner Max Ernst Raoul Hausmann Florence Henri Hannah Höch Frederick I. Kann Almir Mavignier Helmut […]
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine berinson.de as primary domain	Halle 2.0 | Stand C11 Donnerstag, 19. Juni bis Sonntag, 22. Juni 2014 Do – So: 11 – 19 Uhr Weitere Informationen: > zum Online-Katalog www.artbasel.com Künstler: Alexander Archipenko Hans Arp Hans Bellmer Aenne Biermann Carl Buchheister Erich Buchholz Erich Comeriner Max Ernst Raoul Hausmann Florence Henri Hannah Höch Frederick I. Kann Almir Mavignier Helmut […]

  www.nrc-cnrc.gc.ca  

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Next, through Skinner’s efforts, Quark received additional much-needed funding through the Accelerated Review Process (ARP) to transform TetherBerry into a multi-platform and Bluetooth-enabled device.

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Ensuite, grâce aux efforts de M. Skinner, Quark a reçu d’autres fonds très utiles grâce au Processus de revue accéléré (PRA) du PARI-CNRC afin de transformer TetherBerry en une plateforme multiple et en un dispositif fonctionnant avec Bluetooth. En 2010, TetherBerry a été renommé simplement Tether, et les ventes ont connu une croissance fulgurante. En définitive, ces améliorations techniques ont entrainé une meilleure pénétration du marché, ont multiplié les occasions d’affaires et ont augmenté les revenus de 50 %.

  4 Hits www.kunstmuseumbasel.ch  

Show textShow cached sourceOpen source URL	Important works by Pablo Picasso (9), Georges Braque (11), Fernand Léger, Juan Gris, Marc Chagall, Amadeo Modigliani, Paul Klee (32), Jean Arp, Ernst Ludwig Kirchner, Wassily Kandinsky, August Macke, Franz Marc, Oskar Kokoschka, Oskar Schlemmer, Julius Bissier.
Compare text pagesCompare HTM pagesOpen source URLOpen target URLDefine kunstmuseumbasel.ch as primary domain	Bedeutende Werke von Pablo Picasso (9), Georges Braque (11), Fernand Léger, Juan Gris, Marc Chagall, Amadeo Modigliani, Paul Klee (32), Jean Arp, Ernst Ludwig Kirchner, Wassily Kandinsky, August Macke, Franz Marc, Oskar Kokoschka, Oskar Schlemmer, Julius Bissier.

  www.soadultos.com  

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A Cambodia Television Network correspondent summoned to appear in court yesterday did not show as the hearing fell on a public holiday. CTN’s Lay Ly was summoned in connection with a disinformation complaint filed by local property firm ARP-OITC based on a report on a land dispute between the company and a military officer.

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អ្នក​យកព៌​តមាន​ម្នាក់ របស់ទូ​រទស្ស​ន៏(CTN) មិនបា​នចូល​ទៅបង្ហាញ​ខ្លួនតាម​ការកោះ​ហៅរ​បស់​សាលាដំ​បូង​ខេត្តបន្ទាយ​មានជ័​យទេ ពាក់ព័ន្ធ​នឹង​បណ្តឹងផ្ស​ព្វផ្សាយ​ព៌តមា​នមិ​នពិ​ត អំពី​ជម្លោះដី​ធ្លី​ដោយ​សារប៉ះ​ចំថ្ងៃ​ឈប់​សម្រា​ក។ លោក​លៃ លី ភ្នាក់​ងារCTN ប្រចាំ​ក្រុងប៉ោ​យប៉ែ​ត ត្រូវ​បាន​តុលាកា​ខេត្ត​ កោះហៅ​អោយ​ចូល​ខ្លួន នៅថ្ងៃ​ច័ន្ទម្សិ​លមិ​ញនេះ​ ដើម្បីបំ​ភ្លឺលើ​ការ​ចោទ​ប្រកាន់​របស់​លោក​ដាំ ឆាត​រីអ​គ្គនាយក​ក្រុម​ហ៊ុន ARP-OIT​Cដែល​មានទំនា​ស់ដីធ្លី​ជាមួយ​លោក ឡាយ សារ៉ន ជា​យោធា​ម្នាក់ ស្ថិត​នៅ​ក្នុង​ស្រុក​ភ្នំស្រុ​ក។​